In the 1960s Vivienne Binns scandalised critics with her joyfully sexual paintings of giant genitalia and Dada-inspired pop art. But instead of following her expected path, Binns abandoned painting and devoted herself to community art projects and the Feminist art movement. Plus, a spotlight on pioneering ceramic artist Thanakupi, from Napranum (Weipa). And a short history of the smile in western Art.