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Dario and Neil visit the Curzon in Aldgate, London, to screen Aki Kaurismäki's latest release The Other Side of Hope. Exploring similar themes to his last film Le Harve, and effecting Kaurismäki's trademark sardonic, black humour, The Other Side of Hope tells the story of an asylum seeker who is faced with an impenetrable bureaucracy. He finds unlikely help from a local restaurant owner who is facing his own personal demons and struggles with Finnish society.
Neil discusses the career of Aki Kaurismäki with Jaakko Seppälä from the University of Helsinki. Jaakko suggests Finland’s most famous filmmaker occupies a paradoxical position in the country's national consciousness and defines his style in terms of ironic minimalism.
By Dario Llinares & Prof. Neil Fox4.4
1414 ratings
Dario and Neil visit the Curzon in Aldgate, London, to screen Aki Kaurismäki's latest release The Other Side of Hope. Exploring similar themes to his last film Le Harve, and effecting Kaurismäki's trademark sardonic, black humour, The Other Side of Hope tells the story of an asylum seeker who is faced with an impenetrable bureaucracy. He finds unlikely help from a local restaurant owner who is facing his own personal demons and struggles with Finnish society.
Neil discusses the career of Aki Kaurismäki with Jaakko Seppälä from the University of Helsinki. Jaakko suggests Finland’s most famous filmmaker occupies a paradoxical position in the country's national consciousness and defines his style in terms of ironic minimalism.

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