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This week’s ‘palate cleanser’, post-Batman, is the iconic Mike Myers vehicle (iconic, but unwatched for one of us!). We talk about the conventions with which the film is fairly obviously playing, touch on its meta-filmic nature, and think about the extent to which this is a genuinely funny comic film with very few jokes.
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We conclude our tour through the Batman universe (except for That Of Which We Do Not Speak [see footnotes]) with Christopher Nolan’s 2012 film. We talk about a visually impressive but ultimately pretty unsatisfying movie, earning narrative weight, and the dubious politics of Bruce Wayne.
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The ‘Nolanverse’ rolls on, as we focus on THE DARK KNIGHT. Sam’s view of the film may not be as predicted, before we talk about the origins of the Joker, what it means to really be chaotic, and the young loss of a phenomenal acting talent.
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We’re back, after a week off, and it’s the first in the ‘Nolanverse’: BATMAN BEGINS. After predictably quite different opinions on the film(!), we come together to talk about fear, horror aesthetics, and how real Batman can be.
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Our Caped Escapades continue, with BATMAN AND ROBIN. Is this a film about who is or isn’t in control? And, most importantly, who is in control of this hot mess of a movie??
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The next in the franchise — and the first Joel Schumacher film — is the 1995 commercial hit BATMAN FOREVER. Rob and Sam have…differing views of the film, but then we dive into comic-book adaptations, colour symbolism, and casting decisions.
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Who’s in a position of power, and who isn’t? Our respective assessments of this film may surprise you; Rob’s diversion into the world of feminist theory certainly will!
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We embark on another franchise, kicking off with one of Rob’s favourite directors. We get geeky about comics history, talk about why fairy-tales make parts of this film unsatisfying, and say just why the visuals and audio are brilliant.
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The classic Zemeckis trilogy concludes, with talk of the many movie references in the film and discussion of what makes a parody a parody, as well as Another of Rob’s Theories about how cinema works.
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We continue the franchise with the next Zemeckis installment, and it’s a divisive one! We talk American politics (inevitably), Spaghetti westerns (less inevitably), and how this is an interesting re-establishing of the first film.
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