Episode 203 - U Turn (1997)

"You like Patsy Cline? I just love her. I wonder how come she don't put out no more new records."

Get ready for a sun-drenched, fast-paced adventure in Oliver Stone's "U-Turn," a story that proves even the worst luck can lead to the opportunity of a lifetime!

The film introduces us to Bobby (Sean Penn), a man on a mission, cruising through the spectacular Arizona desert in his classic red Mustang. When his car decides it's time for an unscheduled pit stop, Bobby finds himself in the charming, one-of-a-kind town of Superior. Far from a boring delay, this "breakdown" is actually the start of an exciting new chapter, plunging him headfirst into a world of colourful characters and high-stakes opportunities.

Superior isn't just any town; it's a vibrant hub of unique personalities! Bobby quickly meets the town's most dynamic and passionate couple: the captivating and resourceful Grace (Jennifer Lopez) and her powerful, take-charge husband, Jake (Nick Nolte). This exciting pair immediately sees something special in Bobby, a go-getter who can make things happen.

In fact, Bobby is so impressive that he's immediately flooded with life-changing job offers! First, the enterprising Jake pulls him aside and offers him a very lucrative "contract" to help solve a major problem in his life: his wife, Grace. Then, in a thrilling twist, the equally ambitious Grace makes Bobby an even better offer to help her solve her biggest problem: her husband, Jake! Bobby, a man with a knack for negotiation, suddenly finds himself the most in-demand problem-solver in town, perfectly positioned to play the field and secure the best possible deal.

His adventure is a high-energy romp through this quirky oasis. He has memorable encounters with a hilariously eccentric and passionate local mechanic (Billy Bob Thornton), who is dedicated to taking his time and doing the job right. He also meets a spirited young couple, Jenny (Claire Danes) and TNT (Joaquin Phoenix), who are just bursting with youthful energy and jealousy, adding even more fun to the mix!

"U-Turn" is a brilliantly twisty ride where alliances shift like the desert sands. Bobby masterfully navigates this exciting game of wits, weighing his options and making bold, decisive moves. The film races toward a truly definitive climax where all the complicated storylines are tied up in a neat, conclusive bow. In a final, thrilling showdown, Bobby, Grace, and Jake all find permanent solutions to their problems.

"U-Turn" is a dazzling, action-packed story that will leave you breathless, proving that sometimes, a wrong turn is the best way to get exactly where you need to go!

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Episode 202 - California Split (1974)

"Goddamnit, lady, you don't throw oranges on an escalator!"

Get ready for one of the most zesty, freewheeling, and flat-out entertaining buddy films ever made! Robert Altman's 1974 gem, California Split, isn't just a movie; it's an experience. Forget a tight, pre-planned plot. Instead, imagine you're a fly on the wall, dropped right into the hazy, electrifying, and slightly chaotic world of two compulsive gamblers who are in it for the sheer, unadulterated thrill of the action.

The film kicks off when two men, Bill (George Segal) and Charlie (Elliott Gould), meet by chance at a smoky, low-stakes California poker room. Bill is a magazine writer, a seemingly "straight" guy who just can't resist the siren call of a bet. Charlie, on the other hand, is a force of nature—a fast-talking, charming, and goofy whirlwind of a man who seems to live entirely in the moment, surviving on his wits and an unshakeable belief in the next hot tip.

Their meeting is pure 70s gold. After being (falsely) accused of colluding at the table, they get roughed up and robbed in the parking lot. But instead of being a downer, this bizarre, hilarious incident bonds them instantly. Charlie, brushing off the mugging, just grins and tells Bill, "You're a winner!" And with that, one of cinema's most magnetic and chaotic friendships is born.

What follows is a brilliant, meandering tour of the Golden State's gambling underbelly. These two are inseparable, a perfect odd couple plunging headfirst into every bet they can find. They hit the racetrack, shouting at the horses with infectious glee. They shoot pool, they play more poker, they'll even bet on an exhibition basketball game—it doesn't matter what the game is, only that there's action. Charlie is the ultimate enabler, a guy who can turn a simple trip to the bar into a high-stakes adventure, and Bill is all too happy to be pulled along for the ride.

