The Sri Lanka Podcast: Poetry From The Jungle

 
I woke in the night 
and thought, It was a dream, 
 
nothing has torn the future apart, 
we have not lived years 
 
in dread, it never happened, 
I dreamed it all. And then 
 
there was this sensation of terrific pressure
lifting, as if I were rising

in one of those old diving bells,
lightening, unburdening. I didn’t know

how heavy my life had become—so much fear,
so little knowledge. It was like

being young again, but I understood
how light I was, how without encumbrance,—

and so I felt both young and awake,
which I never felt

when I was young. The curtains moved
—it was still summer, all the windows open—

and I thought, I can move that easily.
I thought my dream had lasted for years,

a decade, a dream can seem like that,
I thought, There’s so much more time ...

And then of course the truth
came floating back to me.

You know how children
love to end stories they tell

by saying, It was all a dream? Years ago,
when I taught kids to write,

I used to tell them this ending spoiled things,
explaining and dismissing

what had come before. Now I know
how wise they were, to prefer

that gesture of closure,
their stories rounded not with a sleep

but a waking. What other gift
comes close to a reprieve?

This was the dream that Wally told me:
I was in the tunnel, he said,

and there really was a light at the end,
and a great being standing in the light.   

His arms were full of people, men and women,
but his proportions were all just right—I mean

he was the size of you or me.
And the people said, Come with us,

we’re going dancing. And they seemed so glad
to be going, and so glad to have me   

join them, but I said,
I’m not ready yet. I didn’t know what to do,

when he finished,
except hold the relentless

weight of him, I didn’t know
what to say except, It was a dream,

nothing’s wrong now,
it was only a dream.

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 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 Copyright Credit: Mark Doty, “Atlantis” from Atlantis: Poems. Copyright © 1995 by Mark Doty.

 
Here he is, my good old friend! 
 
He's at Yellow Crane Terrace on a western departure. 
 
And--we're saying goodbye, goodbye. 
 
He's in a cloud of third-month blossoms. 
 
He's off downstream to Yang-chou. 
 
That shadow there is his lonely sail.

Now there's nothing left of it.

All the blue is empty now.

All you can see is that long, long river.

It flows to the edge of the sky.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
300 Tang Poems. The University of Virginia Copyright 1973 by Yale University. 

Remember now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in them;

While the sun, or the light, or the moon, or the stars, be not darkened, nor the clouds return after the rain:

In the day when the keepers of the house shall tremble, and the strong men shall bow themselves, and the grinders cease because they are few, and those that look out of the windows be darkened,

And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of musick shall be brought low;

Also when they shall be afraid of that which is high, and fears shall be in the way, and the almond tree shall flourish, and the grasshopper shall be a burden, and desire shall fail: because man goeth to his long home, and the mourners go about the streets:

Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern.

Then shall the dust return to the earth as it was: and the spirit shall return unto God who gave it.
Vanity of vanities, saith the preacher; all is vanity.

And moreover, because the preacher was wise, he still taught the people knowledge; yea, he gave good heed, and sought out, and set in order many proverbs.

The preacher sought to find out acceptable words: and that which was written was upright, even words of truth.

The words of the wise are as goads, and as nails fastened by the masters of assemblies, which are given from one shepherd.

And further, by these, my son, be admonished: of making many books there is no end; and much study is a weariness of the flesh.

Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.

For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

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 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 © The King James Version is in the public domain.

Look to this day:
For it is life, the very life of life.
In its brief course
Lie all the verities and realities of your existence.
The bliss of growth,
The glory of action,
The splendour of achievement
Are but experiences of time.

For yesterday is but a dream
And tomorrow is only a vision;
And today well-lived, makes
Yesterday a dream of happiness
And every tomorrow a vision of hope.
Look well therefore to this day;
Such is the salutation to the ever-new dawn!

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
ALIDASA · TRANSLATIONS OF SHAKUNTALA & OTHER WORKS ·. BY ARTHUR W. RYDER ©Copyright 2003 – 2025 Liberty Fund, Inc.

