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Two years ago Scott Morrison raised the drawbridge, effectively sealing “Fortress Australia” off from the rest of the world. What effect has the act of separating Australian citizens and residents from the world and from each other had on our sense of national life, identity, and solidarity? “We” may be “all in this together” — but who, exactly, can be said to count among this “we”?
The debate over the Religious Discrimination Bill has exposed a tension at the heart of the liberal vision of a pluralistic society, in which citizens commit to living together despite their profound disagreement over matters of highest importance. What happens when disagreement becomes a cause of harm?
The practice of compulsory voting, along with the two other pillars of Australia’s electoral system — preferential voting and non-partisan election administration — have kept Australian democracy remarkably stable over the past hundred years. But just how much can we rely on these formal elements of Australian democracy to safeguard Australia’s democratic culture?
The misuse of moral language in public debate is nothing new. But in our social-media saturated age, this misuse has taken on a distinct and rather perfidious form. Morally weighted language is regularly used to grant excessive or abusive claims, and personal or categorical insults, an air of moral seriousness. This kind of language marks the end of conversation. Are we better off without it?
Over the past two months, the conduct of two prominent figures have evoked fierce expressions of public emotion. What explains the intensity of feeling? Have these emotions distorted the public’s judgment, or have they granted that judgment a certain moral clarity?
It’s become a sad commonplace in our time to hear the lines along which democratic societies are now divided. What is often absent, however, is mention of class. Why? Do Korean films like Bong Joon-ho’s Parasite, or Hwang Dong-hyuk’s smash hit Squid Game, have anything to teach us? Atlantic staff writer George Packer joins us.
How might we avoid bad faith quotations, served up in vain interests, and locate ourselves, our hearers, our readers, in a community of mutual interest and intellectual wonder — not so much using quotations, as exposing ourselves to their provocation?
They seem innocuous, but since their invention more than two decades ago, emojis have come to permeate our forms of online communication. Indeed, they are the perfect expression of what communication has become in a social-media saturated age.
Over the last year, there have been a number of high-profile cases where journalists have either landed themselves in legal trouble, or have sparked fierce backlash, due to their conduct on social media. This raises complex problems, not just for the public’s perception of journalists, their impartiality and credibility, but also of the news organisations to which they belong.
Opinion writing plays a disproportionate role in our media eco-system: it drives online traffic, fuels emotion, feeds the forces of polarisation, and promotes an incapacity to understand one another. But is there a different way to think about opinion?
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