For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-210-from-homeschool-to-author-with-amos-wilson 

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Amos Christian Wilson is an independent Christian author, poet and musician. He is also a home school graduate and third born of 12 who loves reading, the outdoors, theology and history. He went from high school to a wide range of trade jobs, from carpentry to piano tuning to horse shoeing. He seeks to write books which centre around religious characters and immersive world building.

In our conversation we talk about growing up as one of 12 and being homeschooled, and how a picture book about arms and armour sparked Amos’s love of swords, followed by a Fiore manual from a homeschool organisation’s catalogue of “toys for growing men”.

We talk about some of the different jobs Amos has done over the years to support his true career as a writer. He describes his four-book Gwambi series as Treasure Island meets Chronicles of Narnia, with maybe a little bit of Charles Dickens thrown in there. You can find Amos on Substack and download a free ebook there. Or find out more on his website, https://www.acwilson.net. 

As Amos isn’t a historical martial artist, he has a different idea of what he would do with $1 million, and it’s one that Guy is fascinated by.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-209-medieval-european-body-culture-with-dr-maciej-talaga

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Dr Maciej Talaga is an assistant professor at the University of Warsaw. His research interests have revolved around premodern European martial traditions, with particular focus on late medieval, Central European and the so-called German School of fighting. His goal is to elevate HEMA studies into a legitimate field of research within academic history and archaeology.

Maciej is a member of HEMAtac, a HEMA coaching organization, and is a qualified Olympic fencing instructor in the Polish Fencing Association. He also runs the Sprechfenster blog on Patreon. Guy first came across Maciej’s work through his article Probing the Depth of Medieval European Body Culture: Preliminary Research on Methods of Physical Training, 1250 to 1500.

We talk about how Maciej got into historical martial arts, and a bit of background of the development of the HEMA scene in Poland. Both Maciej and Guy have experience of sport fencing, and we talk about how sport fencing coaching techniques can be beneficial in training historical fencing, giving you a framework for understanding concepts in historical fencing.

Maciej sees HEMA as a grand project, with tournaments having a key place within this project. We discuss the benefits of the competitive environment, how it affects your training, and how it reveals the differences between what’s in the fight books and how we practice sword fighting today. Guy talks himself into getting back into tournament fencing – for seniors only, mind you.

We also discuss the topic of Maciej’s article about medieval European body culture. What sports did people do, how did they train? What sources do we have to prove what people did?

Links of interest:

Probing the Depth of Medieval European Body Culture: Preliminary Research on Methods of Physical Training, 1250 to 1500

HEMAtac: https://hematacticalanalys.wixsite.com/hematac

Maciej’s Sprechfenster blog: https://www.patreon.com/sprechfenster

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-208-swords-are-where-i-can-be-me-with-vera-martocchia 

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Vera Martocchia is a professional sword fighting instructor with nearly a decade of experience in historical martial arts. She co-founded the historical martial arts club Swordpunch in London, and teaches a wide range of weapons, including sidesword, longsword, dagger, sickle and more.

In addition to her historical martial arts practice, Vera holds a master’s degree in international business, works as a marketing professional in tech and is a certified fitness professional with over 16 years of experience.

Our wide-ranging conversation covers how getting pregnant is what got Vera into historical martial arts (in a roundabout sort of way) and the reasons she and her business partner Jack set up their own club. Setting up your own club may not be the practical choice, and we discuss how to manage all the responsibilities of both the club and life – hint: the answer is not to sleep.

One of Vera’s driving forces was to create a club that is welcoming and a healthy learning and training environment with professional teaching methods. We talk about how to help vulnerable students, and how to professionalise HEMA teaching.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-207-the-perfectly-rational-fencer-with-martin-hoppner 

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Dr Martin Höppner has been involved in historical martial arts since joining a local reenactment club, “Berliner Rittergilde” in 2008 before getting into historical fencing in 2015 studying classical sabre and rapier at the University of Berlin club. He then moved into sword and buckler, inspired by Roland Warzecha’s work (you can hear from Roland here) and Fiore’s Art of Arms, before being seduced by Manciolino and Marozzo. In 2017 he co-founded Schildwache Potsdam as a collaboration between the Berliner Rittergilde and the University of Potsdam’s Academic Sports Centre. In 2020 and 2021 he was on the DDHF national longsword first squad. And since 2022 he was on the Rapier national squad, where he is now head coach. He runs the Schildwache Potsdam YouTube channel, and is one of the organizers of one of my favourite events, Swords of the Renaissance. He is a research associate at the Brandenburg University of Technology Cottbus-Senftenberg and has a PhD in economics and social sciences.

