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The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene.
Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk.
We love hearing from you, so follow us @thelondontheatrereview on Insta or email [email protected] to get in touch.
Hosted on Acast. See acast.com/privacy for more information.
By London Theatre Review5
33 ratings
The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene.
Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk.
We love hearing from you, so follow us @thelondontheatrereview on Insta or email [email protected] to get in touch.
Hosted on Acast. See acast.com/privacy for more information.

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