Why is a novelist on a tech show? Because Alice G. May's story is remarkable, and technology runs right through it. Told at school that she wasn't creative, she studied environmental science and spent 20 years as a GP practice manager. Then, about ten years ago, her house fell down. Her insurer refused to pay, and Alice, her husband, their four children and two cats lived in a tent in the garden (no wifi, no Xbox), then a caravan, until they rebuilt it 18 months later. Painting helped her recover from the trauma, and painting unlocked the words. Her fictionalised memoir, The House That Sat Down, followed.
After years of rejections she signed a six-book deal with a traditional publisher, sparked by tripping over a mysterious metal object on a walk. It led her to the true story of a secret army of around 300 hand-picked women trained during the Second World War to watch for invaders from hidden bunkers on the British coast. The Resistance Girls is the first in the series, researched at the Imperial War Museum and the Signals Museum.
Alice and Natalie discuss why her publisher's contract rules out AI (she even turned Copilot off in Word), how it felt to discover her earlier novel had been scraped to train AI within hours of publication, and why building trust with a reader is surprisingly like good user experience design in software.