
Sign up to save your podcasts
Or
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
We discuss the winner of our latest Patreon poll: Aki Kaurismäki's The Match Factory Girl, the story of a young working class woman, Iris, looking for love and a sense of belonging in industrialized Helsinki. The final installment of Kaurismäki's 'Proletariat Trilogy', the film resembles that of a fable that takes an unexpected and comically violent turn as Iris seeks revenge on those who have done her wrong.
We describe the film's sparse formal elements - an abbreviated runtime, minimal dialogue, nominal use of diegetic music, and austere mise en scène - and how it employs these components to reflect Iris' profound subjugation. Then, we examine the film's narrative and how it functions, briefly, as a mechanized process, mirroring its opening assembly line sequence and asking us to connect modes of production with an atomized social structure. Last, we discuss the film's final act, and how constant reminder of our own unfreedom often results in unexpected, volatile response.
.
.
.
.
Our theme song is "Mirror" by Chris Fish
4.4
6565 ratings
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
We discuss the winner of our latest Patreon poll: Aki Kaurismäki's The Match Factory Girl, the story of a young working class woman, Iris, looking for love and a sense of belonging in industrialized Helsinki. The final installment of Kaurismäki's 'Proletariat Trilogy', the film resembles that of a fable that takes an unexpected and comically violent turn as Iris seeks revenge on those who have done her wrong.
We describe the film's sparse formal elements - an abbreviated runtime, minimal dialogue, nominal use of diegetic music, and austere mise en scène - and how it employs these components to reflect Iris' profound subjugation. Then, we examine the film's narrative and how it functions, briefly, as a mechanized process, mirroring its opening assembly line sequence and asking us to connect modes of production with an atomized social structure. Last, we discuss the film's final act, and how constant reminder of our own unfreedom often results in unexpected, volatile response.
.
.
.
.
Our theme song is "Mirror" by Chris Fish
426 Listeners
8,771 Listeners
589 Listeners
1,866 Listeners
3,865 Listeners
535 Listeners
923 Listeners
3,125 Listeners
830 Listeners
2,916 Listeners
416 Listeners
202 Listeners
685 Listeners
152 Listeners
797 Listeners