The Cat Empire strikes back with a new line-up and sound. In 2021, The Cat Empire announced that they were disbanding after more than 20 years and played their final show with the original line up at Bluesfest in 2022.

Fast forward a year and The Cat Empire's new crew has released Where the Angels Fall which takes us to a re-energised sound world where Cuba meets Mexico via Mauritius and the Seychelles. 

London-based Australian pianist Rob Hao drops in to chat about his project Schubert Overwritten which he is presenting in Melbourne and Sydney. Schubert is known for his lasting influence on the music that came after him, but also for his incomplete music - both of which come into question when new composers attempt to write endings to those works. 

Kurt Elling is probably best known as a purveyor of vocalese, having inherited the mantle from Jon Hendricks and Annie Ross. But Elling is scratching a whole new itch with his SuperBlue project. Electro- funk meets hip-hop beats. Is this jazz?  Find out when Mr Elling is in the house paying his respects to jazz greats that came before.

Laura Murphy is the composer and lyricist for a new musical The Dismissal. It takes audiences back to that fateful day in November 1975 and a constitutional crisis that overshadowed the Whitlam years. This world premiere is seen through the eyes of that famous satirical character in these events, Norman Gunston.

An hour in the company of music writer James Gavin whose biographies include George Michael, Chet Baker and Peggy Lee. Gavin discusses ‘ravaged’ voices;  singers whose voices became utterly wrecked in old age like Billie Holiday and Alessandro Moreschi. Or in the case of Marianne Faithful where age wearied the voice in a new and haunting way. We hear high voices that never dropped like Jimmy Scott and Peter Pears and Joan Baez whose technique only improved with age. And not forgetting the drama that became the hallmark of Johnny Cash’s late singing.

Friends of the show Fanny Lumsden and Georgia Mooney join Andrew to play songs from their new albums live in The Music Show studio. 

One quarter of All Our Exes Live in Texas, Georgia Mooney, has released her long-awaited debut solo album called Full of Moon. Made in the times of travel restrictions with musicians in London, Brighton, Bonn, Los Angeles, New York and Sydney, the album is a collage of lush musical landscapes and melodies with a certain nostalgic touch. 

We catch up with Australian country singer-songwriter Fanny Lumsden, who was previously on the show with her album Fallow. Hey Dawn is Fanny's fourth studio album, threaded together by her memories of growing up in the Snowy Mountains. Fanny chats to Andrew about the new world of Hey Dawn, and the characters and muses that have inspired the songs on the album. 

Principal Horn of the Berlin Philharmonic, Stefan Dohr visits the studio to talk about working within that orchestra, Strauss’s second horn concerto, and Benjamin Britten’s Serenade for Tenor, Horn and Strings.

Composer and dramaturg Meta Cohen says they approach their music like a dramaturg and their theatre like a musician. It’s a creative combination that’s led to their choral and vocal writing being a finalist in the 2023 Art Music Awards, as well as being the first non-male composer to be performed in a UK Orthodox Synagogue. They join Andy to talk about all that plus their ABC-commissioned song cycle a love is a love is a love.

And pioneering electronic composer Beverly Glenn Copeland on his recently rediscovered classic album Keyboard Fantasies and his new album The Ones Ahead.

Irish singer-songwriter Hozier’s third studio album Unreal Unearth takes Dante’s Divine Comedy and its circles of hell as its inspiration. Drawing from blues, soul and Celtic traditional music, he’s known for taking his time releasing new music and this is no exception. He joins Andy to talk about singing in the Irish language, finding a limit to his capacity for solitude, and finding new heights to his exceptional voice.

Franz Liszt certainly kept himself busy, as we learn from pianists Michael Kieran Harvey and Paavali Jumppanen. A child prodigy paraded around by his father, he came to create the recital format as we know it today. After whipping up what has been termed Lisztomania, Liszt took a step back from the spotlight at the age of 38, and instead committed himself to conducting, composing, teaching and womanising. 

Michael Kieran Harvey contemplates what Liszt might be doing if he were alive today through a program that includes pieces by Liszt, Harvey's own compositions and music that has come in between. He will be performing these programs along Jumppanen, Timothy Young, and pianists from the Australian National Academy of Music. 

Franz Liszt certainly kept himself busy, as we learn from pianists Michael Kieran Harvey and Paavali Jumppanen. A child prodigy paraded around by his father, he came to create the recital format that resulted in concert halls packed to the rafters, and what has now been termed Lisztomania. After taking a step back from the spotlight at the age of 38, he took on a variety of different roles - conducting, composing, teaching and womanising. 

In a two-concert series, Michael Kieran Harvey contemplates what Liszt might be doing if he were alive today through a program that includes pieces by Liszt, Harvey's own compositions and music that has come in between. He will be performing these programs along Jumppanen, Timothy Young, and pianists from the Australian National Academy of Music.

As ABC Science Week asks Australia what the nation’s favourite animal sound is, The Music Show looks at the unique musical relationship between humans and birds. From Olivier Messiaen’s trio of birds written when he was in a Polish concentration camp, to English folkie Sam Lee, Muruwari and Filipino rapper DOBBY, and zoomusicologist (dream job) and violinist Hollis Taylor’s duets with birds, and David Lumsdaine’s composition-by-dawn-chorus.

Karen O'Connor is a long-time friend of Joan Baez, and one of the directors for the new documentary Joan Baez I am a Noise, which tells the story of the iconic American singer, songwriter and activist. It follows her in the lead up to her last tour. With a career that has spanned over 60 years, Joan has accumulated a lifetime of joy and heartbreak, and a trove of diaries, tape letters and paintings that have captured her own private moments that have run parallel, and at times intersected with major historical events. 

Karen talks about the unique journey that unfolds throughout the film as Joan candidly reflects on her career.

As a reflection of his Butchulla, Garrwa, South-Sea Islander and Tongan backgrounds, Fred Leone's music is captivating cocktail of Language, collaboration and storytelling. He speaks to Andrew about his own musical upbringing and how he works with other musicians including trials (A.B. Original), Birdz and Samuel Pankhurst.

And we remember the legendary musicians - Robbie Robertson of The Band, and Sugar Man Rodriguez.

Kalkadunga composer and musician, William Barton will be awarded the Richard Gill Award for Distinguished Services to Australian Music at the 2023 Art Music Awards. He’s back in The Music Show studio to talk about his Distinguished Service, and his working relationship with the late Richard Gill.

And the Stiff Gins are 24 years into what they hope is a lifelong partnership. Yuwaalaraay woman Nardi Simpson and Yorta Yorta and Wiradjuri woman Kaleena Briggs look back at their almost quarter century and the changing landscape of music and language with live performance in The Music Show studio.

Originally from Melbourne, Ziggy and Miles Johnston are the next generation of brother/guitar duos. They are currently based in New York and studying together at The Juilliard School, and have returned to Australia on tour for their new album Sidekick.  

Australian violist Tahlia Petrosian is a member of the oldest Symphony orchestra in the world, the Gewandhaus Orchestra in Leipzig. Named after their original concert hall, the Gewandhaus started in 1743 and has had three homes since, the most recent hall built after the second Gewandhaus was damaged in the second World War. They're known for the warm, dark colours they can conjure under the batons of Kapellmeisters (music directors/chief conductors) including Felix Mendelssohn, Herbert Blomstedt, and currently Andris Nelsons.

An octet of Gewandhaus musicians, including Tahlia, are currently in the country to collaborate with emerging Australian musicians from the Australian National Academy of Music (ANAM) and tour a program of Schubert's chamber music.