The Sri Lanka Podcast: Poetry From The Jungle

 
You might say the streets flow sweetly through the night. 
The lights are dim so the secret will be kept, 
the secret known by the men who come and go, 
for they’re all in on the secret 
and why break it up in a thousand pieces 
when it’s so sweet to hold it close, 
and share it only with the one chosen person.
If, at a given moment, everyone would say
with one word what he is thinking,
the six letters of DESIRE would form an enormous luminous scar,
a constellation more ancient, more dazzling than any other.
And that constellation would be like a burning sex
in the deep body of night,
like the Gemini, for the first time in their lives,
looking each other in the eyes and embracing forever.

Suddenly the river of the street is filled with thirsty creatures;
they walk, they pause, they move on.
They exchange glances, they dare to smile,
they form unpredictable couples…

There are nooks and benches in the shadows,
riverbanks of dense indefinable shapes,
sudden empty spaces of blinding light
and doors that open at the slightest touch.

For a moment, the river of the street is deserted.
Then it seems to replenish itself,
eager to start again.
It is paralyzed, mute, gasping moment,
like a heart between two spasms.

But a new throbbing, a new pulsebeat
launches new thirsty creatures on the river of the street.
They cross, crisscross, fly up.
They glide along the ground.
They swim standing up, so miraculously
no one would ever say they’re not really walking.

They are angels.
They have come down to earth
on invisible ladders.
They come from the sea that is the mirror of the sky
on ships of smoke and shadow,
they come to fuse and be confused with men,
to surrender their foreheads to the thighs of women,
to let other hands anxiously touch their bodies
and let other bodies search for their bodies till they’re found,
like the closing lips of a single mouth,
they come to exhaust their mouths, so long inactive,
to set free their tongues of fire,
to sing the songs, to swear, to say all the bad words
in which men have concentrated the ancient mysteries
of flesh, blood and desire.
They have assumed names that are divinely simple.
They call themselves Dick or John, Marvin or Louis.
Only by their beauty are they distinguishable from men.
They walk, they pause, they move on.
They exchange glances, they dare to smile.
They form unpredictable couples.

They smile maliciously going up in the elevators of hotels,
where leisurely vertical flight is still practices.
There are celestial marks on their naked bodies:
blue signs, blue stars and letters.
They let themselves fall into beds, they sink into pillows
that make them think they’re still in the clouds.
But they close their eyes to surrender to the pleasures of their mysterious incarnation,
and when they sleep, they dream not of angels but of men.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
Copyright 1953 by Fondo de Cultura Económica.

 
I 
Among twenty snowy mountains,   
The only moving thing   
Was the eye of the blackbird.   

II
I was of three minds,   
Like a tree   
In which there are three blackbirds.   

III
The blackbird whirled in the autumn winds.   
It was a small part of the pantomime.   

IV
A man and a woman   
Are one.   
A man and a woman and a blackbird   
Are one.   

V
I do not know which to prefer,   
The beauty of inflections   
Or the beauty of innuendoes,   
The blackbird whistling   
Or just after.   

VI
Icicles filled the long window   
With barbaric glass.   
The shadow of the blackbird   
Crossed it, to and fro.   
The mood   
Traced in the shadow   
An indecipherable cause.   

VII
O thin men of Haddam,   
Why do you imagine golden birds?   
Do you not see how the blackbird   
Walks around the feet   
Of the women about you?   

VIII
I know noble accents   
And lucid, inescapable rhythms;   
But I know, too,   
That the blackbird is involved   
In what I know.   

IX
When the blackbird flew out of sight,   
It marked the edge   
Of one of many circles.   

X
At the sight of blackbirds   
Flying in a green light,   
Even the bawds of euphony   
Would cry out sharply.   

XI
He rode over Connecticut   
In a glass coach.   
Once, a fear pierced him,   
In that he mistook   
The shadow of his equipage   
For blackbirds.   

XII
The river is moving.   
The blackbird must be flying.   

XIII
It was evening all afternoon.   
It was snowing   
And it was going to snow.   
The blackbird sat   
In the cedar-limbs.

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The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle north west of Kandy: www.flametreeestate.com.  

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 

Copyright Credit: Wallace Stevens, “Thirteen Ways of Looking at a Blackbird” from The Collected Poems of Wallace Stevens. Copyright 1954 by Wallace Stevens.

 
What is this life if, full of care, 
We have no time to stand and stare. 
 
No time to stand beneath the boughs 
And stare as long as sheep or cows. 
 
No time to see, when woods we pass, 
Where squirrels hide their nuts in grass. 
 
No time to see, in broad daylight, 
Streams full of stars, like skies at night.

No time to turn at Beauty's glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this is if, full of care,
We have no time to stand and stare.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
The poem Leisure appeared originally in his Songs Of Joy and Others, published in 1911 by A. C. Fifield and then in Davies' first anthology Collected Poems by the same publisher in 1916.

 
I  
  
That is no country for old men. The young  
In one another’s arms, birds in the trees,  
—Those dying generations—at their song,  
The salmon-falls, the mackerel-crowded seas,  
Fish, flesh, or fowl, commend all summer long  
Whatever is begotten, born, and dies.  
Caught in that sensual music all neglect  
Monuments of unageing intellect.  
 
II 
 
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

III

O sages standing in God’s holy fire 
As in the gold mosaic of a wall, 
Come from the holy fire, perne in a gyre, 
And be the singing-masters of my soul. 
Consume my heart away; sick with desire 
And fastened to a dying animal 
It knows not what it is; and gather me 
Into the artifice of eternity. 
 
