Join Matt and Bob in celebrating the first ten movies discussed on the show with a special awards ceremony! Bob chows down on some fried chicken as the duo take fan voicemails and reflect on the first ten weeks. Hear members of the Superfan Squad weigh in for the first time on what they hate and love about the show. Listen to Matt and Bob share their most traumatic pee stories. The hosts dish out awards for Worst Picture, Most Napworthy, Most Racist, and more! Plus, which movies should have an Avengers-style crossover event and which characters would survive a royal rumble? It's Angel vs. Amphibian Man in the best episode since Kiss of the Spider Woman! If you haven't caught the show, this is the one you won't want to miss. 

It's Christmas in May on The Podcast Goes To. This week, Bob and Matt talk about the overtly religious and slightly disturbing holiday classic "The Bishop's Wife." Cary Grant plays an angel who gets off on cucking bishops. What exactly is the job description of an angel? Are their any limits to the angel's powers? Is dating a human really what an angel should be doing with his time? We talk 1940's special effects, from self-refilling wine glasses to self-decorating Christmas trees.  Plus, a little video game and spoiler-free Avenger talk. Matt dishes on his Weinstein Company experience and previews a special episode celebrating the show's first ten episodes.

Honor, loyalty, respect. Bob and Matt have none of those things, but this week they travel back to 1998 to discuss these character traits in "Saving Private Ryan." Bob and Matt break down what is considered to be one of the greatest films in cinematic history. They discuss that 27-minute opening scene, the sound design, the cinematography, the directing, and more regarding the production of this classic picture. But don't worry, they still manage to fit in topics ranging from Eminem underwear, South Park pandas, food at sketchy weddings, and Tom Hanks's obsession with typewriters. Plus, the boys pick the best Spielberg decade and play a game of "Guess the Plot of the Tom Sizemore B-Movie." All that and more!

Just when you thought Bob and Matt had escaped the 50's, think again! The Film Gods had one more in store: 2005's 1953 journalism drama, "Good Night, and Good Luck." Bob takes shots at George Clooney, Eminem, and the mass media while Matt tries to understand how a movie so boring could be nominated for so many Oscars. What is the mystery item in Bob's closet? What are some of Matt's old AIM screen names? The duo discuss movie's where a character says the title of the movie, and pick a very exciting movie for next week's show.

Bob and Matt talk "The King and I," a movie based on a musical based on a book based on a memoir. They discuss whitewashing in cinema and the true story behind the best picture nominee. They continue their history of Technicolor and pick apart the character traits of Anna and King Mongkut, the story's two protagonists. Plus, Bob talks Cosco and Matt talks books and together they shower HBO's "Westworld" with compliments. The Film Gods deliver a twist ending for next week's movie and so much more!

Sound! Color! the 50's never felt so right! Matt and Bob talk "An American in Paris," the 1951 Best Picture winner starring the iconic Gene Kelly in a charming (or is it creepy?) role. Bob and Matt plan their sequel podcast, scheduled for release in 2030, and begin discussing the importance of addressing a constantly shifting moral zeitgeist as it relates to the actions of characters in older movies. Bob questions the motives of Kelly's Jerry Mulligan and Matt points out the similarities between this movie and the last two pictures discussed on the show. Bob talks movie theater bathroom break/snack refill strategy and why he avoids using voiceover narration in all of his short films. Matt gives a brief history of Technicolor and lists AFI's Top 5 Musicals of All Time. All that and more!

Shhh. This week Matt and Bob try not to be too quiet while discussing the 1927 silent film, "7th Heaven." Matt talks about his movie firsts and Bob reveals his trick for tracking which festivals are watching his short films. Bob sings Rihanna and reads some of his favorite quotes from the movie. Matt takes shots at Oprah and struggles to say the word expressionism. Plus, find out what 2016 Oscar-nominated picture was inspired by the ending to this film and learn the dark secret of why the Academy Awards were originally created.

Ciao! This week, Matt and Bob take a trip to Rome for the first American movie shot entirely in Italy, "Roman Holiday." How did Dalton Trumbo's script hold up over the years? Did Audrey Hepburn deliver an Oscar-worthy performance? Did Gregory Peck get snubbed? What's the deal with the hairdresser's mustache and how did Irving Radovich fit a camera into a working lighter? Matt has an existential crisis and we find out what movie always makes Bob cry.  All that and much more!

This week, Bob and Matt journey out of the 21st century and all the way to 1985 for the Academy's first Best Picture-nominated Indie, "Kiss of the Spider Woman." They discuss the layered symbolism, the graceful performances, and the most elegant pants-crapping scene in the history of cinema. Matt tries explaining to Bob who the spider woman is and Bob reads a film festival rejection letter for his short film “The Cookbook.” Plus, how the movie defined masculinity, power, and love.All that and more!

On today's episode, Bob and Matt continue their exploration of the 555 Oscar-nominated pictures with 2017's "Darkest Hour." Did Gary Oldman deserve to take home the award for Best Actor? Do historical inaccuracies undercut the power of a true story? Does a movie need to have strong writing to be considered for Best Picture? How did the cinematography provide insight into the characters and compliment the production design? Plus, Bob tells us all about his Slime Bonus and Matt wonders if his friend Jared really wanted to see the Spongebob Squarepants movie with him in 8th grade.