The film captures the feeling of gambling better than almost any other. It's not about the grim consequences; it's about the buzz, the camaraderie, the secret language shared between those who "get it." It's about the high of the chase and the electric-shock feeling of pure, unadulterated possibility.

Of course, living on the edge eventually raises the stakes. Bill finds himself in a deep hole with his hard-nosed bookie. But in the world of California Split, this isn't a moment for despair—it's a call to action! It's the catalyst for the ultimate "go-for-broke" plan. Bill decides to cash in his straight life, selling his car and possessions to build one giant bankroll. The plan? To leave the small-time L.A. scene behind and head to the mecca: Reno.

The final act in Reno is what it's all been building toward. Bill and Charlie, now with a serious pile of cash, hit the casino floors ready for the big time. Bill, powered by a mix of desperation and adrenaline, enters a high-stakes poker game, sitting down with real-life legends (including the iconic Amarillo Slim, playing himself).

This is Bill's moment. He's in the zone, playing with a focus and fire we haven't seen before. And Charlie is right there with him, the ultimate hype man, beaming from the sidelines and betting on his new best friend. The tension is incredible, the chips are flying, and Bill starts to go on an unstoppable hot streak. The piles in front of him grow higher and higher as he takes down pot after pot. It's the kind of run every gambler dreams of...

What happens when a man who can't stop finally starts to win? You'll have to watch to find out. California Split isn't really about the final score; it's about the intoxicating journey, the magic of a perfect, crazy friendship, and the absolute joy of riding the wave.

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Episode 201 - All Night Long (1962)

"Me? Oh, I belong to that new minority group: white American jazz musicians. They're going to hold a mass meeting in a phone booth."

Get ready to step into the coolest party of 1962. Basil Dearden's All Night Long is a cinematic powder keg, a film that brilliantly transplants Shakespeare's classic tragedy Othello into the vibrant, smoke-filled world of the London jazz scene, and it does so with an electrifying pulse that never lets up. This isn't just a drama; it's a front-row seat to a once-in-a-lifetime jam session, featuring knockout performances from real-life jazz giants like Dave Brubeck, Charles Mingus, and Johnny Dankworth. The result is a stunningly stylish and suspenseful ride that swings to its own dynamic rhythm.

The story unfolds over the course of a single, spectacular evening. Wealthy music enthusiast Rod Hamilton (a wonderfully suave Richard Attenborough) is hosting an anniversary party for the golden couple of the jazz world: the supremely talented bandleader and pianist Aurelius Rex (Paul Harris) and his beautiful wife, Delia Lane (Marti Stevens), a celebrated singer who has happily retired from the stage for a life with her husband. The setting is a chic, converted warehouse on the Thames, buzzing with the energy of musicians, friends, and the infectious sound of bebop. The champagne is flowing, the music is hot, and love is in the air. For Rex and Delia, it's a perfect celebration of their first year together.

But lurking in the shadows of this joyous occasion is the ambitious and conniving drummer, Johnny Cousin (a riveting Patrick McGoohan). Johnny has big plans to launch his own band, but his financial backing hinges on one crucial element: persuading Delia to be his lead singer. When Delia, devoted to Rex and her new life, politely turns him down, Johnny's ambition curdles into a venomous plot. If he can't get her to join him, he'll destroy the very foundation of her happiness. With a wicked grin and a drummer's sense of timing, he sets out to poison Rex's mind, spinning a devious web of lies to convince the bandleader that Delia is having an affair with their trusted friend and saxophonist, Cass Michaels (Keith Michell).

What follows is a masterclass in tension, made all the more thrilling by the incredible musical backdrop. As the party roars on, with Mingus plucking his bass and Brubeck commanding the piano, Johnny moves through the crowd like a phantom, orchestrating his symphony of destruction. He slyly gets Cass to smoke a "drugged" cigarette, loosens his tongue, and then, in a stroke of cunning genius, uses a reel-to-reel tape recorder to capture and manipulate conversations. He masterfully edits the tape to create a false, damning narrative of Delia and Cass's "love affair." McGoohan is absolutely electric as the scheming Johnny, his intense eyes darting around the room, always a step ahead, turning a joyous celebration into his personal playground of chaos.

