You would be forgiven for thinking the focus of this episode was ending music, which makes sense considering ballads are often used for ending tracks.  Ballads traditionally tell a story or narrative, and while these tracks are purely instrumental, they still convey a lot through emotion.  Whether it's an ending track to reflect upon your completed adventure, a specific character's

In Episode 287, Brent, Rob, and Gabe talk about Rite Aid and John Williams.  Brent also tells Rob and Gabe about a dream he had.  And obviously, there's video game music!  Full track listing below.Download and listen NOWGame - Composer - Track - Company - Console - Year (North American release unless otherwise indicated)Mamono Hunter Yohko: Dai 7 no Keishou - Keiichi Yamamoto

There's a lot to say about the music in this mixtape, but I'll try to keep it brief.  "The Final Space Fight (Stage 6)" from Falsion comes in strong with that iconic Konami sound we all know.  Following that, "Options Theme ~ City Area" from Kid Chameleon is a total funk-fest with some great slappin' crunchy bass similar to something you might hear in Toejam & Earl.  "Exodus (

After over two hundred episodes later, our cowboizz have rode back into town to share a second round of Old West tracks.  That means games or stages within games that have an Old West theme, and as you'll see, this waterin' hole hasn't run dry yet.The journey begins with "Scenario 4" from Gunple: Gunman’s Proof.  This track features a great whistled melody which is a classic trait of

Episode 260 is packed with so many great tunes.  From the start, we get a really fun track, "Balanced BGM" from the Sega arcade game Ace Attacker, which sounds bright and optimistic with a little attitude thrown in.  "One's Side" from Langrisser II is a great motivational piece with a driving beat that makes excellent use of the Mega Drive's musical capabilities.  That's followed

It's another classic free play with all the variety you expect.  Starting off with Falsion, a Famicom Disk System game, you get a quality third gen style piece.  "Main Theme" from Metal Fangs for the Mega Drive is short but builds tension in a fantastic way.  "Credits" from the PC Engine game 1943 Kai is a total jam that will stick with you.  And that's just a taste of what to

The topic of this episode is “interesting” music, whatever that means.  It’s kind of open to interpretation, but if you really get down to it, it basically means good tracks in an unusual way.  Along with the music, you get a couple nice morse code solos, Rob tries out some Seinfeld-esque stand-up comedy, and there's a listening appreciation session to at least one emergency test

OK, LMH user, your showcase is a fully loaded mixtape featuring all your favorites hits.  First, we'll be sending you on an all expenses paid vacation to the insect world of Insector X with "Grooving Diver (Round 3: City Area)".  After that, you can relax to the calming tones of "Let’s Play!" from Gamble Hourouki.  Of course, no showcase would be complete without some treasure and

The puzzles are solved, the villain is slain, and the credits are about to roll.  You know what that means...it's time for some ending music!  Sometimes triumphant, sometimes melancholic, but always a treat.  A good ending track can take you on a journey remembering everything you experienced throughout the game.  And though the game may be over, the totally bonk jams are just

On the rare occasion the Legacy Music Hour goes beyond the fourth generation for an episode.  But on this rarest of occasions, they did back-to-back Beyond 16-Bit episodes.  Somehow, even in an episode with relaxed rules for what tracks are legal to play, an illegal track slipped though, as "Jewelry (Prize Cue 1989)" from Wheel of Fortune on Sega CD was a previously existing track, not