 
Migrations are always difficult: 
ask any drought, 
any plague; 
ask the year 1947. 
Ask the chronicles themselves: 
if there had been no migrations 
would there have been enough
history to munch on?

Going back in time is also tough.
Ask anyone back-trekking to Sargodha
or Jhelum or Mianwali and they'll tell you.
New faces among old brick;
politeness, sentiment,
dripping from the lips of strangers.
This is still your house, Sir.

And if you meditate on time
that is no longer time -
(the past is frozen, it is stone,
that which doesn't move
and pulsate is not time) -
if you meditate on that scrap of time,
the mood turns pensive
like the monsoons
gathering in the skies
but not breaking.

Mother used to ask, don't you remember my mother?
You'd be in the kitchen all the time
and run with the fries she ladled out,
still sizzling on the plate.
Don't you remember her at all?
Mother's fallen face
would fall further
at my impassivity.
Now my dreams ask me
If I remember my mother
And I am not sure how I'll handle that.
Migrating across years is also difficult.

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 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 
 The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
© 2002, Keki Daruwalla

From: The Map-maker

Publisher: Ravi Dayal Publisher, Delhi

 
Green, how I want you green. 
Green wind. Green branches. 
The ship out on the sea 
and the horse on the mountain. 
With the shade around her waist 
she dreams on her balcony, 
green flesh, her hair green, 
with eyes of cold silver. 
Green, how I want you green. 
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken 'Guardias Civiles'
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
Copyright Credit: García Lorca, Federico. "Romance sonámbulo" from Romancero gitano. Madrid: Revista de Occidente, 1928.

 
When sorrow lays us low 
for a second we are saved 
by humble windfalls 
of the mindfulness or memory: 
the taste of a fruit, the taste of water, 
that face given back to us by a dream, 
the first jasmine of November,
the endless yearning of the compass,
a book we thought was lost,
the throb of a hexameter,
the slight key that opens a house to us,
the smell of a library, or of sandalwood,
the former name of a street,
the colors of a map,
an unforeseen etymology,
the smoothness of a filed fingernail,
the date we were looking for,
the twelve dark bell-strokes, tolling as we count,
a sudden physical pain.

Eight million Shinto deities
travel secretly throughout the earth.
Those modest gods touch us--
touch us and move on.

ENJOY MORE
 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 English translations copyright by Emecé Editores, S. A., and Norman Thomas di Giovanni Introduction and Notes copyright by Norman Thomas di Giovanni Original Spanish texts copyright by Emecé Editores, S. A., Buenos Aires

 
Here stood our ancestral home: 
The crumbling wall marks the spot. 
Here a sheep was led to slaugther 
To appease the gods and atone 
 
For faults which our destiny 
Has blossomed into crimes. 
There my cursed father once stood
And shouted at us, his children.
To come back from our play

To our evening meal and sleep.
The clouds are thickening in the red sky
And night had charmed
A black power into the pounding waves.

Here once lay Keta.
Now her golden girls
Erode into the arms
Of strange towns.

ENJOY MORE
 The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  
 

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
 Copyright Credit: © Kwesi Brew.

 
Had death not had me in tears 
I would have seen the barges 
on life's stream sail. 
I would have heard sorrow songs 
in groves where the road was lost 
long 
where men foot prints mix with other men foot prints 
By the road I wait 
"death is better, death is better" 
came the song 
I am by the roadside
looking for the road
death is better, death is much better
Had death not had me in tears
I would have seen the barges
I would have found the road
and heard the sorrow songs.
The land wreathes in rhythm
with your soul, caressed by history
and cruel geography
landscape ineffable yet screaming
eloquent resonant like the drums
of after harvests.
We pile rocks on terracing love
Carry the pithy cloth
to cover the hearths of our mother.

Come now, you lucky ones
come to the festival of corn and lamb
to the finest feast of this land
come, now,
your lovers have unfurled
their cloths
their thighs glistening like golden knives
ready for the plunging,
for the plentiful loving time.
To whom shall I turn
to what shall I tell my woes ?
My kinsmen, the desert tree
denied us sustenance
long before the drought.
To whom shall I turn
to whom shall I tell my woes?
Some say tell the mother goat
she too is my kinswoman
elemental sister of your clan
But I cannot tell the mother goat
for she is not here.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.  