The music acts as the film's heartbeat, with each sensational performance escalating the drama until it reaches a fever pitch. When Rex finally hears the doctored tape, his love and trust shatter, leading to a raw and explosive confrontation that silences the entire party. But just when it seems tragedy is inevitable, Johnny's web of deceit is heroically untangled by his own long-suffering wife. The truth comes crashing down, and Johnny's grand ambitions are left in ashes. In a powerful final scene, he is left alone, frantically beating his drums in a furious, solitary solo. The party is over, but for Rex and Delia, there's a glimmer of hope as they walk out into the dawn, their bond tested but ultimately not broken, ready to pick up the pieces. All Night Long is a triumph—a sharp, exhilarating fusion of high drama and spectacular music that remains an absolute knockout.

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Scott, Paul, and Charlie

Episode 200 - Jurassic Park (1993)

"Look... We can discuss sexism in survival situations when I get back"

Get ready for an adventure 65 million years in the making! Steven Spielberg's 1993 masterpiece, Jurassic Park, welcomes you to an extraordinary theme park where dinosaurs roam the earth once more. Eccentric billionaire John Hammond has the brilliant idea to bring these prehistoric giants back to life for a spectacle unlike any other. He invites a team of experts, including paleontologist Dr. Alan Grant, paleobotanist Dr. Ellie Sattler, and the ever-charismatic chaotician Dr. Ian Malcolm, to endorse his creation.

What begins as a tour filled with wide-eyed wonder at the sight of majestic Brachiosauruses and adorable baby raptors quickly turns into a heart-pounding fight for survival. When a tropical storm and corporate espionage lead to a massive power failure, the park's most fearsome predators, including the mighty Tyrannosaurus Rex and cunning Velociraptors, are unleashed. With its groundbreaking special effects that still astound today and an iconic, soaring score by John Williams, Jurassic Park is a thrilling and unforgettable cinematic adventure that will leave you breathless and believing that "life finds a way."

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Scott, Paul, and Charlie

The Stinking Pause Podcast - chatting about movies since 2013. Some good...some not so good.

Episode 199 - Breakfast At Tiffanys (1961)

"I don't think I've ever drunk champagne before breakfast before. With breakfast on several occasions, but never before."

Few films sparkle quite like Breakfast at Tiffany's. From its opening moments, the 1961 classic wraps you in a world of glamour, wit, and irresistible charm. We first meet the inimitable Holly Golightly, played with dazzling perfection by Audrey Hepburn, as she enjoys a pastry and coffee while gazing into the windows of Tiffany & Co. on a quiet New York morning. Dressed in her iconic black gown, pearls, and oversized sunglasses, she is the very picture of effortless elegance and hopeful dreaming.

Holly is a delightful whirlwind of a woman, a country girl who has completely reinvented herself as a sophisticated, if wonderfully chaotic, Manhattan socialite. She lives in a stylishly sparse apartment with a nameless cat simply called "Cat," throws the most fabulous and crowded parties, and has a charmingly nonchalant view on life. She's on the hunt for a wealthy, older husband to finally settle down with, but her real talent is for living in the moment, chasing away "the mean reds" (her term for anxiety) with a trip to her beloved Tiffany's, where nothing bad can ever happen.

Her life takes a lovely turn when a handsome writer, Paul Varjak (George Peppard), moves into her building. He is intrigued and completely captivated by his eccentric, beautiful neighbor. What follows is not just a romance, but the story of a wonderful, life-changing friendship. They embark on whimsical adventures across the city, from visiting the library to a hilarious and heartwarming trip to a five-and-dime store. Paul sees the real Holly beneath the glamorous surface—a vulnerable, sweet, and slightly lost girl looking for a place to belong.

The film is a visual feast, filled with stunning fashion, gorgeous shots of 1960s New York, and unforgettable scenes. Who could forget Holly perched on her fire escape, strumming "Moon River" on her guitar, her voice filled with a gentle longing? Or the wildly energetic party scene that brings the whole neighborhood to life? It all culminates in a wonderfully romantic finale in the pouring rain, where Holly must finally choose between the life she thinks she wants and the love that has been right in front of her all along.

