The Prestige

The Prestige

By KaijuFMTV & Film
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The Prestige episodes

  • 2.34 - BACK TO THE FUTURE (1985) & History

    Our next franchise is a Robert Zemeckis classic. We talk about different kinds of time travel (Rob has A Theory!), history repeating itself, and how this is a very different film on later viewing.

    This Week’s Watching

    THE RAID (2011): Gareth Evans, Iko Uwais, Joe Taslim
    THE MARTIAN (2015): Ridley Scott, Matt Damon, Jessica Chastain

    Recommendations

    SOME KIND OF WONDERFUL (1987): Howard Deutch, Eric Stoltz, Mary Stuart Masterson
    BILL AND TED’S EXCELLENT ADVENTURE (1989): Steven Herek, Keanu Reeves, Alex Winter
    THE GOOD WIFE (2009–2016): Robert King, Michelle King, Julianna Margulies
    ADDAM’S FAMILY VALUES (1993): Barry Sonnenfeld, Anjelica Huston, Raúl Juliá

    Footnotes

    The Indonesian martial art whose name Sam so thoroughly butchered is Pencak Silat; for more on this, see here. This BFI list has some good lesser-known exponents of the time travel genre in film. Here’s a short introduction to the Oedipus complex, for those unfamiliar with it. And, finally, here’s a good working definition of dramatic irony, a concept that we touch on towards the end of today’s episode ('GCSE Bitesize’ might seem a bit of a basic resource, but it can actually be really useful).

    Podcasts

    We’re supporting the ‘trypod’ initiative this month (or at least we are when we remember!) Here are our recommendations (though Sam might change his PCHH tip after hearing this week’s level of snark about BEAUTY AND THE BEAST…)
    ‘The Comedian’s Comedian Podcast’ (COMEDY/PERFORMANCE: @comcompod) ‘The Partly Political Broadcast’ (POLITICS: @parpolbro)
    ‘NPR’s Pop Culture Happy Hour’ (POP CULTURE: @pchh)
    ‘Lift-off’ (SPACE, THE UNIVERSE, AND EVERYTHING: from @_relayfm)
    ‘D&D is for Nerds’ (D&D: from @sanspantsradio)
    ‘The British History Podcast’ (HISTORY: @britishpodcast)

    These Twitter links should take you to iTunes, Stitcher, Overcast, or however you consume podcasts. (Sam likes Overcast, but that may just be because he thinks the logo’s cool.) Have a listen to those that take your fancy — and remember to recommend THIS podcast (very important!) using the hashtag #trypod.

    36 min
  • 2.33 - BEFORE MIDNIGHT (2013) & Change

    The franchise concludes as we return to Jesse and Céline’s relationship after another 9-year hiatus. We talk a little bit about how the film could have made more sense, but a lot about the beauty of Linklater’s film-making and the way that he draws out the links with the other films.

    This Week’s Watching

    BROADCHURCH (2013—): Chris Chibnall, David Tennant, Olivia Coleman
    WESTWORLD (2016—): Jonathan Nolan, Lisa Joy, Evan Rachel Wood
    HOW TO GET AWAY WITH MURDER (2014—): Peter Nawalk, Viola Davis, Billy Brown
    THE SECRET LIFE OF PETS (2016): Chris Renaud, Louis C.K., Eric Stonestreet

    Recommendations

    500 DAYS OF SUMMER (2009): Mark Webb, Joseph Gordon-Levitt, Zooey Deschanel
    THE LONELINESS OF THE LONG DISTANCE RUNNER (1962): Tony Richardson, Alan Sillitoe, Tom Courtenay
    ZORBA THE GREEK (1964): Michael Cacoyannis, Nikos Kazantzakis, Anthony Quinn
    THE LOBSTER (2015): Yorgos Lanthimos, Colin Farrell, Rachel Weisz

    Footnotes

    Firstly, here are a couple of articles about a fourth film (which we hope doesn’t happen). On meta-cinema again, this is a good reference work. Here’s a refresher on the Minotaur, to add to our discussion of mythology. And finally, here’s Walter Lassally’s IMDB page (the newspaper articles linked to are great).

    35 min
  • 2.32 - BEFORE SUNSET (2004) & Memory

    The franchise continues with the 80-minute (check that out!) follow-up to Richard Linklater’s first film. We talk about meta-filmic cinema, how this film is like Berthold Brecht crossed with Arthur Miller, and why the film is a reflection on the process of creating memories.

    This Week’s Watching

    THE LEGO BATMAN MOVIE (2017): Chris McKay, Will Arnett, Zach Galifianakis
    MOANA (2016): Ron Clements, Auli’i Cravalho, Dwayne Johnson

    Recommendations

    DODES’KA-DEN (1970): Akira Kurosawa, Yoshitaka Zushi, Kin Sugai
    BUT I’M A CHEERLEADER (1999): Jamie Babbit, Natasha Lyonne, Clea Duvall
    DEAD POETS’ SOCIETY (1989): Peter Weir, Robin Williams, Ethan Hawke
    MARY AND MAX (2009): Adam Elliot, Bethany Whitmore, Toni Collette

    Footnotes

    Firstly, an interesting introduction to meta-cinema. Secondly, here are links to the playwrights we mention this week, in an episode that looks more at dramatic than filmic convention. Finally, here are a bunch of articles on the process of creating memories, that seemed particularly pertinent to this week’s discussion: 1, 2, 3, and 4.

