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We all use items that are produced in factories, but do you ever stop to think about the code that powers that production? This week Jonas Neubert takes us behind the scenes and talks about the systems and software that power modern facilities, the development workflows, and how Python gets used to tie everything together.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
When you’re writing python code and your editor offers some suggestions, where does that suggestion come from? The most likely answer is Jedi! This week David Halter explains the history of how the Jedi auto completion library was created, how it works under the hood, and where he plans on taking it.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
Functional programming is gaining in popularity as we move to an increasingly parallel world. Sometimes you want access to purely functional syntax and capabilities but you don’t want to have to learn an entirely new language. Coconut is here to help! This week Evan Hubinger explains how Coconut is a functional language that compiles to Python and can be mixed and matched with the rest of your program.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
The notebook format that has been exemplified by the IPython/Jupyter project has gained in popularity among data scientists. While the existing formats have proven their value, they are still susceptible with difficulties in collaboration and maintainability. Scott Ernst created the Cauldron notebook to be testable, production ready, and friendly to version control. This week we explore the capabilities, use cases, and architecture of Cauldron and how you can start using it today!
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
Healthy code makes for happy coders, and there are many ways to measure the health of a project. This week Andrew Mason talks about the Undebt project from Yelp!, as well as some of the other tools and practices that have been developed to make sure that the balance on their technical debt card stays low. Give it a listen to learn how and why to measure and address the painful parts of your software.
The intro and outro music is from Requiem for a Fish The Freak Fandango Orchestra / CC BY-SA
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