Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

We end Epic Movie Month with the only Martin Scorsese film to feature Daniel Day-Lewis along with one of the most misguided uses of the Irish accent, Gangs of New York. Disc-Connected's Ryan Verrill and Someone's Favorite Productions Dr. Will Dodson join the episode to Day-Lewis, Leonardo DiCaprio, and Scorsese's later works.

The film follows the story of Amsterdam Vallon, a man who's father is murdered by Bill the Butcher in 1850's New York and vows revenge upon him. It's a classic revenge tale set in a time and place rarely mined in media, making the overrated nature of the film that much more disappointing.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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We continue Epic Movie Month with a look at the biggest budget film auteur Darren Aronofsky has ever directed, the biblical epic Noah. The Projection Booth's Mike White and Dark Destination's Father Malone join the episode to talk Darren Aronofsky's career, the biblical text, and Ray Winstone.

The film follows the biblical story of Noah and his family as they are tasked with building the Ark to withstand the coming flood. While the film tells the story before and after the Flood, it maybe should have stayed more antidiluvian than anything else.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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We kick off Epic Movie Month with a film that is directed, co-written, produced, and starred in by one of Hollywood's top leading men, Warren Beatty: Reds. Texas Tech University Professor of Media and Communication David Perlmutter and The World is Wrong's Andras Jones join the episode to talk Warren Beatty's reputation, Jack Nicholson's role, and what makes an "epic".

The film follows the life of journalist and writer John Reed as he attempts to cover one of the most important events of the 20th century: the two Russian revolutions. Along the way, he finds love, gets directly involved in the Communist Party, and becomes much more than just a writer.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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We end Mike White May, this year all about Francis Veber films and their remakes, with the first Veber film to star Martin Short, but definitely not the last, Les Fugitifs. The Projection Booth's Mike White and Richard Hatem's Paranormal Bookshelf Richard Hatem join the episode to talk
Martin Short again, Nick Nolte, and the respective child actors.

The two films follow a former bank robber who, on his first day out of prison, gets mixed up in a robbery gone, and has to try and sort out his life and the robber's life as well.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

We take a break from Mike White May with the fourth in a series of bonus episodes leading up to the release of Furiosa: A Mad Max Saga with a look at the latest entry in the series and a perfect film: Mad Max Fury Road. Midnight Viewing's Father Malone joins the episode to talk Immortan Joe, Charlize Theron, and the recasting of Mad Max.

Directed once again by George Miller and starring a recast Tom Hardy as Max, it's a high octane thrill-ride across the savaged wasteland of dystopian Austrailia. It's one of the most stunning pieces of practical filmmaking ever put to screen and a worthy entry into the "Perfect Film Club".

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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We near the end of Mike White May, this year all about Francis Veber films and their remakes, with the first pairing of a duo that would become famous for their works together in La Chevre. The Projection Booth's Mike White and Film Foundation's Ryan Verrill join the episode to talk
Martin Short, Pierre Richard, and why the remake doesn't work.

The two films follow a private investigator tasked with finding a wealthy client's supremely unlucky daughter by forcing him to work with an equally unlucky man from the wealthy client's business. It's high concept that struggles to be as funny as the intial setup seems to think it is.

For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

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