Matt Belenky returns for another Carlee-less episode to discuss Steven Soderbergh's technical tour-de-force 'The Limey'. It's both a whip-smart, crackling crime film showcasing Steven Soderbergh at the height of his power and a mesmerizing, patiently observed rumination on memory, loss, and legacy.

We discuss the metatextual significance of leads Terence Stamp and Peter Fonda as mutual elegies for the British New Wave and the American films of the New Hollywood era, the film's brilliantly evocative formal techniques, and Steven Soderbergh's singular position as a prolific auteur in our current era of haphazard regurgitation.

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