How Britain’s postwar dreams were stolen… and how to win them back. This time: The NHS was the prize for all the pain and sacrifice of the Second World War. When did we accept that it would be a service in perpetual decline? Ros Taylor talks to experts from senior policy planners to Casualty scriptwriters to discover how the NHS became a huge entity in permanent crisis – why it holds such a grip on our collective imagination – and how to rescue it.


“I have never seen NHS morale lower than it is now.” – Camilla Cavendish



“It’s only when you really need the ΝΗS and experience it that you realise something terrible is going on within our society.” – Rachel Clarke 



“The NHS has pockets of world-class excellence and also, sadly, pockets of disaster and despair.” – Camilla Cavendish



“We wouldn’t fund paediatrics from jumble sales or sponsored abseils… But that’s what we do with end of life care.” – Rachel Clarke 



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Written and presented by Ros Taylor. Produced by Jade Bailey. Voiceovers by Imogen Robertson. Original music by Dubstar. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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The NHS: From the Cradle to the Gravy Train

You probably think you know what life was like in Britain after the war. But what myths do we tell ourselves about the pre-digital world? From coal to contraception and ID cards to school beatings, Ros Taylor delves into the truth about British postwar life in Jam Tomorrow. From the makes of Oh God, What Now? 
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In their heyday women’s magazines sold 12 million copies a week. And at their best, these magazines changed women’s lives. They advised, they inspired, they gave us a glimpse of a different way of being — and that was as true of Cosmopolitan as it was of the feminist magazine Spare Rib. 
 
In our Season 2 finale, Ros Taylor talks to Sam Baker, who edited Just Seventeen, Company, Cosmopolitan and Red, about what it was like to play such a big role in teenage girls’ lives, and Roisin Boyd, a member of the Spare Rib collective. 
 
• “If you looked at Cosmopolitan, it was about how you should look, you were objectified… it was about how you should perform for men.” – Roisin Boyd 
• “The sense of someone knowing you were thinking something almost before you thought it.” – Sam Baker 
• “She had the idea of producing badges that said ‘Don’t Do It, Di’ … There was a lot of humour. You need humour to keep sane.” – Roisin Boyd 
 
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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Women’s magazines: Dreams on paper

When it comes to intervention in the Middle East, there is one word that sums up British hubris. And that word is Suez. But did Britain learn from one of our most infamous mistakes in the Middle East? Far from it. From opposing the construction of the Suez Canal, then repeatedly going to war to defend it, and most recently bombing Houthi rebels trying to disrupt Red Sea trade, Britain is preoccupied with this vital shipping route — and convinced it can change the course of history in the Middle East.
Ros Taylor talks to Nigel Ashton, professor of history at the London School of Economics and the author of False Prophets: British Leaders’ Fateful Fascination with the Middle East from Suez to Syria, about a disaster that dealt a fatal blow to British imperial ambition.

• “Eden saw Nasser as a dictator out of the Hitler and Mussolini mode, with his hands round Britain’s economic windpipe.” 
• “Blair had a remarkable case of historical amnesia.”

Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production.
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Suez: The end of an empire

In our latest look into postwar history: decriminalising homosexuality. In 1967 — for the first time in more than 400 years — two men over 21 were legally allowed to have sex, in private, with each other. But the fight for equality was very far from won.
Campaigner Peter Tatchell and Hugo Greenhalgh, whose book The Diaries of Mr Lucas: Notes from a Lost Gay Life is published this month, tell Ros Taylor what life was like for gay men in the late 20th century. It’s a story of pickups in Marble Arch, vicious homophobia, and illegal liaisons with the Kray gang.
• “It was an absolute goldmine of lost queer history.” – Hugo Greenhalgh
• “The gay scene went from being a community of sorts to something far more commercial in the 1970s and 80s. It left Mr Lucas behind. He was always a man of the shadows.” — Hugo Greenhalgh
• “In 1983 I fought the notorious Bermondsey by-election… the dirtiest, most violent and definitely most homophobic election in Britain in the 20th century. It was like living through a low-level civil war.” – Peter Tatchell
• “The 1990s coincided with a huge coming out of LGBT+ people. That mass coming out was key to helping change hearts and minds.” – Peter Tatchell
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Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production
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This way out: Decriminalising homosexuality

Coal: filthy, dangerous, and vital to Britain’s economy — but not any more. What did coal mining really mean to people? And why is coal so key to the biggest issues in politics — from the founding of the NHS, to Thatcherism, and even the issue of who should take the blame for the climate emergency? 
 
Ros Taylor talks to Joerg Arnold, a historian at the University of Nottingham, and Ian Winwood, whose family were coal miners in Yorkshire, about why you have to understand the black stuff to understand Britain. 
 
• “It was just so brutal.” – Ian Winwood on the Miners’ Strike. 
• “The Thatcher government was taken by surprise that the miners weren’t united, but they were quick to exploit that split.” – Joerg Arnold 
• “Nobody openly acknowledged that we were going to phase out coal.” – Joerg Arnold 
• “They talk about the Red Wall. In 2019 when much of the Red Wall went blue but Barnsley didn’t. That’s not going to happen.” – Ian Winwood 
 
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production 
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Coal: The Pits and the Pendulum

National service has become part of the mythology of a braver, stronger Britain, where young men did their duty for their country and ended up having a damn good time doing it. But did they? What did people really think of National Service — and why were so many of them utterly relieved when it came to an end? 
 
Ros Taylor talks to Richard Vinen, a historian at King’s College London and author of National Service: A Generation in Uniform, and Martin Stone, who joined the RAF in 1950. 
 
• “I did have one near death mistake there… I thought that’s it, I’ve probably had it.” – Martin Stone 
• “The category of people who are keenest on it at the beginning are public schoolboys. By the end of the 1950s they’re deferring.” – Richard Vinen 
• “The best week I ever had there was flying sea cadets round in a Tiger Moth, doing some aerobatics for them. A Tiger Moth is easy to fly, but difficult to fly well.” – Martin Stone 
• “It’s balls.” – Richard Vinen on the notion that men got to meet others from different social classes. 
 
Written and presented by Ros Taylor. Produced by Jade Bailey. Original music by Dubstar. Artwork by Jim Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Jam Tomorrow is a Podmasters production 
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The NHS: From the Cradle to the Gravy Train

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