Len Testa & Jim Hill start off this week’s episode by discussing what’s significant about that new Disney Cruise Line survey which is currently making the rounds. Jim then talks about how the Imagineers keep trying to get the theme park-going public to embrace an attraction that features binaural sound. 

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 In a special Easter-themed episode, Michelle Valladolid & Jim Hill discussed how the Tokyo Disney Resort has turned this holiday into a two park, multi-week event. Jim then reviews the history of the Disney Bunnies, which is when DCP tried to build a brand around Thumper the Rabbit from “Bambi”

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Aaron Adams & Jim Hill start off this week’s episode by talking about how the limited series that Marvel Studios is producing for Disney’s soon-to-launch subscription streaming service will be different from “Agents of S.H.I.E.L.D” & “Agent Carter.” Jim then does a deep dive on Disney’s August 2009 acquisition of Marvel Entertainment and reveals that – given the weird way that Hollywood does its books – it’s entirely possible that the Mouse has yet to recover the full $4.2 billion that it spent to buy that comic book company.

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Dustin Fuhs & Jim Hill start off this week’s episode by talking about the operational & safety challenges that Universal Studios Hollywood is now facing, thanks to all of those show drones this theme park is using to create that patronus effect in its new “Dark Arts at Hogwarts Castle” projection show. Jim also reveals the “Treehouse of Horror” -inspired storyline that “The Simpsons Ride” almost had

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Drew Taylor & Jim Hill start off this week’s show by discussing Rich Moore’s decision to leave Walt Disney Animation Studios for Sony Pictures Animation. Drew also shares what he learned about “Toy Story 4” while taking part in the press day for this upcoming Pixar Animation Studios’ release

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Len Testa & Jim Hill start off by talking about how “Lightning McQueen’s Racing Academy” will use promotion to try & overcome its unfortunate, out-of-the-way positioning at Disney’s Hollywood Studios. They also talk about a patent that The Walt Disney Company has recently filed which  Mouse House managers hope will get Guests to look up from the screens on their iPhones.

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Aaron Adams & Jim Hill start off this week’s show by discussing how “Avengers: Endgame” ‘s three-hour-plus run-time may prevent this Russo Bros. movie from topping “Infinity Wars” record-breaking opening weekend box office take. They also talk about how the positive reaction that “Dark Phoenix” got at WonderCon last month really helped turn the toxic reputation that this X-Men movie had acquired around.

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Drew Taylor & Jim Hill look back at when Don Bluth resigned from Walt Disney Animation Studios in September of 1979 and then took 15% of that studio’s artists & animators with him. Drew then shares the interview that he did with Chris Butler, the director of “Missing Link” (i.e., Laika’s latest stop motion movie) 

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Len Testa & Jim Hill start off this week’s episode by talking about Disney Villains After Hours, that new hard ticket for WDW’s Magic Kingdom which will be offered on select nights in June, July & August. They also do a deeper dive on that Universal Parks & Resorts survey which offers some clues about what sorts of rides, shows & attractions are possibly in the mix for Universal Orlando’s Fantastic Worlds theme park

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Dan Zehr reports back on his recent trip to Chicago, where he scoped out McCormick Place (i.e., the massive convention center where Star Wars Celebration is being held this year). Jim Hill then shares some behind-the-scene stories about George Lucas’ involvement in the production of “Captain EO”

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