Breakfast at Tiffany's is a cinematic treasure, a joyful and stylish fairytale for grown-ups. It's a sparkling reminder that true happiness isn't found in diamonds, but in finding someone who loves you for exactly who you are, crazy cat and all.

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Scott, Paul, and Charlie

The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.

This week, Antony joins Scott to take a look at an underseen gem from 1974

The Gambler (1974)

Step into the high-octane world of Axel Freed, a brilliant literature professor who lives for the ultimate thrill! By day, he inspires students; by night, he chases the electrifying rush of high-stakes gambling. When a losing streak leaves him in deep trouble with loan sharks, Axel sees it not as a disaster, but as the ultimate intellectual challenge.

He masterfully navigates his crisis, securing the money he needs, but the siren call of one last, colossal bet is impossible to resist. In a pulse-pounding finale, he risks it all on a single college basketball game, embracing the pure, intoxicating feeling of putting everything on the line. "The Gambler" is a fascinating character study wrapped in the exhilarating tension of a high-stakes thriller, celebrating a man who truly feels alive only when he's betting it all.

"Listen to me. I'm in a position to tell you something... If you take a forty-four-thousand-dollar-a-year job, which is the absolute most you're ever going to make, you are a chicken. Your life is going to be chicken. Chicken food, chicken house, chicken car. I am not a chicken. I'm a gambler. I am a gambler."

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The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.

This week,Antony joins Scott to take a look at a classic screwball comedy from the golden age of Hollywood

Get ready for a riotous romantic comedy! A houseful of quirky professors find their dusty encyclopedia project turned upside down by the arrival of Sugarpuss O'Shea, a dazzling nightclub singer with the mob on her tail. She brings a crash course in modern slang, a whole lot of fun, and an unexpected romance that's pure dynamite!

Anthony is the host of Film Gold, Life And Life Only and Glass Onion: On John Lennon

Ball Of Fire (1941)

Get ready for a joyous explosion of wit and romance in "Ball of Fire," a golden-age comedy that sizzles with irresistible charm. Deep within a dusty New York townhouse, eight delightfully eccentric and elderly professors have spent years sealed off from the world. Their monumental task? To compile a definitive encyclopedia of all human knowledge. Led by the endearingly shy grammarian, Professor Bertram Potts, these brilliant minds know everything about history, science, and the arts, but are blissfully ignorant of modern life, especially its colourful slang.

Their perfectly ordered, book-lined world is about to be turned gloriously upside down. When Potts realises his article on slang is woefully outdated, he bravely ventures into the city, seeking a real-world expert. What he finds is Katherine "Sugarpuss" O'Shea, a vivacious nightclub singer and a walking, talking dictionary of the latest lingo. Sugarpuss is a whirlwind of energy and sass, but she's also in a tight spot. Her gangster boyfriend, the notorious Joe Lilac, is wanted by the authorities, and she needs a place to lie low to avoid testifying against him. Seeing the professors' home as the perfect hideout, she crashes their academic sanctuary, promising to be their muse for modern vocabulary.

The result is a hilarious and heartwarming clash of cultures. Sugarpuss introduces the bewildered but fascinated professors to the joys of the conga, the art of the "yum yum," and a vibrant new way of looking at life. Their quiet home, once filled with the rustle of paper, now echoes with jazz music and laughter. As the academics fall over themselves to learn from their dazzling new houseguest, the smitten Professor Potts finds himself falling deeply in love. Beneath her tough exterior, Sugarpuss is captivated by his genuine kindness and intellect, a world away from the dangerous life she knows with Joe Lilac.

But the real world can't be kept at bay forever. When Lilac's mobsters show up with a plan to force Sugarpuss into marriage to silence her for good, it seems the professors are hopelessly outmatched. But don't underestimate the power of a brilliant mind! In a thrilling and ingenious climax, Potts and his brainy comrades use their academic knowledge of physics, history, and strategy to outwit the gangsters in a showdown for the ages. "Ball of Fire" is a triumphant celebration of love, proving that opposites don't just attract—they create a dazzling, unforgettable spark.

"Sugarpuss, uh, before you go, would you... would you, eh, yum me just once more?"

