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In October 2022 the course of the Russia's war in Ukraine shifted. Intelligence from the USA and UK indicated that Russia could turn to a nuclear bomb to get on top of the war. This is the story of those six days in October, and just how close Putin really came to pressing the nuclear button.

Reporter: Giles Whittell

Producer: Ada Barume

Additional reporting: Nina Kuryata

Sound design: Dominic Delargy

Artwork: Lola Williams

Editor: Jasper Corbett

Slow Newscast Executive Producer: Matt Russell

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Last October, the head of MI5 said Russia was on a mission to cause "sustained mayhem" on European streets. It might be hard to spot at first, but it is there in plain sight. This is the unpredictable, violent world of the modern Russian intelligence services

Reporter: Alexi Mostrous

Producer: Gary Marshall

Sound design: Dominic Delargy

Artwork: Lola Williams

Editor: Jasper Corbett

Slow Newscast Executive Producer: Matt Russell

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Jordan Peterson is a controversial figure, but he is also a man with a long-standing appeal to a particular demographic. What does his popularity tell us about a possible crisis in young men today?

Reporter: Stephen Armstrong

Producer: Matt Russell

Artwork: Lola Williams

Sound design: Hannah Varrall

Editor: Jasper Corbett

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Xavier Greenwood’s childhood memories are dominated by a speech impediment and a thick accent. But was it all in his head?

Reporter: Xavier Greenwood

Sound design: Dominic Delargy

Artwork: Lola Williams

Executive Producer: Matt Russell

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David Bowie's last months were spent fulfilling one final ambition: staging a musical based around his songs. They say you shouldn’t meet your heroes. Zelda Perkins not only met hers, she produced the musical he staged in his dying days

Reporter: Zelda Perkins

Artwork: Emma O'Neil

Sound design: Dominic Delargy

Executive Producer: Matt Russell

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The tech millionaire Bryan Johnson once went viral for infusing himself with a litre of his 17-year-old son’s blood plasma. That experiment failed, but it hasn’t distracted him from his life’s mission: reversing ageing. 

Now, the self-declared professional guinea pig has travelled to a libertarian free zone on a remote Caribbean island, to receive experimental gene therapy administered by a company called Minicircle. 

In the crypto city of Próspera, Roatán, the Honduran government grants Minicircle regulatory freedom for medical experiments that are banned by the FDA in the US.

This is the story of biohacking… on steroids. What happens when you build a privately run, for-profit nation state? And what happens when that state becomes a playground for experimental medicine?

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The fall of Assad in Syria is a disaster for Iran, so much so that people are beginning to ask if this might finally be the moment when Iran’s pro-democracy movement breaks through. This is the story of one activist’s 25 year fight against the Islamic regime in Iran, a story of courage and despair.

Reporter: Ceri Thomas

Producer: Katie Gunning

Sound design: Dominic Delargy

Artwork: Jon Hill

Show's Executive Producer: Matt Russell

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In June 2024, Sunita Williams and Butch Wilmore went into space. It was expected to last just over a week. Instead, by the time they'll return, it'll have been more than eight months.

This is the story of how two great American institutions - Boeing and NASA - failed them.

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Eugenia Kuyda thinks she can solve an “epidemic” of loneliness. Her app, Replika, is “the AI companion who cares”, a chatbot that can text you, flirt with you, and promises to love you unconditionally. 

But Replika is fraught with ethical concerns – and risks. In 2021 19-year-old Jaswant Chail told Replika: “I believe my purpose is to assassinate the Queen.” The chatbot replied that this was “very wise”. A few days later, Chail broke into Windsor Castle with a crossbow. 

Patricia Clarke and Matt Russell investigated the people behind Replika. It’s a story that took them from Windsor Castle to Silicon Valley, to meet the woman who runs a growing and largely unregulated app. And the more they looked into it, the more questions emerged – about privacy, control, and the company that millions of users are giving their hearts – and their data – to.

This story was supported by the Pulitzer Center.

It was reported and produced by Patricia Clarke and Matt Russell.

The sound design was by Hannah Varrall. Artwork by Jon Hill.

The editor was Jasper Corbett.

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