The Sword Guy Podcast

For transcriptions and more detailed shownotes, please go to:

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Sydney Schwindt is an actor, fight director and clown. She is also an artist and illustrator.

In our conversation, we talk about how Sydney got into fight direction and some of the plays Sydney has worked on, or would like to work on and the swords she enjoys using.

We also talk about being a clown, and the joy of having the audience throw a pie in your face. This leads us into a discussion about some of Shakespeare’s clowns and how they have been portrayed on film by different actors, more or less successfully.

Sydney has a website for her art, called True Edge Art, and we talk about some of her designs and what inspires her. A big part of her inspiration in both her visual art and her stage work is environmentalism, and she is keen to do more work making the violence of climate change feel more real and more visceral by embodying it through actual violence on stage.

And she’s also going to do a one-person show about a clown raccoon.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-198-safety-testing-hema-with-jamie-maciver

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Jamie MacIver is a historical martial arts instructor who co-founded the London Historical Fencing Club in 2016, which has grown to over 120 members and now has his own permanent training space.

We start our conversation with Vadi, and why Jamie prefers Vadi to Fiore. We have a discussion about guards and whether Vadi is more defensive than Fiore. You can find updates on Jamie’s translation of Vadi’s The Art of Swordfighting on his website, here: https://historicalfencingresearch.com/projects/translation-vadi/

Next, Jamie explains about taking the plunge into getting his club its own permanent space. The London Historical Fencing club is one of only around three in the UK that has a permanent home, so we hear how it was possible post-pandemic, and how they manage the classes to make it financially viable. Jamie also explains about the steps they have taken to ensure diversity within the club.

Having been involved in running lots of tournaments, Jamie found he was having to make decisions on what HEMA kit is safe enough with nothing much to back up those decisions. So he set up the Historical Research Company Ltd to research historical martial arts safety, starting with research into sword tips. What is the difference between having a tip and no tip on your rapier? And which tips are the safest? Do different tips affect how likely it is for sword to glance off a mask or to stick to a mask, causing concussion and other injuries? You can find out more about the project and its conclusions here: https://historicalfencingresearch.com/projects/safety-tips/ And there’s a video here: https://youtu.be/wAZgMmIak-Y

You can support Historical Fencing Research here: https://historicalfencingresearch.com/support-our-work/

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-197-russian-dissidence-with-romana-shemayev 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Romana Shemayev is an American songwriter and performer, translator of contemporary Russian poetry,  and one of the founders of “Bent Blades, a gathering of Historical Martial Arts enthusiasts, who study German longsword fencing according to the principles of Johannes Liechtenauer.

The interview is a bit different to the usual. It starts out normally enough with background chat, and swords. But she is a translator and performer of dissident songs from the USSR, and she performs several of them for us. It’s only fair to say that the recording could be better- the perfectly fine normal podcast setup didn’t capture her guitar as well as it might. This episode was also edited together from two separate recording sessions several weeks apart, so it may be a bit less consistent than usual. The transcription isn’t perfect either! It won’t affect your understanding or enjoyment of the content though.

Also, her songs deal with some pretty intense subject matter. Going to the sauna to recover from years freezing in a gulag is not the most extreme example.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-196-theory-and-practice-and-pole-dancing 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

In today’s show I’m sharing some excerpts from the audiobook of The Theory and Practice of Historical Martial Arts. You can find the book in both audio, print, and ebook formats at https://swordschool.shop/products/the-theory-and-practice-of-historical-martial-arts-audiobook

I’m also revisiting my interview with the audiobook’s narrator, Kelley Costigan. Here are the notes for the episode:

Kelley Costigan is an actor, director, pole dancer, fencer, performance combatant, adventurer and pirate, currently living in Stratford-upon-Avon, UK, home of William Shakespeare.

Listen to our conversation to discover the Shakespeare connection that inspired me to ask Kelley to narrate my audiobook, The Theory and Practice of Historical Martial Arts. (It’s out now: you can probably find it in your audiobook app of choice, or get it directly from me here: https://swordschool.shop/products/the-theory-and-practice-of-historical-martial-arts-audiobook.)