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The Stinking Pause Podcast – bringing you classic movie reviews since 2013 - some good...some not so good.

This week join Scott, Paul and Charlie for a tale of a bungled diamond heist leading to a chaotic, hilarious web of double-crosses. Seduction, stammering, and stolen fish ensnare a stuffy lawyer in a madcap Anglo-American culture clash for the loot.

A Fish Called Wanda (1988)

"A Fish Called Wanda" is a delightfully chaotic and hilariously upbeat caper that brilliantly blends British wit with American brashness. The story ignites when a mismatched gang of jewel thieves – the cunning Wanda Gershwitz (Jamie Lee Curtis), her dangerously dim-witted "brother" Otto (Kevin Kline), the animal-loving, stuttering Ken Pile (Michael Palin), and the brains of the operation, George Thomason (Tom Georgeson) – successfully pull off a major diamond heist.

However, the trust among thieves is, predictably, non-existent. Wanda and Otto immediately betray George, landing him in jail, but not before he cunningly hides the loot. Enter the quintessential, repressed English barrister, Archie Leach (John Cleese). Wanda sets her sights on seducing Archie, believing he can lead her to the hidden diamonds. What follows is a whirlwind of outrageous situations, escalating absurdities, and laugh-out-loud moments.

Kevin Kline's Oscar-winning performance as the pseudo-intellectual, pathologically jealous Otto is a comedic tour-de-force, delivering iconic lines and unforgettable physical comedy. Michael Palin is equally brilliant as the tortured Ken, whose attempts to eliminate a key witness (an elderly dog lover) go catastrophically and hilariously wrong, usually involving the unfortunate demise of her beloved pooches.

Jamie Lee Curtis shines as the smart, manipulative Wanda, effortlessly wrapping everyone around her little finger. John Cleese is perfect as the flustered Archie, whose stiff upper lip gradually crumbles under Wanda's charms and the sheer madness of the unfolding events, leading to some of the film's most memorable and uproarious scenes.

"A Fish Called Wanda" is a masterclass in comedic timing and ensemble performance. Its relentless pace, witty dialogue, and a genuine sense of fun make it an enduring and infectiously cheerful cinematic treat that leaves audiences roaring with laughter.

"You pompous, stuck-up, snot-nosed, English, giant, twerp, scumbag, fuck-face, dickhead, asshole."

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Scott, Paul, and Charlie

The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.

This week,Antony joins Scott to take a look at an incredible piece of cinema from Sidney Lumet

In a WWII British military prison in North Africa, new inmates face brutal punishment, epitomized by repeatedly climbing a man-made hill in the desert heat. Led by a defiant ex-Sergeant Major, the prisoners clash with sadistic guards, leading to a grim struggle for survival and exposing the camp's inhumanity.

Anthony is the host of Film Gold, Life And Life Only and Glass Onion: On John Lennon

The Hill (1965)

Sidney Lumet's 1965 cinematic work, "The Hill," presents a profound examination of the human condition under duress. The narrative is situated within the severe environs of a British military prison in North Africa during the Second World War. While the setting is undeniably extreme, the film illuminates the resilience and camaraderie that can manifest even in the most adverse circumstances. It transcends conventional war narratives to delve into the internal fortitude of soldiers confronting a distinct form of adversity.

The film introduces five new internees to the facility, each possessing a unique background and inherent strength that they bring to this demanding environment. Among them is Joe Roberts, portrayed by Sean Connery, a former Sergeant Major whose principled refusal to enact a perilous order resulted in his incarceration. Roberts' intellect and unwavering resolve serve as a quiet source of inspiration for his fellow prisoners. He is joined by the resourceful Monty Bartlett, the tenacious Jock McGrath, the initially reserved George Stevens, and the steadfastly resilient West Indian soldier, Jacko King, who confronts his tribulations with remarkable fortitude.

