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Chaos engineering is the practice of injecting failures into your production systems in a controlled manner to identify weaknesses in your applications. In order to build, run, and report on chaos experiments Sylvain Hellegouarch created the Chaos Toolkit. In this episode he explains his motivation for creating the toolkit, how to use it for improving the resiliency of your systems, and his plans for the future. He also discusses best practices for building, running, and learning from your own experiments.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
Music is a part of every culture around the world and throughout history. Musicology is the study of that music from a structural and sociological perspective. Traditionally this research has been done in a manual and painstaking manner, but the advent of the computer age has enabled an increase of many orders of magnitude in the scope and scale of analysis that we can perform. The music21 project is a Python library for computer aided musicology that is written and used by MIT professor Michael Scott Cuthbert. In this episode he explains how the project was started, how he is using it personally, professionally, and in his lectures, as well as how you can use it for your own exploration of musical analysis.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
Software development is a career that attracts people from all backgrounds, and Python in particular helps to make it an approachable occupation. Because of the variety of paths that can be taken it is becoming increasingly common for practitioners to bypass the traditional computer science education. In this episode David Kopec discusses some of the classic problems that he has found most useful to understand in his work as a professor and practitioner of software engineering. He shares his motivation for writing the book "Classic Computer Science Problems In Python", the practical approach that he took, and an overview of how the contents can be used in your day-to-day work.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
As a developer and user of open source code, you interact with software and digital media every day. What is often overlooked are the rights and responsibilities conveyed by the intellectual property that is implicit in all creative works. Software licenses are a complicated legal domain in their own right, and they can often conflict with each other when you factor in the web of dependencies that your project relies on. In this episode Luis Villa, Co-Founder of Tidelift, explains the catagories of software licenses, how to select the right one for your project, and what to be aware of when you contribute to someone else’s code.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
As we build software projects, complexity and technical debt are bound to creep into our code. To counteract these tendencies it is necessary to calculate and track metrics that highlight areas of improvement so that they can be acted on. To aid in identifying areas of your application that are breeding grounds for incidental complexity Anthony Shaw created Wily. In this episode he explains how Wily traverses the history of your repository and computes code complexity metrics over time and how you can use that information to guide your refactoring efforts.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
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