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The filthiest language ever on Saturday mornings! Q*Bert hopped out of the arcades and into a pastiche of Happy Days courtesy of Ruby Spears, for a cartoon that was... just kind of mostly there. Atari Archives creator and frequent Retronauts host Kevin Bunch joins Pemmy, Krissi and James to talk about the game, the show, and the circumstances surrounding the video game industry around this time. Hop on in and join us!
Is this trip really necessary? Or rather, is this podcast a little too of the moment?? Well, half of it, anyway. The animation industry became pitchmen for rationing, selling war bonds and other ways to help our men and women overseas during World War 2, while also taking every pot shot the Hayes Code would allow them to at the fascist powers we were opposed to. Can we bring that energy back? Please? Anyhow, we've got Donald Duck, Popeye, Woody Woodpecker and a batch of oddly familiar gremlins.
Would you believe that in 1973, Evel Knievel wasn't done in by a motorcycle accident but a bunch of bumbling roller skaters? Bailey's Comets, another DePatie-Freleng production conceived by Joe Ruby and Ken Spears, attempted to out-do Wacky Races in every regard. More characters! More teams for these characters! More outlandish situations! More memorable protag... no, we can't say that with a straight face. Dastardly and Muttly these bozos AIN'T!!
Rally Ho and away we go! As Hanna Barbera entered their first, brief action/adventure phase, their old comedic roots would still be showing with this particular series at the same time. Thus you had the boisterous Ted Cassidy-voiced Frankenstein Jr bellowing his way through madcap monster battles while the Impossibles took on various eccentric criminals between jamming out. Hard to believe today this show was considered too violent for TV, when it was kind of mild even back then!
In-between Garfield's own segments was US Acres, a short subject series based on Jim Davis' other, less widespread comic series. The tales of Orson, Roy, Wade, Bo, Lanolin, Booker and Sheldon got pretty popular as part of the show, outlasting the comic they were based on by a good few years, and giving the show's team vehicles for more gags that wouldn't work with Garfield himself. So come down to the farm, y'all!
Arguably the magnum opus of both Jim Davis and Mark Evanier, Garfield and Friends entertained audiences and pushed cartoon writing into some genuinely funny places it hadn't really gone since the heyday of Jay Ward. It's held up remarkably well, and our hosts look at four of their favorite short segments that star the fat cat himself. Tune in for US Acres coverage in two weeks, too!
Tis the season for hot chocolate, presents under the tree, goodwill to all men and women, and... colorful ghost monsters?? It's the timelessness of A Charlie Brown Christmas, contrasted with the VERY "of its time" Christmas Comes to Pac-Land. One of these aired for years upon years on network TV until just very recently. One of these was reran at 3 in the morning on Cartoon Network. I don't think I need to tell you which is which. Merry Christmas, and enjoy the podcast!
This is the podcast that quacks in the night! This is the iOS update that makes your phone too hot to handle! This is the Darkwing Duck episode! A breakaway hit for the Disney Afternoon that is still much loved to this day, we're joined by Cary Woodham to talk about two of our favorite episodes, Comic Book Capers and Life, the Negaverse and Everything. Step right up and come on in, here's where the danger begins!
Sometimes a good idea on paper turns sour in the execution. The Biskitts, a show with a strong resemblance to the Smurfs at first glance, could have easily been its own thing if it played more into the Robin Hood-esque outlaw aspects of the characters hiding treasure from a greedy despot and helping others. Instead we get repetitive slapstick, stilted dialogue and one really, really bizarre court jester. Enjoy?
Like, Scooby and the gang get a whole lot more talkative and a lot sillier in this one, man! Swinging the pendulum in the direction of comedy after the darker Mysteries Incorporated, Be Cool was advertised as a more back to basics approach, but only in terms of storytelling. Between one daffy take on Daphne Blake and the major increase in gags per minute, this one had fans kind of divided, but not our hosts! So pack a box of Scooby Snacks or twenty and come listen!
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