We’re back to the Ritchie-verse with The Ministry of Ungentlemanly Warfare. We talk about our recent experiences watching two mediocre movies (Warfare and Sinners) and a piece of true film art (The Amateur) before talking about our favourite cinema Churchills and how World War II could have been prevented if Hitler had watched the Michael Sheen Amazon Prime series Good Omens.

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This week it’s the scariest film ever based on science (?!). Scott Derrickson’s 2012 hit Sinister! We’re big into whimsy on this pod so we whimsically discuss snuff films, Shirley Jackson’s husband, wife, or dog who went to college, and Forbes, the AI Magazine. Release the Bughuul cut!

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Welcome to the Hawke-verse. We talk about Daybreakers, a depressing, contrast-heavy film that completely resists its own premise. Before that we discuss Pri’s cinema adventures to see Novacaine and The Alto Knights and how superhero movies don’t ever address the most burning questions. Then, we break down good dummy performances, Chevy sponsorships, and tell people to go donate blood.

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Road House Redux the director’s extended edition! When I see the sea I dive in! We talk about Jacked Gyllenhaal’s entry into the Road House canon, a remake that could have used Jon Bernthal or Bradley Cooper but didn’t. Furthermore, we discuss Irish crocodiles, fight scene CGI, and Timothee Chalamet’s limp hand.

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Pain don't hurt! This film requires no introduction because it transcends quality and, frankly, dignity. Road House! A story about a guy who turns a dive bar into a Denny's. Jon talks about seeing Mickey 17 then we dive into this classic movie which is a triumph for feminism and the Midwest. Blood on the floor every night, mijo.

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This week, we talk about the missionary position of films. The Sum of All Fears, a Ben Affleck vehicle where the greatest fear is trying to get a candy bar from a vending machine and causing a nuclear explosion. On this episode we explain how this is a perfect 6/10 film, make a plea for libertarian dark money, and talk about the stiff, thick, hard American national anthem.

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Finally, we take on Big Spielberg and the entire Warner Brothers' pantheon of IP. Ready Player One is a movie that's message is war is great and money buys happiness. We talk about copyright (?!), video game economies (????), and busty Goth chick avatars (!!!!).

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We continue our trend of doing strictly comedies with Hostiles, another laugh riot from Scott Cooper. In this chipper episode Jon expounds on his fantasy of Jacob Elordi crawling into his arms so he can swaddle him like a baby and asks the all important question: what happened to Jonathan Majors? Then, we talk about the system of American violence, various reasons to dig, and a guy who wrote a whole PDF using Adobe Acrobat Pro.

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A pod riddled with audio problems and Pri's insistence on recording lying down, we dig into Out of the Furnace, another Scott Cooper joint that's a barrel of non-stop laughter and mirth. In this joy filled episode we discuss the death of the working class, revenge, and crushing emotional despair.

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For today's tense political atmosphere we cover Air Force One But on the Ground. White House Down is Roland Emmerich's radical film about the military industrial complex and a president who wears cool shoes. We talk about faceless politcal villains who have a thing underground, Canada's ongoing feud with the Baltic states, and The Order. Then we pitch a movie that's Hotel Rwanda meets National Treasure and reminisce about the seminal folk album Inside Richard Jenkins.

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