The Opperman Report'

Gary Meece : Blood on Black: The Case Against the West Memphis 3 Killers
They did it. The West Memphis 3 are guilty. They are guilty despite what the documentaries, books and news stories have said over and over. Guilty beyond a reasonable doubt. Damien Echols, Jason Baldwin and Jessie Misskelley Jr. killed three 8-year-olds, Christopher Byers, Michael Moore and Stevie Branch, on May 5, 1993, in a wooded area in West Memphis, Ark. The murders were thrill kills, according to Echols himself. But they were much more than that. Police were struck by the ritualistic aspects. Local dabblers in the occult immediately came under suspicion. Under questioning, Echols, already acknowledged as a witch, flaunted his knowledge of the occult, his theories of how the killings could have “magickal” implications and his insights into how the killer would think and feel. He demonstrated special knowledge about the case beyond the little publicly known. He gave out signals that he was a prime suspect; a series of witnesses further implicated him. A confession broke open the case. The widely accepted WM3 storyline is that inept police and prosecutors, with a howling mob of religious fanatics to placate, somewhat arbitrarily picked out three innocent boys to blame for horrific murders because Damien and his best pal Jason wore black T-shirts, listened to heavy metal music and had funny haircuts and because the third boy, Little Jessie, was practically retarded and thus easily manipulated. Almost every element in that storyline has little relation to reality. The weirdness that drew the attention of authorities stemmed from bad choices by the suspects rather than clothing, haircuts or rocking out to Megadeth. The West Memphis police did their duty in a diligent if imperfect manner. The investigation was professional and painstaking. Detectives took many statements, followed strange and unpromising leads and administered the polygraph dozens of times. All three of the teens from the trailer parks were convicted. The convictions held up on appeal. Eventually, thanks to Hollywood celebrities and misleading documentaries that left out crucial evidence, the killers who became the West Memphis 3 walked free. No exonerating evidence, despite many years of investigation and a defense fund in the millions of dollars, has been produced. None of the three has a credible alibi. The mainstream media bought into the premise that “those boys were innocent.” By putting the focus on mullet-headed rednecks, drawling overweight cops and righteously angry Christians, the media played upon the most egregious stereotypes of Southern whites, while positioning a murdering sociopath as a hip kid who was just too cool for the uptight hometown idiots. The West Memphis 3 myth was made to order for the familiar narrative of the perceptive young outsider that every hipster and aspiring artist imagines himself to have been. Among the sensitive souls who found a doppelgänger of their teen selves in Echols were professional outsiders — such as Johnny Depp and Henry Rollins. In Aleister Crowley’s “magickal” system, which Echols embraced in his preteen years, orgasm and ecstasy are equated with death and sacrifice and the sexual fluids are often represented as blood or water. Echols felt he was in transition to a state of being a god, something other than human; he believed that drinking blood invested him with spiritual energy. Echols and “blood brother” Jason formed a pathological dyad, cultivating elaborate violent fantasies. Via the ritual torture, killing and eating of dogs, cats and other animals, they educated themselves in the curriculum of occult murder. The lurking allure of a “thrill kill” finally became irresistible when the killing time coincided with sunset, the rise of a full moon and the pagan holiday of Beltane.

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Pearse Redmond Porkins Policy

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Mr Trump Pal Alex Jones Apologises to James Alefantis Over Pizzagate

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Mr Trump Pal Alex Jones Apologises to James Alefantis Over Pizzagate

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John S Captain : Death of Tiffany Jenks
John S Captain describes his theory of events surrounding the murder of Tiffany Jenks.

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Rick Lovett Responds to John S Captain Allegations

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Amy Vilela

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John S Captain: Tiffany Jenks Mind Control Theory

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Jesse P. Pollack: The Acid King ( Ricky Kasso )

Real stories. Real teens. Real consequences.

A murder in a small Long Island town reveals the dark secrets lurking behind the seemingly peaceful façade in this latest installment of the Simon True series.

On June 19, 1984, seventeen-year-old Ricky Kasso murdered Gary Lauwers in what local police and the international press dubbed a “Satanic Sacrifice.”

The murder became the subject of several popular songs, and television specials addressed the issue of whether or not America’s teens were practicing Satanism. Even Congress got in on the act, debating Satanic symbolism in songs by performers like AC/DC and Ozzy Osbourne. “The country is in crisis!” screamed the pundits. After all, it was the height of the Reagan era and Nancy Reagan’s “just say no” campaign was everywhere. But what this case revealed were bigger problems lurking at the heart of suburban America.

Ricky Kasso wasn’t a bad kid, but he was lost. To feel better, he started smoking pot, moving on from that to PCP and LSD. He ended up living on the streets and thinking he had nothing to lose. Gary Lauwers went from being a victim of bullying to using drugs to fit in, and finally robbery—but then he made the mistake of stealing from Ricky, and from that moment on, his fate was sealed.

A few months later, Gary went into the woods behind the park with Ricky and two other boys. Only three of them came out.

The subsequent police investigation and accompanying media circus turned the village upside down. It shattered the image of an idyllic small town, changed the way neighbors viewed each other, and recast the War on Drugs.

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