As a child, Kelley was told that fencing was “not something that girls do”, but she has since made up for it after taking up HEMA in her 40s.

We also talk about competitive fencing, competitive pole dancing (yes, that’s a thing,) not being a Russian spy, and what Kelley would do with a million pounds.

In case you’ve never seen someone pole dancing with a sword before, here’s one of Kelley’s performances:

https://vimeo.com/221580829

To find out more about Kelley, her website is www.kelleycostigan.com.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-195-pirates-with-dr-jamie-goodall

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Dr. Jamie L.H. Goodall is a historian at the U.S. Army Center of Military History in Washington, D.C. She is the author of Pirates of the Chesapeake Bay: From the Colonial Era to the Oyster Wars, National Geographic’s Pirates: Shipwrecks, Conquests, and their Lasting Legacy, Pirates and Privateers from Long Island Sound to Delaware Bay, and The Daring Exploits of Black Sam Bellamy: From Cape Cod to the Caribbean. She has a BA in Archeology, an MA in Public History and Museum Studies, both from Appalachian State University, and a PhD in history from Ohio State.

In our conversation we discuss why pirates are seen as so glamorous – the clothes, the swashbuckling, the adventure, the accent. But you won’t be surprised to hear that the life of a pirate was somewhat different to this.

Jamie explains about pirate culture, and the democracies on board ship, the arrangements around compensation, and the famous “Pirate Code.” We hear about the successful pirate, Black Sam Bellamy, AKA the Prince of Pirates, who had a reputation for being a kinder pirate, and how that worked for him.

As you’ll expect from The Sword Guy Podcast, we have a chat about weapons and fighting. What weapons did pirates use? Were they as bloodthirsty as we’ve been led to believe?

We also find out Jamie’s hopes for a biopic of Black Sam Bellamy, and her upcoming book about the taverns, inns and public houses of Virginia.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-194-drawing-a-dream-of-swords-with-chris-schweizer 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Chris Schweizer is a three-time Eisner Award nominated cartoonist, a writer, concept artist and illustrator who lives in rural Kentucky with his wife, daughter, two cats and a long legged dog. He also supplied me with a gigantic list of his previous jobs, but now he makes comics.

In our conversation we hear about how Chris got into being a comic artist, why he doesn’t get to do much HEMA, how he used to fight in bars for money, and a Monty Python connection.

Over the past year, Chris has been going around museums drawing pictures of swords. He has put these together into a book, A Dream of Swords, which has an introduction by friend of the podcast, Sebastian de Castell. You can support Chris’s kickstarter, which runs until 10th October 2024: https://www.kickstarter.com/projects/schweizer/a-dream-of-swords.

The book is a collection of 100 monotone watercoloured drawings of swords from museums in Paris, London, and New York. There will also be original artworks, prints, and digital versions available. Check it out!

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-193-kinesiology-and-concussions-with-jane-strange 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Jane Strange represented Team North America at the 2019 European games in Minsk, and she is a competition medallist at longsword in both open and women's competitions. She is currently teaching and training at Edmonton Historical Martial Arts but is mainly focused on pursuing her degree in kinesiology.

We talk about what kinesiology is and her approach to coaching psychology. Find out what way of training works best for improving someone’s ability with a sword, and how Jane’s approach differs from Guy’s.

We also talk about Jane’s experience at the Minsk European Games. The experience was a bit of a mixed bag, including food poisoning, gear issues, and even a concussion. Jane has taught a seminar on Concussion Awareness and Prevention, having suffered a serious concussion from a car crash. Click here for her slides.

In the episode we discuss preventing and treating concussion – whether there’s any mask that can prevent it, and how we need to change the culture within HEMA to make concussion less likely.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-192-solo-training-and-an-interview-with-guy 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Hello Sword People, and welcome to episode 192 of the podcast!

Training alone is an essential skill. You can train anywhere, any time, and practice things that would be unethical with a partner. Enjoy some sample chapters from my book, The Principles and Practices of Solo Training, followed by a reprise of episode 100, where I’m interviewed by Ariel Anderssen about a whole load of stuff, including how I got into swords in the first place, the vision up a Scottish mountain that told me to open my school in Helsinki, injuries from duelling, my best ever sword fight, feminism, getting through the pandemic, and learning to fly.

