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Class is back in session for another mandatory noise history lesson as we had a great discussion about “The Japanese/American Noise Treaty” with the man who curated it, Mason Jones. Mason gives us all the background and history of putting this mammoth document together. We get into the order, how artists were chosen, why some aren’t on it, the design and layout, and so much more. It’s truly one of the most important noise compilations of all time, and was incredible to get the story from the man responsible.
Visit our Sponsor: Oxen Records
Check out Incapacitants “Oxen Man’s Uneasiness”
Check out NBDY “Woods & Wires”
Follow us on Instagram: @noisextra
Follow us on Twitter: @noisextraaa
Support us on Patreon: patreon.com/noisextra
By Chondritic Sound5
160160 ratings
Class is back in session for another mandatory noise history lesson as we had a great discussion about “The Japanese/American Noise Treaty” with the man who curated it, Mason Jones. Mason gives us all the background and history of putting this mammoth document together. We get into the order, how artists were chosen, why some aren’t on it, the design and layout, and so much more. It’s truly one of the most important noise compilations of all time, and was incredible to get the story from the man responsible.
Visit our Sponsor: Oxen Records
Check out Incapacitants “Oxen Man’s Uneasiness”
Check out NBDY “Woods & Wires”
Follow us on Instagram: @noisextra
Follow us on Twitter: @noisextraaa
Support us on Patreon: patreon.com/noisextra

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