The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene. Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk. We love hearing from you, so follow us @thelondontheatrereview on Insta or email thelondontheatrereview@gmail.com to get in touch. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene. Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk. We love hearing from you, so follow us @thelondontheatrereview on Insta or email thelondontheatrereview@gmail.com to get in touch. Hosted on Acast. See acast.com/privacy for more information.

The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene. Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk. We love hearing from you, so follow us @thelondontheatrereview on Insta or email thelondontheatrereview@gmail.com to get in touch. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The Score, Alterations, Arinzé Kene

Nick, Nick and Nancy are on hand with the latest news, honest reviews and big name interviews from the world of London theatre. Nancy Durrant is the former Culture Editor of the Evening Standard and before that an arts editor at The Times for many years. She is the creator of The London Culture Edit on Substack and writes across culture for The Times, Sunday Times, Observer, W Magazine, Opera Now and more, and appears regularly on Times Radio and BBC Radio 4 Front Row. Nick Clark was Head of Culture at The London Standard, covering the cultural landscape in the capital, and was previously features editor of The Stage and the arts correspondent of The Independent. Nick Curtis is Chief Theatre Critic of The London Standard and has written about theatre since 1989. Also a feature writer, editor and an award-winning interviewer, his work has appeared in most major British newspapers, as well as Radio Times, GQ, Harpers &amp; Queen and Tatler, among others. Produced by Tim Bano <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

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Nick, Nick and Nancy are on hand with the latest news, honest reviews and big name interviews from the world of London theatre. Nancy Durrant is the former Culture Editor of the Evening Standard and before that an arts editor at The Times for many years. She is the creator of The London Culture Edit on Substack and writes across culture for The Times, Sunday Times, Observer, W Magazine, Opera Now and more, and appears regularly on Times Radio and BBC Radio 4 Front Row. Nick Clark was Head of Culture at The London Standard, covering the cultural landscape in the capital, and was previously features editor of The Stage and the arts correspondent of The Independent. Nick Curtis is Chief Theatre Critic of The London Standard and has written about theatre since 1989. Also a feature writer, editor and an award-winning interviewer, his work has appeared in most major British newspapers, as well as Radio Times, GQ, Harpers & Queen and Tatler, among others. Produced by Tim Bano Hosted on Acast. See acast.com/privacy for more information.

Nick, Nick and Nancy are on hand with the latest news, honest reviews and big name interviews from the world of London theatre. Nancy Durrant is the former Culture Editor of the Evening Standard and before that an arts editor at The Times for many years. She is the creator of The London Culture Edit on Substack and writes across culture for The Times, Sunday Times, Observer, W Magazine, Opera Now and more, and appears regularly on Times Radio and BBC Radio 4 Front Row. Nick Clark was Head of Culture at The London Standard, covering the cultural landscape in the capital, and was previously features editor of The Stage and the arts correspondent of The Independent. Nick Curtis is Chief Theatre Critic of The London Standard and has written about theatre since 1989. Also a feature writer, editor and an award-winning interviewer, his work has appeared in most major British newspapers, as well as Radio Times, GQ, Harpers &amp; Queen and Tatler, among others. Produced by Tim Bano Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

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The Score, Alterations, Arinzé Kene

The Score, Alterations, Arinzé Kene

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