Conservation biologist Peter Soroye joins Damian to discuss the inseparable link between biodiversity loss and social inequality. Through examples from pollinator conservation to community-led projects, Peter emphasizes that protecting nature requires addressing systemic injustice. The episode offers a hopeful reminder that everyone has a role to play in building a future where ecological health and human well-being go hand in hand.

ART FUTURISMS
8 Million pathways to the cathedral of creation

Multidisciplinary artist Ruby Singh joins Damian to explore the intersections of art, spirituality, myth, and decolonial practice. From Sikh teachings to West Coast Indigenous stories, Ruby shares how relationality and kinship shape his creative process, placing care and collaboration above product. The conversation dives into perfectionism, the Western art canon, and re-centering artistic value around empathy, community, and ecological connection. With projects like Polyphonic Garden and Kraken & Kin, Ruby imagines a “cathedral of creation” where all beings are interconnected, and art becomes a living act of solidarity.

NATURE FUTURES FRAMEWORK
The science of imagining positive futures

Scientist Laura Pereira introduces the Nature Futures Framework, a tool designed to help communities imagine and co-create thriving futures for both people and nature. In conversation with Damian, she shares stories from her work across continents, emphasizing the value of narrative, creativity, and cross-disciplinary collaboration. This episode highlights how scientists and artists together can seed hopeful, actionable visions for a just ecological transition.

ASHETATAU
Indigenous female artist against the machine

Caroline Nepton Hotte, Innu scholar from Mashteuiatsh and professor at UQAM, shares the five “Rs” of relational methodology—Respect, Reciprocity, Relation, Relevance, and Refusal—as an ethical guide for artists working with Indigenous communities. She discusses how Indigenous female artists reclaim cultural identity, resist colonial representations, and create spaces of visual sovereignty through decolonized aesthetics and digital practices. Rooted in her project Ashetatau (“to follow in someone’s footsteps”), the conversation offers vital insights into art within Indigenous worldviews.