We're told not to say "no" when we're starting to perform improv scenes, but what happens when we say "no" in real life situations and how does this compare to improv?

How can I get better at being an active participant from a backline?... and can I draw another kids' football analogy? (Yes, I can!)

When I started, I was obsessed with doing loads of gigs. Do I still feel the same way?

What happens when you've committed to a gig and you're on your own? One-prov!

I've used established games and formats when I first started improv, but is there a way to experiment with new ideas?

Why didn't I get into that Improv group and what make a good troupe?

Is it possible to try and bring the "tech" person into the actual improv more in sets?

In Part 2 of this podcast episode we explore Ed's improv journey; its challenges and triumphs. 

We explore Ed's improv journey; its challenges and triumphs.

Are there similarities between my son's local Under 12s football team and improv teams??