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Do women have to choose between life as an artist and being a mother? That’s what the story boils (or burns!) down to in Celeste Ng’s 2017 novel (and in the eponymous Hulu Series) Little Fires Everywhere. In this episode, Stefanie Schäfer and her guest Julia Faisst discuss the implications and repercussions of this conflict—and on the side, they connect the abyss between itinerant freedom and the comforts of white settlement to the 2008 economic crisis, to adoption and white privilege, and to the iconicity of the American home in contemporary culture.
In this episode, host Douglas Cowie and his guest, Los Angeles-based writer Ryan Gattis, discuss Lost Children Archive by Valeria Luiselli, a road novel about a family traveling from New York City to the Mexican-American border. Check out Ryan's novels at ryangattis.com.
In Oct 2021, aka the second fall after the outbreak of the COVID 19 pandemic, many pressing questions persist: What will be our new normal? How will we construct our stories and our identities after COVID? Is the future, as many say, indeed female?
In this episode, Stefanie Schäfer and her guests, Ina Batzke and Linda Hess, explore two novels about global pandemics that were published before the arrival of COVID-19, and the answers these works of post-apocalyptic speculative fiction offer. They touch on female authors, alternate fictional universes, and the consequences wrought on humanity by the end of oil—and of the cultural industry, respectively .
In the second of two episodes about reinterpretations of The Great Gatsby, host Douglas Cowie and his guest, Michael Coyle, discuss The Chosen and the Beautiful by Nghi Vo, in which Daisy Buchanan's golf star friend Jordan Baker narrates a dark, fantastical and politically-charged version of the same events that Nick Carraway tells in Fitzgerald's 1925 novel.
Political correspondent Christina Neuhaus and host Andrew Sola discuss the upcoming federal elections in Germany. They cover the top six parties: CDU, SPD, the Greens, FDP, AFD, and the Left. Also, they assess the chances of the three candidates who seek to succeed Chancellor Angela Merkel: Olaf Scholz, Armin Laschet, and Annalena Baerbock . Lastly, they analyze the effect of climate change, tax policy, and COVID-19 on the elections.
Marking the 20th anniversary of the 9/11 terrorist attacks, Stefanie and
In this show, Andrew Sola and his guest, Prof. Steven Durand, discuss different theoretical approaches to understanding US foreign policy and international security 20 years after 9/11. Topics include (1) realpolitik or neo-realism: the view that the world is an anarchical and amoral competition among nations; (2) Graham Allison’s critique of the assumption that governments make rational decisions; (3) James Dobbins’ analysis of successful and unsuccessful approaches to nation building. Next, they discuss the war in Afghanistan, including (4) the role of humanitarian intervention in US foreign policy; and (5) the influence of domestic politics on foreign policy. The show concludes with (6) an assessment of President Biden’s decision to end the war in Afghanistan as well as (7) a discussion of the Biden Doctrine.
In this episode, host Douglas Cowie and his guest, Professor of English at Colgate University, Michael Coyle, discuss No One Is Coming to Save Us by Stephanie Powell Watts. This is the first of two episodes in which Douglas and Michael discuss novels that are based in different ways on F. Scott Fitzgerald’s 1925 novel, The Great Gatsby.
Dr. Trygve Svensson, director of the Norwegian think tank AGENDA, and Andrew Sola preview the upcoming elections in Norway on 13 September. Topics include antagonistic politics, social and economic inequality, climate change, and immigration. Lastly, Dr. Svensson remembers the tragic day of the terrorist bombing in Oslo and the subsequent mass shooting on the island of Utøya.
In this episode, host Douglas Cowie and his guest, Professor Robert Eaglestone, discuss The Night Always Comes by Willy Vlautin, a novel set in Portland, Oregon that dramatizes the human cost of the economic crash. They also touch on the relationship between Willy Vlautin's fiction writing and his songwriting
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