In 1837 a family group that flew in the face of convention was committed to canvas, presumably by portraitist Jacques Guillame Lucien Amans. It showed four children. Three were white, dressed in their Sunday best and gazing placidly at the viewer. The fourth, standing behind them in a Brooks Brothers livery coat, was a Black teenager. This is Bélizaire, and at some point around the turn of the twentieth century—for reasons unknown—his portrait was covered up.

Last week we took a close look at Bélizaire the person, and his tortured life-path through antebellum Louisiana society. This week we examine the painting that is the reason anyone knows Bélizaire’s name, and follow the twists and turns by which it traveled from the studio of Jacques Amans in 1837 to the collection of Jeremy Simien, where it is today.

This is Pt. 2 of our three-part series on the painting "Bélizaire and the Frey Children." Feat. Simien and Wendy Castenell, as well as Taylor Thistlethwaite of Thistlethwaite Americana. Hosted by Benjamin Miller.

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