Economics is very relevant to this episode, because Martin and I discuss how Game Theory relates to fencing. What is it rational to do when sparring and what do people actually do? What is the most rational way to react to an opponent who hits you increasingly hard or fast? Should you match them, or walk away?

We also talk about rule sets in tournaments, and Martin’s thoughts on how to devise them to stop people gaming the rules, and make the fencing cleaner and scoring fairer.

Links of interest:

Schildwache Potsdam (Martin’s club) and info on Swords of the Renaissance event: https://schildwache-potsdam.de/

The Schildwache Potsdam Patreon: https://www.patreon.com/cw/SchildwachePotsdam

Schildwache Potsdam YouTube channel: https://www.youtube.com/schildwache-potsdam

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-206-you-re-a-fechtmeister-too-with-liam-clark

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Liam H. Clarke is a historical fencer with a focus on Renaissance-era German fencing traditions, specifically the work of Joachim Meyer. He has been practicing since 2016, first in the Rocky Mountains before returning home to the Pacific Northwest. For the last few years, he has been delving into the archives, researching the lives and times of the contemporaries of Joachim Meyer, publishing his findings, including illuminating Joachim Meyer’s family through his Substack, Evergreen Historical Fencing.

In our chat, we discuss the appeal of delving into archives instead of just doing swordfighting: does having a better understanding of the lives of past masters help us fence better, or have a deeper enjoyment of practising historical fencing?

Liam explains who Meyer was, his family’s background in paper production, and what life was like in city states like Strasbourg in the 16th Century. Every (male) citizen had a responsibility to own arms and armour and be prepared to protect the city, whether on night watch, military conflicts, or fire calls. Liam’s research can help us picture what daily life was like for Meyer and his contemporaries, and how they had the same struggles with money and other commitments that we have today.

One thing Liam’s research has highlighted is how young these fencing masters were, and how a “Fechtmeister” wouldn’t have been a wizened old man with a long beard. Meyer was only in his early thirties when he died. Many of us practising HEMA today would qualify as a ‘Master’, which is a nice thought for reducing the imposter syndrome!

All of Liam’s research findings and articles are open source and freely available at https://evergreenfencing.substack.com/p/three-other-fechtmeisters-of-strasbourg Check it out!

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/salute-before-you-cross-swords-with-damon-young

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

My guest today, Damon Young, is an Australian philosopher, author and martial artist. He has written 14 books or so, including Philosophy in the Garden, Distraction, and On Getting Off: Sex and Philosophy. He has also edited a couple of books on philosophy and martial arts, such as Engagement: Philosophy and the Martial Arts, and Martial Arts and Philosophy: Beating and Nothingness, perhaps my favourite title.

His latest work is Immortal Gestures, Journeys in the Unspoken.

For transcriptions and more detailed shownotes, please go to:

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

You might remember Damon from his previous appearances on this show in Episode 31, Why Swords Are Cool, and again in Episode 44, What is a Sword?

Unfortunately for Damon, he’s not doing a lot of sword swinging at the moment because of an as yet unidentified issue with his arms. We discuss how he might get this issue sorted – which may involve flying to Helsinki – and how it can be tricky to prioritise your own health over other priorities and difficult life stuff.

We also revisit the definition of a sword. What is a sword? When is a sword-like object not a sword?

Damon’s new book is about gestures, and we talk about the weird politeness of a salute or a bow that’s absolutely essential before you try and murder someone with a kilo of sharp steel. A gesture can be an important symbol of trust and respect, and this courtesy separates martial arts or duels from a more bestial act or something a commoner might do.

Our conversation goes off in several tangents, discussing whether philosophy is a scam, pens, getting rid of stuff, cataloguing your book collection, notebooks and the history of sticking two fingers up to the French.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-204-staying-fit-for-fencing-with-dr-elizabeth-scott 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Elizabeth Scott is a historical martial arts and armoured combat practitioner on foot and on horseback, which is extremely cool, as well as being an orthopaedic surgeon, which is arguably even cooler. Her latest venture is Sprezzatura Sports, a company providing health and fitness training for sports fencers and historical martial artists. Of course, her main claim to fame is having appeared on this show before in episode 114.

