
Sign up to save your podcasts
Or


We kick off this year’s Hallowe’en festivities — a week to go! — with a classic horror franchise, starting with Sam Raimi’s 1981 classic THE EVIL DEAD. Rob and Sam discuss innovative cinematography and narrative, take a rather long diversion on gender politics in film, and talk about hubris and the ‘rules' of horror cinema.
STAY TUNED FOR MORE HORROR GOODNESS, LATER TODAY.
As you can tell from the apostrophe, Sam wrote this.
Except don’t, because this isn’t twentieth-century radio.
This Week’s Watching
Recommendations
Footnotes
This week, we conclude our focus on the Matrix franchise with the Wachowskis’ 2003 conclusion to the trilogy. We talk about exile, decisions, sympathy versus empathy, and what the series boils down to.
This Week’s Watching
Recommendations
Footnotes
We continue our forays into the world of the Matrix, with the Wachowskis’ 2003 sequel. The reviews are unsurprisingly different, and we then get into some interesting discussions of viruses, narrative bloat, how much choice is involved in the narration (and indeed consumption) of the film, and why this movie becomes about love of different kinds (fatherhood has turned Rob into the sentimental type).
This Week’s Watching
Recommendations
Footnotes
The band’s back together…After last week’s interlude, franchise season continues with the Wachowskis’ 1999 movie THE MATRIX. Both Rob and Sam have a different take on this film than their teenaged selves; we talk technical experiences, cinematic turning-points, and dystopian worlds.
This Week's Viewing
RECOMMENDATIONS
FOOTNOTES
This week, Rob’s on fathering duties, so Sam is joined by Tiernan Douieb (from the ‘Partly Political Broadcast’ podcast) and Mat Wandless (‘The Longest Pleasure’). We have a chat about a film released twenty-one years ago this week: David Fincher’s SE7EN. What have been its influences in pop culture? From where has it drawn inspiration? Do we miss having someone on the podcast who’s actually seen some films? (Yes, definitely. Come back, Rob!)
Footnotes
Here’s a list of the films/tv mentioned this week (^deep breath^):
You can find and download Mat’s podcast here (do, it’s really good — particularly the musical interludes...). He’s on Twitter as @TLPPodcast or @mojopriest. Tiernan’s similarly excellent podcast is here. He’s @ParPolBro or @TiernanDouieb on Twitter. And you can download his latest stand-up show at his website; either fall on your keyboard and hope you hit the right vowels, or go here.
The last in the Bourne franchise (for now, at least) is this week’s topic. A couple of epic rants are followed by some more reasoned discussion about why films get made in the way they do, what makes a movie ‘mainstream’ — and why this isn’t good for the Bourne films.
This Week’s Watching
Recommendations
Footnotes
We move onto the fourth in the Bourne franchise, 2012’s LEGACY. It’s one of those fun episodes where we have…differing opinions on the film, but we come together for discussions of Bourne films more generally, more on franchises, and why certain scenes left us wanting more. (This is Sam's first go at editing and uploading [ooh, the power] due to obvious recent Maythorne developments; go easy on him.)
This Week’s Watching
Recommendations
Footnotes
This week, it’s the third in the Bourne franchise, and Paul Greengrass is back in the saddle for the 2007 film. Sam is distracted by a roomful of boxes, but Rob keeps things on track with discussions of shifts in narrative tone, how this is a very different movie from the first one, and why the ending could have been edited better.
This Week’s Watching
Recommendations
Footnotes
Join Sam and Rob for a discussion of the next Bourne instalment: Paul Greengrass’s 2004 movie. We spend a while thinking about film technology (colour, tone, and use of cameras), before we think more about what makes a franchise, and end with some ideas about why this JB is the interestingly human face of black-ops spying.
This Week’s Watching
Recommendations
This week we embark on a new franchise. Is Doug Liman’s 2002 film a cultural game-changer, a weirdly paced mish-mash, a refreshing dose of reality, or all three?
This Week’s Watching
Recommendations
Footnotes
From the publisher's feed