We arrive at "Marjorie," track 13 from Taylor Swift's evermore album. One of the highlights of her discography, this track is a beautiful tribute to her grandmother, who played a significant role in Taylor's journey to becoming the superstar she is today. Join Exquisite & Hannah as they talk about guilt, grief, hope, and remembrance.

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"Long Story Short" from Taylor Swift's evermore album brings us back to Taylor's personal perspective. With a drive beat and a fun vocal performance, this song showcases her sharp pen and clear-eyed perspective. Join Exquisite and Hannah as they analyze the song structure, addressees, and connections to "Call It What You Want," "Peace," and more.

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One of the clear highlights of Taylor Swift's discography is "Cowboy Like Me," the 11th track of evermore. This love song contains beautiful storytelling of two con artists who crash into each other at a party and find a love that they'll have to "pay for." Exquisite and Hannah analyze how Taylor teases the listener so they don't know if the couple ends up together until the very end.

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There's no question that "Ivy" is one of Taylor Swift's best-written tracks ever. Track 10 of evermore showcases Swift's songwriting prowess and her Gothic sensibilities as she tells the story of a woman caught between ice and fire. In fact, you might even say she has created a haunting narrative.

We hope you enjoy our interpretation of "ivy," and hope you take a closer look at this lyrical masterpiece.

Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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We're in the thick of the evermore woods now with track 9, "Coney Island." (But first, we do a slight detour back to "Dorothea"). This song is heavy on the "wonder" motif that's found throughout Taylor Swift's discography, and the themes of regret and lost youth are connected to other heartbreaking songs in her discography, including "How Did It End," "Peter," and "Chloe or Sam or Sophia or Marcus."

This song, which is about the dissolution of a relationship (or relationships?) also touches on many other songs in her discography, from "All Too Well" to "Dear John," and Exquisite and Hannah are devastatingly delighted to unpack them with you.

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- ⁠⁠⁠⁠⁠@⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠⁠⁠⁠(Hannah)

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We come to "Dorothea," track 8 of Taylor Swift's evermore. This highly underrated song is connected to so many others in Swift's discography--and it's not just "'tis the damn season," which shares the same two characters. We see the motifs of waiting and hometowns and past loves in songs such as "Peter," "the 1," "Midnight Rain," and .... "Ruin the Friendship"?! Be sure to tune in as Exquisite and Hannah explore this beautifully wistful song and how it fits perfectly into Taylor Swift's discography. Also tune in for Hannah's hot take on how to listen to evermore (Exquisite isn't so sure...).

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- ⁠⁠⁠⁠@⁠⁠⁠sippingaugust ⁠⁠⁠⁠⁠⁠⁠(Hannah)

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Cover Art by Alef Vernon:

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We're so happy to talk about "Happiness," the 7th track of Taylor Swift's Evermore? This song is filled with beautiful imagery and incredible diction choices that put you in the mind of the protagonist who is grieving the loss of a relationship that she thought would never see a sunset. There are attempts to be "above the trees" but when she thinks back at the painful times, she expresses "fury." Taylor shows us that this version of the protagonist is slowly deteriorating, but one day, she will rise like a phoenix from the ashes and see a "glorious sunrise."

A song that Taylor said was written as she saw the dissolution of her friends' relationships, "Happiness" also shows new nuggets in hindsight. Perhaps Taylor felt some "weapons" were being "pointed at her deepest hurt?" Perhaps there were glimmers of recognition in her friends stories.

Only Taylor knows the conscious and subconscious muses of the song, but one thing is for sure: There is epic lyric analysis because of "Happiness."

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Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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We are back to talking Evermore (again) with one of the more fun songs on the album, "No Body, No Crime." Taylor goes back to her country roots for this song in which women get revenge after being wronged--as they should! Join Exquisite and Hannah as they breeze through this song.

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Let's talk about the music video for "Opalite," track 3 on The Life of a Showgirl. Exquisite and Hannah discuss how Taylor Swift brilliantly captured the essence of the song and flexed her prowess as a director. We see a beautiful three-act structure with tons of symbolism and beautiful imagery. Join us for this Showgirl bonus episode!

Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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We are back to talking Evermore (finally), and we're back with one of Taylor's most devastating songs: "Tolerate It." And you better sit down for this one. This song follows a woman who is completely overlooked by her (much older) partner, a story that has been told and retold both in literature and in Taylor's own discography. We travel to songs from "All Too Well" to "Dear John" to "Better Man" to "Bejeweled" to "High Infidelity" to "So Long London" and even "Opalite" and "Honey." Draw hearts in the byline of this episode as Exquisite and Hannah unpack a masterpiece.

Want to support Exquisite on her journey to becoming a professor? Donate here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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