How do you win an argument? Learn from the master of rhetoric: Cher Horowitz, star of Clueless. The Alicia Silverstone character may be remembered as a 90s fashion icon, but she's in fact most impressive for the debate skills she puts to use in all aspects of her life. She teaches us a few things about how to make our case so that people will listen.

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While strides are being made around disability representation on screen, disabled characters are still often reduced to monsters, bridges to the supernatural, or bad guys.

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In Sex and The City, growing old with Aidan would have made more sense for Carrie if marriage was what she truly wanted – but secretly, it seems like she really prefers to be alone.

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Dyed hair was once a visual shorthand to convey a character’s “edginess” or "alternativeness.” It even came across to some as scary, unsettling, a threatening challenge to the social status quo. Today, though, it's almost the norm. So what changed?

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Don’t Look Up is an eerily accurate echo of how we continue to mine our world for non-renewable resources instead of investing in green energy, even though burning fossil fuels is explicitly causing our downfall.

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We’re told to worship (or try to be) the "Pretty Girl," but that pursuit can erode a deeper sense of self. When people see you as the "Pretty Girl" type, they’re really seeing preconceived, culturally entrenched notions of what your beauty represents.

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Much of Gossip Girl focuses on Chuck Bass and Blair Waldorf’s endlessly destructive love affair. Why are viewers so compelled by their toxic love, and why does it make so much sense that they end up together?

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In Tangled, Rapunzel’s mental imprisonment and her desire to take the agency to see the world herself speak generally to how young girls need to free themselves from damaging longstanding cultural myths.

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Friends' Emily is the Runner-Up Love Interest, a character who serves as a transition to the show's one true pairing. Let's take a look at what we can learn from her side of this story.

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How much do we want to see the Covid-19 pandemic reflected in our Films and TV shows – should stories be helping us process, or just letting us enjoy a much-needed escape?

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