Find The Principles and Practices of Solo Training at guywindsor.net/solo.  

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-191-clubs-wands-and-gladiators-historical-physical-culture-with-ben-miller 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Ben Miller is the man behind Physical Culture Historians, preserving and reviving historical exercise methods for mind, body and spirit using wands, Indian Clubs, calisthenics, and more. He has a successful and fascinating YouTube channel, and has produced several modern editions of 18th and 19th century fencing and self defence sources, as well as being the author of The Gladiatory Art: The Lives, Writings, & Techniques of the Eighteenth Century Stage Gladiators.

In our conversation we talk about how Ben got interested in the physical culture of the 19th century, and how his experience doing historical fencing made him realise that the people who designed exercises and physical training in the past had some insights that we are lacking in modern sports culture. Modern fitness is too specialised, whereas in the 19th century there was a much greater focus on holistic health, which would be beneficial to us today.

Ben talks about his favourite piece of equipment, the Indian club, and the difference between historical Indian clubs and the modern varieties; they are designed with different ways of swinging in mind. He also explains the origins of the push up, and how you should do the original Swedish version.

Another of Ben’s research interests is Colonel Monstery, and this is a link to the book Ben wrote to verify Monstery’s wild claims about how many duels he won and the combats he fought:

https://www.amazon.co.uk/Self-Defense-Gentlemen-Ladies-Nineteenth-Century-Quarterstaff/dp/1583948686

https://www.amazon.com/Self-Defense-Gentlemen-Ladies-Nineteenth-Century-Quarterstaff/dp/1583948686

We go on to discuss the largely forgotten stage gladiators of the 18th century, who were men and women who fought with sharp swords (amongst other weapons) on stage, for real. Often resulting in hideous injuries, disembowelling, and even death.

More links:

• One of Ben’s mentors is Harry Allick, and here you can see his YouTube videos of club swinging: https://www.youtube.com/@lakelandviewer

And finally! Ben’s book on Babe Ruth was just released and here are the links to it on Amazon:

https://www.amazon.com/dp/0999056794/

https://www.amazon.co.uk/dp/0999056794/

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-190-crystal-and-silver-in-a-shakespearean-accent-with-ben-crystal 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

In today’s episode we have another audiobook/interview mashup!

The Paradoxes of Defence Audiobook Project involved me hiring two narrators to record George Silver’s 1599 book, Paradoxes of Defence. Ben Crystal is a Shakespearean actor, specialising in original pronunciation, and Jonathan Hartman is a modern dramatic actor who narrates in modern English. Renowned historical harpist Andrew Lawrence-King provides the musical punctuation.  

George Silver, an English gentleman, was appalled at the influx of Italian rapier fencing into England, and set out his arguments in favour of the traditional English weapons. He rails against the fashionable new style on the grounds that it is both dangerous to the practitioners, and of no use in warfare.

Whether he was right or wrong, history was against him and the fashionable Italian rapier took over. But his work offers a vital window into the theory and practice of martial arts in England in Tudor times, and ironically provides much of what we know about several Italian rapier masters: Rocco Bonetti, Vincentio Saviolo, and Jeronimo Saviolo.

This podcast episode contains a couple of sample chapters of the audiobook read in original pronunciation by Ben Crystal, which is then followed by my interview with Ben, from episode 58. Here’s a bit more information about the interview:

Ben Crystal is an actor, author, producer, and explorer of original practices in Shakespeare rehearsal and production. In this episode we talk about Ben’s work in exploring how actors would have rehearsed, staged, and performed Shakespeare’s plays in the 16th century, and how the original rhymes and pronunciation would have sounded. It makes for a completely different experience to what we think of as “Shakespearean” in modern times. Even if you aren’t into Shakespeare this is a fascinating conversation about theatre, memory, language, and of course, swords.

Which leads us on to George Silver. Find out what Ben thinks of Silver and whether he would have wanted to go to the pub with him. For those of you unaware of our project, in 1599 George Silver published his Paradoxes of Defence, offering a window into the Tudor and medieval martial arts as practiced in England.

You can find the audiobook at guywindsor.net/silver