In art, verisimilitude — representing things as they appear — is something like telling the unvarnished truth and it makes perfect sense that it's the form in which Vincent Fantauzzo is most comfortable. 

His first commercial artworks were actually counterfeit 50 dollar notes, just one of the uncomfortable truths which he tells in his new autobiography, Unveiled. 

Although his childhood in the outer suburbs of Melbourne was wracked by endemic poverty and a distant but physically and emotionally violent father, it was undiagnosed dyslexia that almost beat this Jack Rennie-trained boxer.

But Fantauzzo has gone on to great success, and while his representational style isn't wildly popular with critics, his portraits are perennial people's choice award winners at the Archibald Prize.