On this episode of The Kulturecast, Mike White, Father Malone, and Chris Stachiw wrangle with The Life and Times of Judge Roy Bean (1972), a shaggy, mythic Western brought to life—or perhaps strangled—by director John Huston and star Paul Newman. The trio digs into John Milius's wild, operatic script, packed with larger-than-life frontier chaos, and asks whether Huston's revisionist instincts and Newman's laid-back performance undercut the film's outlaw poetry. It's a strange, lurching ride through the West that might leave you pondering how history gets whitewashed, lionized, or laughed off entirely.

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Booby traps, RC cars, and ‘90s suburban chaos — this week, we’re rewinding to Remote (1993), the Home Alone-adjacent adventure you probably forgot you loved. Join us as we dig into its offbeat charm, childhood wish fulfillment, and where it fits in the golden age of kid-powered cinema.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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This week on The Kulturecast, we unpack The Brutalist — a visually arresting, emotionally layered film that blends architecture, identity, and postwar displacement. We dive into its moody aesthetics, deliberate pacing, and the story it builds, brick by brick.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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Have you ever heard of the healing power of laughter? 

Mike White March wraps with the scene of the cinematic crime with Patch Adams (1998), a film that weaponizes red noses and sentimentality in equal measure. Chris Stachiw and Mike White welcome guest co-host Mark Begley to dissect this "based-on-a-true-story" heartwarmer, in which Robin Williams plays a medical student who believes laughter is the best medicine—even if it means violating every hospital policy in the book. 

From groan-worthy gags to emotional manipulation set to a soaring score, the trio digs into what works, what absolutely doesn’t, and why this film somehow became a cultural touchstone. Bring tissues… and maybe some antacid.

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Mike White March limps across the finish line with Man of the Year (2006), a film that asks: what if a late-night comedian accidentally became president due to a voting machine glitch? Cullen Gallagher joins Chris Stachiw and Mike White to unpack Barry Levinson’s bizarre genre mash-up that starts as political satire, swerves into romantic drama, and crashes into full-blown techno thriller. Robin Williams stars as a Jon Stewart-esque figure who suddenly finds himself in the Oval Office—not because of charisma, but because of...a software bug?

It’s a premise that felt far-fetched in 2006 and now feels like a documentary from an alternate universe. From clunky tone shifts to baffling plot twists, the trio digs into what Man of the Year was trying to say—and why it fails so spectacularly.

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