The prison staff offers a study in contrasting ideologies. Regimental Sergeant Major (RSM) Wilson embodies stern military tradition, espousing the belief that rigorous discipline forges stronger soldiers. His principal instrument for this is "the hill" – an artificial mound of sand that functions as an exacting test of endurance, designed to push prisoners to their physical and psychological limits. A significant antagonist is Staff Sergeant Williams, whose methods are frequently severe as he subjects the inmates to extreme pressures, ostensibly to prepare them for future combat. Offering an alternative perspective is Staff Sergeant Harris, a non-commissioned officer whose sense of fairness and empathy develops as he observes the prisoners' ordeals. The camp's Medical Officer also contends with the challenging equilibrium between his professional obligations and his humanitarian impulses.

The central drama of the film unfolds as the new prisoners, particularly the principled Roberts, endeavour to navigate the camp's rigorous routines and the notably stringent approach of Williams, all under the vigilant supervision of RSM Wilson. "The hill" becomes the primary arena wherein the men's endurance and spirit are perpetually tested. Williams frequently targets the newcomers, and Roberts, with his comprehensive understanding of military regulations and his refusal to be readily demoralised, emerges as a figure of quiet strength and resilience.

As the men encounter escalating pressures, their interpersonal bonds and individual resolve are brought into sharp focus. Williams' intense focus on Stevens, who struggles significantly with the harsh conditions, precipitates a tragic denouement. After being subjected to extreme exertion on the hill, Stevens succumbs. This profoundly affecting event galvanises Roberts, who courageously protests what he perceives as a grave injustice, with King bravely supporting his stance. Their actions ignite a potent demand for equitable treatment among the inmate population.

In the aftermath of this incident, RSM Wilson capably restores order, yet the event serves to bring underlying systemic issues to the forefront. Roberts himself faces further direct confrontation as a consequence of his protestations. Staff Sergeant Harris, motivated by his conscience and an evolving sense of justice, intervenes to ensure Roberts receives medical attention and advocates for a formal review of the camp's operational practices. The film concludes with a sense of qualified optimism. While the challenges inherent within the military prison system remain considerable, the actions of individuals such as Harris and Roberts demonstrate that the pursuit of fairness and dignity can indeed instigate change. Ultimately, "The Hill" showcases the enduring strength of the human spirit and the profound courage required to defend one's convictions, even amidst the most trying of circumstances.

"We're all doing time. Even the screws."

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The Stinking Pause Podcast – bringing you classic movie reviews since 2013 - some good...some not so good.

This week join Scott, Paul and Charlie for a tale of two seasoned Navy men, tasked with escorting a young sailor to military prison. Instead of a straightforward trip, they turn it into an unforgettable adventure—boozing, brawling, and sharing hard-won wisdom along the way.

The Last Detail (1973)

The Last Detail (1973) is a rollicking, bittersweet road trip wrapped in military blues. Directed by Hal Ashby and starring Jack Nicholson, Otis Young, and Randy Quaid, the film follows two seasoned Navy lifers, Billy "Badass" Buddusky and Richard "Mule" Mulhall, who are assigned a seemingly dull task—escorting a young, timid sailor, Larry Meadows, to military prison. But instead of a routine trip, they decide to give the kid one last taste of freedom before he's locked away.

Meadows, sentenced to eight years for a petty crime, is resigned to his fate, but Buddusky and Mulhall aren't about to let him go quietly. What starts as a simple escort mission turns into an adventure packed with booze, brawls, and life lessons. The trio bar-hops, gets into scrapes with Marines, and even introduces Meadows to the joys of a proper night out. Along the way, Buddusky, the loud-mouthed rebel, and Mulhall, the more reserved realist, push Meadows to stand up for himself, teaching him that life isn't just about taking orders.

Despite the fun, there's an underlying sadness—the knowledge that this wild ride is fleeting. As the journey nears its end, the weight of Meadows' impending imprisonment looms large, and the film shifts from rowdy camaraderie to poignant reflection. It's a story about friendship, fleeting freedom, and the absurdity of rigid authority, all delivered with sharp dialogue and Nicholson's electric performance.

With its mix of humour, rebellion, and heart, The Last Detail is a classic slice of 1970s cinema that reminds us to seize the moment—even when the clock is ticking.

"Well, kid, there's more things in this life than you can possibly imagine. I knew a whore once in Wilmington. She had a glass eye... used to take it out and wink people off for a dollar."

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Scott, Paul, and Charlie