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Our next franchise is a Robert Zemeckis classic. We talk about different kinds of time travel (Rob has A Theory!), history repeating itself, and how this is a very different film on later viewing.
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Podcasts
These Twitter links should take you to iTunes, Stitcher, Overcast, or however you consume podcasts. (Sam likes Overcast, but that may just be because he thinks the logo’s cool.) Have a listen to those that take your fancy — and remember to recommend THIS podcast (very important!) using the hashtag #trypod.
The franchise concludes as we return to Jesse and Céline’s relationship after another 9-year hiatus. We talk a little bit about how the film could have made more sense, but a lot about the beauty of Linklater’s film-making and the way that he draws out the links with the other films.
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The franchise continues with the 80-minute (check that out!) follow-up to Richard Linklater’s first film. We talk about meta-filmic cinema, how this film is like Berthold Brecht crossed with Arthur Miller, and why the film is a reflection on the process of creating memories.
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This week we embark on a new franchise, spending time with the first film in Richard Linklater’s trilogy. We talk about the passage of time, why this might have made a better play than a movie, and how the film might just be a metaphor for the whole industry.
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The franchise comes to a conclusion and our — well, Rob’s — work is done. We talk about deaths of all kinds: physical darkness, mental endings, you name it. How technical can Rob get, how metaphysical can Sam be, and — crucially — did the guinea pig enjoy this series??
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As we move towards the conclusion of the franchise, we talk about friendship, fading to black, and, bizarrely, Formula 1.
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The franchise is back on form: the sixth instalment, we agree (a Prestige rarity!) is a belter. Rob gets technical; Sam gets metaphorical. Business as usual!
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The next film in the franchise is the first David Yates vehicle. Rob and Sam talk about why this may be slightly unsatisfactory as a film, but not as a narrative — and how this movie is a great take on the slipperiness of different versions of the truth.
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Is this the best film yet? It’s certainly the most ‘grown up’, whatever that means; we talk about being no longer a kids’ franchise, the role of Robert Pattinson, and a whole host of different transitions.
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The third in the franchise is interesting for various reasons: we discuss innovative cinematography, how Dumbledore provides a tagline for the film, and why this is a movie about transformation on a number of different levels.
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