    33 min
  • 2.31 - BEFORE SUNRISE (1995) & Time

    This week we embark on a new franchise, spending time with the first film in Richard Linklater’s trilogy. We talk about the passage of time, why this might have made a better play than a movie, and how the film might just be a metaphor for the whole industry.

    This Week’s Watching

    POPSTAR: NEVER STOP NEVER STOPPING (2016): Akiva Shaffer, Andy Samberg, Jorma Taccone
    THE MAZE RUNNER (2014): Wes Ball, Dylan O’Brien, Kaya Scodelario

    Recommendations

    LOST IN TRANSLATION (2003): Sofia Coppola, Bill Murray, Scarlett Johansson
    SLACKER (1991): Richard Linklater, Kim Krizan, Mark James
    THREE COLOURS: BLUE (1993): Krzysztof Kieślowski, Juliette Binoche, Benoît Régent
    INSIDE LLEWYN DAVIS (2013): the Coen brothers, Oscar Isaac, Carey Mulligan

    Footnotes

    If you haven’t seen anything of the ‘Lonely Island’ crew, do yourself a favour and dive into their work on YouTube. Otherwise, there aren't a lot in the way of footnotes, this week, apart from an article on a recent political stand taken by Richard Linklater as well as a link to his biography.

    30 min
  • 2.30 - HARRY POTTER AND THE DEATHLY HALLOWS, PART TWO (2011) & Death

    The franchise comes to a conclusion and our — well, Rob’s — work is done. We talk about deaths of all kinds: physical darkness, mental endings, you name it. How technical can Rob get, how metaphysical can Sam be, and — crucially — did the guinea pig enjoy this series??

    This Week’s Watching

    DEEPWATER HORIZON (2016): Peter Berg, Mark Wahlberg, Kurt Russell
    NO OFFENCE (2015—): Paul Abbott, Joanna Scanlan, Elaine Cassidy

    Recommendations

    SKYFALL (2012): Sam Mendes, Daniel Craig, Javier Bardem
    THE LADY IN THE VAN (2015): Nicholas Hytner, Maggie Smith, Alex Jennings
    ROBIN HOOD: PRINCE OF THIEVES (1991): Kevin Reynolds, Kevin Costner, Morgan Freeman
    THE LORD OF THE RINGS: THE RETURN OF THE KING (2002): Peter Jackson, Elijah Wood, Ian McKellen
    WHAT IF (2013): Michael Dowse, Daniel Radcliffe, Zoe Kazan

    Footnotes

    Firstly, the obligatory ‘Chekhov’s gun’ link (in TV rather than film, but still some good examples)s. Then, a shout-out for JKR’s other literary projects, which are brilliant (the ‘Cormoran Strike’ series) and here

    38 min
  • 2.29 - HARRY POTTER AND THE DEATHLY HALLOWS, PART ONE (2010) & Friendship

    As we move towards the conclusion of the franchise, we talk about friendship, fading to black, and, bizarrely, Formula 1.

    This Week’s Watching

    ROMEO + JULIET (1996): Baz Luhrmann, Leonardo di Caprio, Claire Danes
    THE SEARCHERS (1956): John Ford, John Wayne, Jeffrey Hunter

    Recommendations

    STAND BY ME (1986): Rob Reiner, Wil Wheaton, River Phoenix
    EASY RIDER (1969): Dennis Hopper, Peter Fonda, Jack Nicholson
    TINKER, TAILOR, SOLDIER, SPY (2011): Tomas Alfredson, Gary Oldman, Colin Firth
    METROPOLIS (1927): Fritz Lang, Alfred Abel, Gustav Fröhlich

    Footnotes

    Just a few footnotes this week, starting with an article about Baz Luhrmann’s qualities an a film-maker: http://wegotthiscovered.com/movies/baz-luhrmann-essential-filmmaker. This is a list of the differences between the book and the film (although, as the article explains, the film is particularly faithful): www.cinemablend.com/new/10-Big-Differences-Between-Harry-Potter-Deathly-Hallows-Book-Movie-21819.html. Finally, here’s a little something about the various different types of transitions in cinema, which Sam briefly mentions: www.elementsofcinema.com/editing/types-of-transitions.

    33 min
  • 2.28 - HARRY POTTER AND THE HALF-BLOOD PRINCE (2009) & Desecration

    The franchise is back on form: the sixth instalment, we agree (a Prestige rarity!) is a belter. Rob gets technical; Sam gets metaphorical. Business as usual!