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. 

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT: 
"Had Death Not Had Me In Tears" from The Promise of Hope: New and Selected Poems, 1964-2013. Copyright © 2014 by Kofi Awoonor.

 
Part I 
 
On either side the river lie 
Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
       To many-tower'd Camelot; 
The yellow-leaved waterlily 
The green-sheathed daffodilly 
Tremble in the water chilly 
       Round about Shalott. 

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
       Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
       The Lady of Shalott.

Underneath the bearded barley,
The reaper, reaping late and early,
Hears her ever chanting cheerly,
Like an angel, singing clearly,
       O'er the stream of Camelot.
Piling the sheaves in furrows airy,
Beneath the moon, the reaper weary
Listening whispers, ' 'Tis the fairy,
       Lady of Shalott.'

The little isle is all inrail'd
With a rose-fence, and overtrail'd
With roses: by the marge unhail'd
The shallop flitteth silken sail'd,
       Skimming down to Camelot.
A pearl garland winds her head:
She leaneth on a velvet bed,
Full royally apparelled,
       The Lady of Shalott.

Part II

No time hath she to sport and play:
A charmed web she weaves alway.
A curse is on her, if she stay
Her weaving, either night or day,
       To look down to Camelot.
She knows not what the curse may be;
Therefore she weaveth steadily,
Therefore no other care hath she,
       The Lady of Shalott.

She lives with little joy or fear.
Over the water, running near,
The sheepbell tinkles in her ear.
Before her hangs a mirror clear,
       Reflecting tower'd Camelot.
And as the mazy web she whirls,
She sees the surly village churls,
And the red cloaks of market girls
       Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad,
       Goes by to tower'd Camelot:
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
       The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
       And music, came from Camelot:
Or when the moon was overhead
Came two young lovers lately wed;
'I am half sick of shadows,' said
       The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flam'd upon the brazen greaves
       Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
       Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
       As he rode down from Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
       Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
       As he rode down from Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
       Moves over green Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
       As he rode down from Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra, tirra lirra:'
       Sang Sir Lancelot.

She left the web, she left the loom
She made three paces thro' the room
She saw the water-flower bloom,
She saw the helmet and the plume,
       She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me,' cried
       The Lady of Shalott.

Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
       Over tower'd Camelot;
Outside the isle a shallow boat
Beneath a willow lay afloat,
Below the carven stern she wrote,
       The Lady of Shalott.

A cloudwhite crown of pearl she dight,
All raimented in snowy white
That loosely flew (her zone in sight
Clasp'd with one blinding diamond bright)
       Her wide eyes fix'd on Camelot,
Though the squally east-wind keenly
Blew, with folded arms serenely
By the water stood the queenly
       Lady of Shalott.

With a steady stony glance—
Like some bold seer in a trance,
Beholding all his own mischance,
Mute, with a glassy countenance—
       She look'd down to Camelot.
It was the closing of the day:
She loos'd the chain, and down she lay;
The broad stream bore her far away,
       The Lady of Shalott.

As when to sailors while they roam,
By creeks and outfalls far from home,
Rising and dropping with the foam,
From dying swans wild warblings come,
       Blown shoreward; so to Camelot
Still as the boathead wound along
The willowy hills and fields among,
They heard her chanting her deathsong,
       The Lady of Shalott.

A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken'd wholly,
And her smooth face sharpen'd slowly,
       Turn'd to tower'd Camelot:
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
       The Lady of Shalott.

Under tower and balcony,
By garden wall and gallery,
A pale, pale corpse she floated by,
Deadcold, between the houses high,
       Dead into tower'd Camelot.
Knight and burgher, lord and dame,
To the planked wharfage came:
Below the stern they read her name,
       The Lady of Shalott.

They cross'd themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
       The wellfed wits at Camelot.
'The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,—this is I,
       The Lady of Shalott.'

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle.  All these, along with eBooks, dictionaries...