Things have changed for Liz since our last conversation in 2022, as at the time of recording, she was preparing to move herself, her dog, and maybe her horse over to the UK to start a master’s degree in Sport, Strength and Conditioning at Loughborough University. It’s just Liz doing the degree, not the dog or the horse.

In our conversation we talk about recovery from injury, how to stay injury free and take care of our bodies as we age. We also talk about training for historical fencing, training for tournaments, and dealing with both the mental and physical sides of tournament fencing.

Liz is a mounted combat enthusiast, and we discuss vaulting onto your horse – while in full armour – and how this was an essential part of the medieval training, despite seeming pretty impossible to us modern folk. 

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-203-writing-great-sword-fights-with-sebastien-de-castell

It’s a welcome return for a previous guest, the brilliant writer Sebastien de Castell. His first published novel was Traitor’s Blade in 2014. Since then he has published the Greatcoats Quartet, the Spellslinger YA fantasy series, The Malevolent Seven and his latest Play of Shadows. He also has eight more books under contract, so there are plenty more to come!

Sebastien has written some of my favourite sword fights in all of literature, so when I decided to update my book, Swordfighting for Writers, Game Designers and Martial Artists, it was a no-brainer to talk to Sebastien about how he approaches writing action scenes in his books.

We talk about more than just sword fights, and this conversation will be fascinating to any writer or anyone thinking about writing their first novel.

It’s not just a chat for novellists. As you’d expect on The Sword Guy Podcast, we do talk about weapons, like a pistol within a rapier, and other strange and unusual weapons that never quite caught on.

To find out more about Sebastien’s books, visit https://decastell.com/ and to listen to his previous appearance on the podcast, check out episode 69: Swashbuckling with Sebastien de Castell.

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-202-the-schielhau-in-detail-with-alexander-furgut 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

It’s a warm welcome back to the Sword Guy Podcast to Alexander Fürgut, who was one of my interviewers on Episode 132, Podcasting with the Sword Whisperer. He's the co-host of the Schwertgeflüster HEMA podcast and of Schwabenfedern Ulm, a large HEMA club in Germany. We're here today to talk about his new book, The Schielhau in Detail: a comprehensive guide about fundamentals, tactics and strategy of this longsword technique.

We talk about the challenges of writing a book, and how much tougher Alexander found the process than he expected, especially as he immediately went on to translate the original German version into English. Will he write another? We have a chat about possible subjects, and the best approach when choosing a topic to write about. Is it better to write something with the widest possible audience, or is it better to focus on something very niche, like, for example, the Schielhau?

Find Alexander’s book, The Schielhau in Detail here:

German edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ

English edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-201-the-notebook-and-a-zibaldone-salad-with-roland-allen 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Roland Allen is the author of The Notebook: A History of Thinking on Paper. The book is about the development of the notebook (i.e. a book you write in yourself) in European history, and it covers everything from the development of paper as a cheaper thing to write on than vellum, to wax tablets, to Italian accounting practices, to Leonardo da Vinci's famous notebooks, to Darwin, to the modern Moleskine and where it actually comes from.

In our conversation we talk about the means, motive and opportunity that enabled Roland to write The Notebook, and the challenges of covering such an enormous topic: what had to be left out; and the power of holding a grudge. There’s also great advice for anyone writing any sort of book about how to incorporate cause and effect into your storytelling. Readers need reasons and consequences to stay engaged.

We talk about Roland’s favourite genre of notebook, the zibaldone, which existed in medieval Florence as a way for people to write down all the bits of literature they liked, local songs, recipes, events – anything notable was written down in a hodgepodge paper version of a mixtape. To connect this to fencing, it is similar to one of our oldest treatises, Manuscript 3227a, also known as the Döbringer manuscript. This is basically a zibaldone, with a section in it on fighting with a longsword. But it also has sections in it on other things like fireworks and recipes. 

There’s lots else to talk about, including our preferred brands of notebook, and our favourite paper.

Find out more about The Notebook on Roland’s website: https://roland-allen.com/