    This Week’s Watching

    HEAT (1995): Michael Mann, Robert de Niro, Al Pacino
    TABOO (2017): Tom Hardy, Edward Hardy, Steven Knight

    Recommendations

    HOT FUZZ (2007): Edgar Wright, Simon Pegg, Nick Frost
    THE PRESTIGE (2006): Christopher Nolan, Hugh Jackman, Christian Bale
    GANGS OF NEW YORK (2002): Martin Scorcese, Leonardo di Caprio, Daniel Day-Lewis
    THE ROAD (2009): John Hillcoat, Cormac McCarthy, Viggo Mortensen

    Footnotes

    Firstly, a few technical notes: about tilt-shift and its use in photography. (Also, here’s one of our favourite directors on his use of the technique, in a film we’ve discussed here before) This is an example of the sort of model-village stuff Rob mentions. And this is good on the link between colour palette and mood in film. Finally, Sam’s been thinking about the neologistic word Horcrux, which is pretty central to this film; here’s a fun little article on a number of the coinages J.K. Rowling has come up with over the course of the franchise, some of which we’ve already praised for their inventiveness.

    29 min
  • 2.27 - HARRY POTTER AND THE ORDER OF THE PHOENIX (2007) & Alternative Facts

    The next film in the franchise is the first David Yates vehicle. Rob and Sam talk about why this may be slightly unsatisfactory as a film, but not as a narrative — and how this movie is a great take on the slipperiness of different versions of the truth.

    This Week’s Watching

    NO LIMIT (2012—): Luc Besson, Vincent Elbaz, Anne Girouard
    RIVERDALE (2017): Roberto Aguirre-Sacasa, K. J. Apa, Lili Reinhart

    Recommendations

    ABOUT A BOY (2002): the Weitz brothers, Nick Hornby, Hugh Grant
    WAG THE DOG (1997): Barry Levinson, Dustin Hoffman, Robert de Niro
    THAT DAY WE SANG (2014): Victoria Wood, Michael Ball, Imelda Staunton
    CALVARY (2014): John Michael McDonagh, Brendan Gleeson, Chris O'Dowd

    Footnotes

    This explains the concept of the MacGuffin that Sam briefly mentions: . There are several useful introductions to the central tenets of fascism available online; this is a good place to start. This link has some interesting parallels between the film and contemporary ‘quirky quest[s] for social justice’. And finally, here’s more on the use of point of view in film, as mentioned by Rob.

    33 min
  • 2.26 - HARRY POTTER AND THE GOBLET OF FIRE (2005) & Transition

    Is this the best film yet? It’s certainly the most ‘grown up’, whatever that means; we talk about being no longer a kids’ franchise, the role of Robert Pattinson, and a whole host of different transitions.

    This Week’s Watching

    SCANDAL (2012—): Shonda Rhimes, Kerry Washington, Tony Goldwyn
    modern family (2009—): Christopher Lloyd, Steven Levitan, Ed O'Neill

    Recommendations

    JESSICA JONES (2015—): Melissa Rosenberg, Krysten Ritter, Mike Colter
    PUSHING TIN (1999): Mike Newell, John Cusack, Billy Bob Thornton
    DAZED AND CONFUSED (1993): Richard Linklater, Jason London, Wiley Wiggins
    THE CHILDHOOD OF A LEADER (2015): Brady Corbet, Bérénice Bejo, Liam Cunningham

    Footnotes

    Another sparse week for footnotes, other than more about Peter Pettigrew, whose identity we discovered last week (although to be avoided if you’re not keen on spoilers, it looks like). This is good about the topic of transition in film — particularly in teen film — which we touched on with our discussions of adolescence. Finally, don’t forget to check out our umbrella podcast network at Kaiju FM — subscribe to your favourite! (Well, second favourite, obviously.)

    28 min
  • 2.25 - HARRY POTTER AND THE PRISONER OF AZKABAN (2004) & Transformation

    The third in the franchise is interesting for various reasons: we discuss innovative cinematography, how Dumbledore provides a tagline for the film, and why this is a movie about transformation on a number of different levels.

    This Week’s Watching

    NOW YOU SEE ME 2 (2016): Jon M. Chu, Jesse Eisenberg, Mark Ruffalo
    HOUSE OF CARDS (2013–): Beau Willimon, Kevin Spacey, Robin Wright

    Recommendations

    LÉON: THE PROFESSIONAL (1994): Luc Besson, Jean Reno, Gary Oldman
    SPACED (1999—2001): Simon Pegg, Jessica Stevenson, Edgar Wright
    Y TU MAMÁ TAMBIÉN (2001): Alfonso Cuarón, Maribel Verdú, Gael Garcia Bernal
    THE DARK KNIGHT (2008): Christopher Nolan, Christian Bale, Michael Caine

    Footnotes

    Not that many footnotes this week, apart from that Nerdwriter video about the film, (his whole channel’s pretty good, if you enjoy that). Rob mentions retconning, which is explained in more detail here, and there’s some good stuff about Cuarón’s direction here, here, and here. (Also, if you happen to have access to an academic subscription [ok, it’s a long shot, but also only academics ever read to the end of footnotes, anyway, right?], then this looks like it could be good)

    33 min

About The Prestige

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A podcast for cinephiles of all stripes. Join Rob & Sam, two life-long friends, one a veteran of the film industry, the other a Cambridge-educated writer on books, movies and graphic novels. Each…