Mark Sommerville is an audio engineer, music producer, and sound designer currently based in Los Angeles, CA. He works with a wide variety of artists and composers around the world, providing high-quality mixing, mastering, and sound design for visual media. Mark is the co-creator and current owner of The Wave Shop. As an entrepreneur, Mark has been self-employed as a producer/engineer ever since graduating from college. Today he still is active in the music and audio world, but also has broadened his interests to filmmaking as a writer and creative producer for The Zach King Team.
Key Take Aways:
Finish projects. You learn more from releasing several things that are less than perfect than you do from taking forever to perfect one trackPerfectionism has it's place. But you've got to get something out there, to show what you can do, even if you think it's not your absolute best. You have to have something to show people If you give people free advice and education on a subject, a lot of times it will come back to you, because people will think of you when they have a project that you would be good forYou have to continually be marketing yourself. If you spend 100% of your time on your current project, you'll run out of work fastIt's really important that musicians be continually seeking out shows in their area. If you don't play live, you can't really expect record labels or anyone to be interested in youDon't underestimate the power of building up your social media. Once you have a dedicated, sizable following, there are nearly unlimited ways to monetize itStreaming, and probably song sales, will never be your bread and butter the way it used to be. Get used to it, and understand that there are now so many more ways to make a living that there wasn't before. Don't whine about your streaming payouts, but be one of the musicians who figures out the new music industryWhen mixing, don't overlook the basics. If it sounds good, leave it alone. You don't always need 9 plugins. Keep it simple if you canWhen people are listening to your music, they can usually only listen to about 3 aspects. So identify on the 3 things that you want listeners to hear, and focus on thoseUse reverb sparingly. Strive for "tight" mixes (unless the song really calls for it)Don't think you can just "fix it in the mix." Getting it right in the studio, at the recording stage, will make the whole finished product sound betterWhen you mix something to fix it, you end up with a different and worse sounding song, than when you mix it to take it to the next levelThe easiest mixes are the songs that have been arranged wellWhile it's sometimes necessary to mix and master your own music, it's extremely valuable to get a proLearn more about Mark Sommerville:
If you would like to be considered for featured artist, email music submissions [email protected]
Shownotes: modernmusician.co/026