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The next in the HP franchise is the second (and last) Chris Columbus vehicle. Sam theorises tenuously about why multiculturalism may have had a hand in the focus of the narrative, and we talk about why this film makes more sense if you’ve seen them all, the concept of wizarding purity, and the theme of home or belonging.
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We kick off 2017 with a new franchise, and it’s one of Rob’s favourites! After some discussion of why Sam may or may not be a fan, we get into some talk about establishing narratives, introductions, and why the story involves a great meta-textual metaphor for growing up.
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This week sees the conclusion of the ALIEN franchise. We discuss its shortcomings — clunky storyline, overzealous editing, Sigourney Weaver as an actor/producer — but then we get stuck into what makes this film really interesting: from French philosophy to cinematographic trickery.
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The ALIEN franchise continues, as we try to make sense of a film that may not always make sense. As well as talk of sacrifice and religion, we have some not entirely un-negative discussions, including what sort of film this isn’t, ways in which it wasn’t filmed, and why Sam and Rob saw different versions.
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Rob and Sam carry on with the ALIEN franchise, and look at James Cameron’s sequel. We cover the ways in which reproduction is explored in this film, its relationship with the first movie, the ways in which different portrayals of femininity are managed, and its comments on the sexual politics of fairy-tales.
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Sam and Rob emerge from a terrifying, tense, body-horror blood-bath into something completely diff—oh. Still, it’s something a whole lot better than last week! We talk about gender politics, camerawork and musical changes, and why this isn’t really a science fiction film. Sort of.
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We conclude our look at the EVIL DEAD franchise — and emerge, blinking, out the other side of Hallowe’en horror season — with Fede Álvarez’s 2013 remake/redux/re-boot. We discuss all these terms, have a think about the way in which Raimi and Álvarez revisit supernatural memes, and consider why this film is more interesting than good.
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The ‘Evil Dead’ franchise continues, but not after Rob mourns the passing of a cultural touchstone from our screens. Then things take a lighter turn: the usual disagreements, versions of Sam Raimi’s vision, and nostalgia for the early days of stop motion.
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It’s a ‘month of scare’ special! Hot on the heels of our discussion of the first film in the franchise, we take a look at the 1987 sequel: EVIL DEAD II. Sam and Rob are in definite agreement about the film itself (if not a certain other director), and we talk about innovative cinematography, Sam Raimi’s knowledge of film, and — strangely enough — comic subtlety.
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