
Sign up to save your podcasts
Or


We're nearing the bottom of the eighth circle of hell, the fundamentals of fraud--where we're treated to an insult contest between Master Adam and Sinon, the Greek who lied to the Trojans and got them to let in the wooden horse.
Join me, Mark Scarbrough, as we walk with the (silent!) pilgrim Dante and his mentor, (the even more silent!) Virgil, through the circles of hell and the "malebolge" of fraud. We're nearing the end of our infernal journey. And we're about to get some very low-class comedy in COMEDY.
Here are the segments for this episode of WALKING WITH DANTE:
[01:48] My English translation of the passage: INFERNO, Canto XXX, lines 104 - 129. If you'd like to read along or drop a comment, please go to my website, markscarbrough.com.
[04:21] Where is the pilgrim Dante?
[06:28] How is this passage funny?
[12:41] The insults are a "progression" of degradation.
[15:06] What's so important about Narcissus?
[16:38] Why is twinning central to this concept of fraud?
[21:14] Dante may be commenting on some of the poetry of his youth: the tenzone with Forese Donati.
[25:48] Is Dante being nostalgic or critical of his tenzone? Or is it even more complicated than that?
[28:07] Why should we complicate this passage so much?
[29:38] Rereading the entire "second act" with Master Adam: INFERNO, Canto XXX, lines 91 - 129.
By Mark Scarbrough4.8
159159 ratings
We're nearing the bottom of the eighth circle of hell, the fundamentals of fraud--where we're treated to an insult contest between Master Adam and Sinon, the Greek who lied to the Trojans and got them to let in the wooden horse.
Join me, Mark Scarbrough, as we walk with the (silent!) pilgrim Dante and his mentor, (the even more silent!) Virgil, through the circles of hell and the "malebolge" of fraud. We're nearing the end of our infernal journey. And we're about to get some very low-class comedy in COMEDY.
Here are the segments for this episode of WALKING WITH DANTE:
[01:48] My English translation of the passage: INFERNO, Canto XXX, lines 104 - 129. If you'd like to read along or drop a comment, please go to my website, markscarbrough.com.
[04:21] Where is the pilgrim Dante?
[06:28] How is this passage funny?
[12:41] The insults are a "progression" of degradation.
[15:06] What's so important about Narcissus?
[16:38] Why is twinning central to this concept of fraud?
[21:14] Dante may be commenting on some of the poetry of his youth: the tenzone with Forese Donati.
[25:48] Is Dante being nostalgic or critical of his tenzone? Or is it even more complicated than that?
[28:07] Why should we complicate this passage so much?
[29:38] Rereading the entire "second act" with Master Adam: INFERNO, Canto XXX, lines 91 - 129.

3,356 Listeners

506 Listeners

5,736 Listeners

5,513 Listeners

769 Listeners

4,799 Listeners

1,424 Listeners

2,146 Listeners

112,617 Listeners

6,583 Listeners

409 Listeners

3,235 Listeners

14,664 Listeners

16,056 Listeners

10,894 Listeners