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That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river’s level drifting breadth began,
Where sky and Lincolnshire and water meet.
All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.
At first, I didn’t notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what’s happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,
As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that
Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known
Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem
Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:
There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Philip Larkin, "The Whitsun Weddings " from Whitsun Weddings. Copyright © Estate of Philip Larkin.
In summer's heat and mid-time of the day,
To rest my limbs upon a bed I lay,
One window shut, the other open stood,
Which gave such light as twinkles in a wood
Like twilight glimpse at setting of the sun,
Or night being past and yet not day begun.
Such light to shamefaced maidens must be shown,
Where they may sport, and seem to be unknown.
Then came Corinna in a long, loose gown,
Her white neck hid with tresses hanging down,
Resembling fair Semiramis going to bed,
Or Lais of a thousand wooers sped.
I snatched her gown, being thin the harm was small,
Yet strived she to be covered therewithal,
And, striving thus as one that would be chaste,
Betrayed herself, and yielded at the last.
Stark naked as she stood before mine eye,
Not one wen in her body could I spy.
What arms and shoulders did I touch and see?
How apt her breasts were to be pressed by me?
How smooth a belly under her waist saw I?
How large a leg, and what a lusty thigh?
To leave the rest, all liked me passing well;
I clinged her naked body, down she fell.
Judge you the rest. Being tired, she bade me kiss.
Jove send me more such afternoons as this.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translated by A. S. Kline © Copyright 2000.
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translation copyright © 1990, 2004 by. Dennis Maloney and Clark Zlotchew ... Copyright © 2005 by Pablo Neruda and Clayton Eshelman.
Friends,
our dear sister
is departing for foreign
in two three days,
and
we are meeting today
to wish her bon voyage.
You are all knowing, friends,
What sweetness is in Miss Pushpa.
I don't mean only external sweetness
but internal sweetness.
Miss Pushpa is smiling and smiling
even for no reason but simply because
she is feeling.
Miss Pushpa is coming
from very high family.
Her father was renowned advocate
in Bulsar or Surat,
I am not remembering now which place.
Surat? Ah, yes,
once only I stayed in Surat
with family members
of my uncle's very old friend-
his wife was cooking nicely…
that was long time ago.
Coming back to Miss Pushpa
she is most popular lady
with men also and ladies also.
Whenever I asked her to do anything,
she was saying, 'Just now only
I will do it.' That is showing
good spirit. I am always
appreciating the good spirit.
Pushpa Miss is never saying no.
Whatever I or anybody is asking
she is always saying yes,
and today she is going
to improve her prospect
and we are wishing her bon voyage.
Now I ask other speakers to speak
and afterwards Miss Pushpa
will do summing up.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: The copyright for Nissim Ezekiel's poem, "Goodbye Party for Miss Pushpa T.S.", is held by the estate of Nissim Ezekiel.
The moon is playing hide-and-seek
Behind the clouds. A mellow smile
Lingers on the lips of the sky
Tides tease and tangle
At the water's edge. The buck eyes
The doe with a deep, alluring passion
Sun mo bi, Ologuro
I am in the mood for love tonight
I can hear pigeons cooing
In their coop. I can hear alapandede
Swapping notes in the shady eaves
Oge taunts the wind with its restless tail
In the narrow lane between the walls
The baobab's bulbous boon is swinging in the wind
Sun mo bi, Ologuro
I am in the mood for love tonight
Touch my tale
Smell my song
Behold the dotted lines
On the pages of my skin
Unfurl my flower
Unravel my rave
Sun mo bi, Ologuro
I am in the mood for love tonight
Stir little fires in the furrow between my ridges
Plant me, a song, in your loamy acres
Palm my memory, mold my mask
Let rasping leaves caress the fruit
At the branch's edge. Quench this quest
With the magic of murmuring moments
Sun mo bi, Ologuro
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Niyi Osundare’s Pages from the Book of the Sun: New and Collected Poems, was published by Africa World Press (Trenton, NJ) in 2002.
Osundare is one of the more prominent contributors to the Nigerian section of The Penguin Book of Modern African Poetry, 4th edition 1998, ed. Gerald Moore and Ulli Beier . Other key Nigerian representatives include Christopher Okigbo, Wole Soyinka, Gabriel Okara, John Pepper Clark, and Odia Ofeimun.
If I were a cinnamon peeler
I would ride your bed
And leave the yellow bark dust
On your pillow.
Your breasts and shoulders would reek
You could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.
Here on the upper thigh
at this smooth pasture
neighbour to you hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.
I could hardly glance at you
before marriage
never touch you
--your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...
When we swam once
I touched you in the water
and our bodies remained free,
you could hold me and be blind of smell.
you climbed the bank and said
this is how you touch other women
the grass cutter's wife, the lime burner's daughter.
And you searched your arms
for the missing perfume
and knew
what good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in the act of love
as if wounded without the pleasure of a scar.
You touched
your belly to my hands
in the dry air and said
I am the cinnamon
Peeler's wife. Smell me.
ENJOY MORE
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle north west of Kandy: www.flametreeestate.com.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
© Michael Ondaatje
Aus: The Cinnamon Peeler: Selected Poems. New York: Knopf, 1991
On a northern peak among white clouds
You have found your hermitage of peace;
And now, as I climb this mountain to see you,
High with the wildgeese flies my heart.
The quiet dusk might seem a little sad
If this autumn weather were not so brisk and clear;
I look down at the river bank, with homeward-bound villagers
Resting on the sand till the ferry returns;
There are trees at the horizon like a row of grasses
And against the river's rim an island like the moon
I hope that you will come and meet me, bringing a basket of wine
And we'll celebrate together the Mountain Holiday.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The Project Gutenberg EBook Three Hundred Tang Poems, Volume 1 by Zhang Jiuling,
Li Bai, Du Fu, Wang Wei, Meng Haoran, Wang Changling, Qiu Wei, Qiwu Qian,
Chang Jian, Cen Can, Yuan Jie, Wei Yingwu, Liu Zongyuan and Meng Jiao
The cry of the cicada
Gives us no sign
That presently they will die.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
From A History of Japanese Literature (William Heinemann, 1899) by W. G. Aston. This poem is in the public domain.
What will you do, God, when I die?
I am your jar (if cracked, I lie?)
Your well-spring (if the well go dry?)
I am your craft, your vesture I—
You lose your purport, losing me.
When I go, your cold house will be
Empty of words that made it sweet.
I am the sandals your bare feet
Will seek and long for, wearily.
Your cloak will fall from aching bones.
Your glance, that my warm cheeks have cheered
As with a cushion long endeared,
Will wonder at a loss so weird;
And, when the sun has disappeared,
Lie in the lap of alien stones.
What will you do, God? I am feared.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
THE POETRY OF RILKE: BILINGUAL EDITION by Rainer Maria Rilke, translated and edited by Edward Snow. Translation © 2009 by Edward Snow.
The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold;
When all is told
We cannot beg for pardon.
Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.
The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying
And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.
ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Sunlight On The Garden" by Louis MacNeice was first published in 1937 under the title "Song" in The Listener magazine. It was later included in his 1938 collection, The Earth Compels, with its current title. The poem itself is in the public domain
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