Bane returns and so does Woody's terrible wigs. Venom: Let There Be Carnage is on deck. The titular carnage was mostly in the second act, which they apparently excised from the film with extreme prejudice, making this 90 minute masterpiece a true test of one couple's willingness to sit through a sequel.

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Venom! The first in a shocking trilogy of films. First, we break down our viewing experience of The Substance, before talking about Eminem's tie-in song and the film J. Edgar. Then, we try to figure out why it's so hard to adapt Venom to the big screen, Jon does a bunch of Bane impressions, and it all mercifully ends.

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From the literal cinema seats, we're recording our instant reactions to Megalopolis, the film most like Spy Kids 3D you'll see this year.

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Today, a totally normal movie comes out: Joker: Folie a Deux. In the spirit of the season, we discuss a past Todd Phillips effort, War Dogs. Jonah Hill laughs! Miles Teller acts! We talk about the procurement process, fraud, and preparing a tight five standup routine during company Scrum meetings. Then we debate whether Steven Soderbergh's Traffic, a film about hard drugs, is a comedy.

If you want to learn more about procurement, read Guy Lawson's original story in Rolling Stone.

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Megalopolis, Francis Ford Coppola's long awaited epic, is probably, finally here so to celebrate we watched The Godfather Coda: The Death of Michael Corleone. We do what no one else has ever done and talk about Sofia Coppola's performance and lament that she hasn't gone on to do anything notable with her life. Then, Jon briefly mansplains Coppola's career and we learn about how Coppola has never wanted to make a Godfather movie and prefers making millions in wine. Further topics include the film Tucker: The Man and His Dream and His Huge D*ck and Glen Powell rebooting the role of Vito Corleone.

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To read more about Coppola and Inglenook, read his profile in GQ. To learn more about the Coda recut, read this article in Vulture.

The first ever full episode that is one big hot take because this is A GOOD (and hella ACAB) MOVIE. Transformers, a modern Michael Bay classic. We share our thoughts on Alien: Romulus and Pri drops the scorching take that Barbie only kind of works. Then Jon revises his thoughts on The Eternals (for the worse) because he's a normal person who thinks about normal things. The only thing hotter than our takes are Megan Fox's quotes about working with Michael Bay.

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Bad dog! We're here to say what a man with two penises would say when his tailor asks him if he dresses to the left or to the right: Lucky Number Slevin. A movie about Jewish organized crime, made up names, and crazy wallpaper. We discuss The Bald Actor Hall of Fame, Stanley Tucci's Searching for Italy (still hasn't found it), and the dynamic Hartnett-Liu-Tucci trifecta. This movie has a terrible title, a big heart, and Ben Kingsley really doing something.

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After Earth! A story about fatherhood and ghosting. We discuss the critically derided film brought to you by the Smith-Smith-Shyamalan trifecta. We talk about the poor reception of this movie that mostly consisted of everyone telling a famous child how bad he was, the difficulty of making successful soft sci-fi, and whether Judge Dredd f*cks. This episode is brought to you by the audiobook for Dianetics, narrated by Werner Herzog.

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Man of Steel is Jon's first Superman film so naturally we talk about Black Widow and period products. We discuss the poptimism era of superhero movies following The Avengers, review the the incredible trailers for this movie, and maintain that Krypton is a bummer. This episode is dedicated to the farmers of the world, except Diane Lane.

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To celebrate the 2024 Paris Summer Olympic Games we bring you the greatest Paris film besides Breathless: Taken. In full Olympic enthusiasm and spirit Jon gives a treasonous Olympic take, we start a sexy rumour about Slovenia, and try and fail to not spoil Stillwater. This episode stars French Frank Underwood and Liam Neeson, the greatest athlete of his generation.

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