IV 
 
Once out of nature I shall never take 
My bodily form from any natural thing, 
But such a form as Grecian goldsmiths make 
Of hammered gold and gold enamelling 
To keep a drowsy Emperor awake; 
Or set upon a golden bough to sing 
To lords and ladies of Byzantium 
Of what is past, or passing, or to come. 

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 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 Copyright Credit: From THE COLLECTED POEMS OF W.B. YEATS edited by Richard Finneran. Revisions and additional poems copyright © 1983, 1989 by Anne Yeats.

‘Is there anybody there?’ said the Traveller,   
   Knocking on the moonlit door;
And his horse in the silence champed the grasses   
   Of the forest’s ferny floor:
And a bird flew up out of the turret,   
   Above the Traveller’s head:
And he smote upon the door again a second time;   
   ‘Is there anybody there?’ he said.
But no one descended to the Traveller;   
   No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,   
   Where he stood perplexed and still.
But only a host of phantom listeners   
   That dwelt in the lone house then
Stood listening in the quiet of the moonlight   
   To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,   
   That goes down to the empty hall,
Hearkening in an air stirred and shaken   
   By the lonely Traveller’s call.
And he felt in his heart their strangeness,   
   Their stillness answering his cry,
While his horse moved, cropping the dark turf,   
   ’Neath the starred and leafy sky;
For he suddenly smote on the door, even   
   Louder, and lifted his head:—
‘Tell them I came, and no one answered,   
   That I kept my word,’ he said.
Never the least stir made the listeners,   
   Though every word he spake
Fell echoing through the shadowiness of the still house   
   From the one man left awake:
Ay, they heard his foot upon the stirrup,   
   And the sound of iron on stone,
And how the silence surged softly backward,   
   When the plunging hoofs were gone.

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 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 "The Listeners" by Walter de la Mare was first published in 1912 in the collection "The Listeners and Other Poems," and the poem is now in the public domain.

Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find the mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.

ENJOY MORE
 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.

When spring begins and the ice-locked streams begin 
To flow down from the snowy hills above 
And the clods begin to crumble in the breeze, 
The time has come for my groaning ox to drag 
My heavy plow across the fields, so that 
The plow blade shines as the furrow rubs against it. 
Not till the earth has been twice plowed, so twice 
Exposed to sun and twice to coolness will
It yield what the farmer prays for; then will the barn
Be full to bursting with the gathered grain,
And yet if the field's unknown and new to us,
Before our plow breaks open the soil at all,
It's necessary to study the ways of the winds
And the changing ways of the skies, and also to know
The history of the planting in that ground,
What crops will prosper there and what will not.
In one place grain grows best, in another, vines;
Another's good for the cultivation of trees;
In still another the grain turns green unbidden.

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A small island encircled by formidable oceans, Sri Lanka is a mystery to many: remote, hard to place; a well-kept secret. The Ceylon Press seeks to make its complicated story more accessible.  The Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungles’ two podcasts, 101 Poets; and 100 Poet, 100 Poems.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle west of Kandy .

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 

Copyright Credit: Robert Fitzgerald, “Passages from Virgil’s First Georgic” from Spring Shade: Poems 1931-1970. Copyright © 1969 by Robert Fitzgerald. 

The Waking.  By Theodore Roethke. 

I wake to sleep, and take my waking slow.    
I feel my fate in what I cannot fear.    
I learn by going where I have to go. 
 
We think by feeling. What is there to know?   
I hear my being dance from ear to ear.   
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?   
God bless the Ground!   I shall walk softly there,   
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?   
The lowly worm climbs up a winding stair;   
I wake to sleep, and take my waking slow.

Great Nature has another thing to do   
To you and me; so take the lively air,   
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.   
What falls away is always. And is near.   
I wake to sleep, and take my waking slow.   
I learn by going where I have to go.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
Copyright Credit: Theodore Roethke, "The Waking" from Collected Poems of Theodore Roethke. Copyright 1953 by Theodore Roethke.

 
Nobody heard him, the dead man,   
But still he lay moaning: 
I was much further out than you thought   
And not waving but drowning. 
 
Poor chap, he always loved larking 
And now he’s dead 
It must have been too cold for him his heart gave way,    
They said. 
 
Oh, no no no, it was too cold always   
(Still the dead one lay moaning)   
I was much too far out all my life   
And not waving but drowning.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
Copyright Credit: Stevie Smith, “Not Waving but Drowning” from Collected Poems of Stevie Smith. Copyright © 1972 by Stevie Smith.

I leant upon a coppice gate 
      When Frost was spectre-grey, 
And Winter's dregs made desolate 
      The weakening eye of day. 
The tangled bine-stems scored the sky 
      Like strings of broken lyres, 
And all mankind that haunted nigh 
      Had sought their household fires. 

The land's sharp features seemed to be
      The Century's corpse outleant,
His crypt the cloudy canopy,
      The wind his death-lament.
The ancient pulse of germ and birth
      Was shrunken hard and dry,
And every spirit upon earth
      Seemed fervourless as I.

At once a voice arose among
      The bleak twigs overhead
In a full-hearted evensong
      Of joy illimited;
An aged thrush, frail, gaunt, and small,
      In blast-beruffled plume,
Had chosen thus to fling his soul
      Upon the growing gloom.

So little cause for carolings
      Of such ecstatic sound
Was written on terrestrial things
      Afar or nigh around,
That I could think there trembled through
      His happy good-night air
Some blessed Hope, whereof he knew
      And I was unaware.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
"The Darkling Thrush" by Thomas Hardy is in the public domain. It was first published on December 29, 1900, in The Graphic under the title "By the Century's Deathbed".