By 1985, Simple Minds were coming off a #1 album in the UK with Sparkle in the Rain and sales from all around the world. But it only went to #64 in the US and they needed something to spark greater interest across the pond. When Don't You Forget About Me from The Breakfast Club Soundtrack hit #1 in May 1985, a song they originally resisted, they had that spark and built on that success with memorable performance at Live Aid in Philadelphia. Their next album would need to be special to keep the momentum building.

New York producer Jimmy Iovine (Bruce Springsteen, Stevie Nicks, Tom Petty) came to London to work with the boys as they welcomed in new bass player John Giblin. He encourage Jim to emote more - to really sing his heart out - in the studio and his soul is captured on Once Upon A Time. Jim's lyrics are optimistic about the future - the native Glaswegians know where they come from (Oh Jungleland) and can be proud of what they've accomplished (Come a Long Way). Alive and Kicking would be the first single to follow up #1 smash Don't You Forget About Me and soared up the charts, thanks in part to a music video shot in the Pocono Mountains - former Simple Minds drummer Mel Gaynor enlightens us with a funny story from that video shoot!

They can get political without getting preachy (Ghostdancing) while bringing you to your feet with glorious salvation (Sanctify Yourself). Released October 21, 1985, Once Upon A Time would be the 2nd consecutive #1 in the UK and the 1st gold record for the band in the US.

But what if they put Don't You Forget About Me on it? It was already a #1 and hadn't been on a Simple Minds album. The Wolf believes it would have resulted in millions of more sales and fans for the band in the US but that's a debate you'll have to hear!

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Long time listeners know that Rush is one of The Wolf's top 3 favorite bands of all time. The Wolf & Action Jackson camped out to see Rush on the Roll The Bones Tour and The Wolf has seen them 12x live. After reviews of Fly By Night and Caress of Steel at 50 plus an interview with longtime collaborator Hugh Syme on the 250th and a First Concert Memories show on the mini-tour between Permanent Waves and Moving Pictures, we figured we were done with Rush episodes in 2025. Then the biggest bomb since the Oasis reunion dropped.....Geddy and Alex are going to tour!!!

This announcement, of course, sparked huge excitement in the world of Rush and caused the faithful to ask many questions, none more pertinent (or is it Peartinent?) than who would be playing drums. After the death of drummer/lyricist Neil Peart in 2020, Rush fans knew the band they loved was done as The Professor was irreplaceable. But to do tribute to him and to celebrate the amazing music they all made together, someone would have to step up. Turns out that brave, talented soul is Anika Nilles - yes, a woman who is a very accomplished drummer and one The Wolf saw play with Jeff Beck in London not long before his death (see episode 90). She definitely has some chops and apparently won't be the only musician joining Geddy Lee and Alex Lifeson on stage.

Quick note: we recorded this hot take shortly after the announcement of the tour. Between recording and publishing, the band announced additional dates due to overwhelming demand. Also, the tickets went on sale after we recorded so you have to stick around until the end to see which city your heroes might be going to and if they were shutout the way they were for the Oasis reunion tour. But either way you can hear the excitement in our voices about one of our very favorites playing live one more time...

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Mark Knopfler is a celebrated guitar player and songwriter. And while his voice may not win awards for being pretty, his world-weary story songs fit his oakey-mellow vocals perfectly. Sultans of Swing of Dire Straits eponymous debut in 1978 catapulted Mark and the band to stardom with gold and platinum sales around the world. Though their 1979 follow up also sold well it didn't sell nearly as well as the first. So the band made a couple of changes.

David Knopfler, Mark's brother and DS rhythm guitarist, left the band for other pursuits. And instead of recording in The Bahamas, Mark, John Illsley (bass) and Pick Withers (drums) relocated to New York with legendary producer Jimmy Iovine. Jimmy's connection to Bruce Springsteen led to E Street Band pianist Roy Bittan joining the sessions and really giving texture, rhythm and soul to Knopfler's songs.

Though the timeless Romeo and Juliet wasn't a hit in the US, it has become a classic in pop culture for romantic scenes. Expresso Love gives Mark a chance to rip a fun solo while sharing the spotlight with Bittan on Tunnel of Love, Solid Rock and classic rock radio staple Skateaway. Though these songs are great on Making Movies, they really shined on the 1984 live album, Alchemy - one we have reviewed and one of The Wolf's very favorites.

If you're a Brothers in Arms or Greatest Hits only fan, we think you'll like this one as the piano, the guitar and Mark's lyrics set landscapes and tell the stories of a man trying to make it in the fast-paced world of rock n roll!

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By 1980, The Police were really on a roll. Their first two albums, Outlandos d'Amour and Regatta de Blanc had introduced their punk/reggae stylings to the world and had earned platinum awards on both sides of the Atlantic. Their success meant they were in demand - as a live act around the world and in the studio by A&M records. Also due to their success, they had to record outside of the UK and chose Wisseloord Studio in the Netherlands to work on their third record, Zenyatta Mondatta.

However, they had to wrap up the Regatta de Blanc tour, retreat to The Netherlands with whatever they had been writing on the road, run off to Ireland and Milton Keynes for a couple of shows, record and mix the album all in one month before they disembarked for their next tour. Though they were working with Nigel Gray, producer of their first two albums, they didn't have time to explore the songs as much as they just needed to lay them down so they could release the record on time.

Still, under all that pressure, they managed to cobble together a fine album that would go double platinum in the US. Thanks in large part to the lead single Don't Stand So Close To Me, an ode to Lolita by Vladimir Nabokov based on Sting's experience as a teacher, which would be the boys first #1 in the UK and first Top 10 in the US. Though the lyrics may have been troubling, the song is an upbeat dance tune - something The Police would master while talking about famine (Driven To Tears), the importance of the words people say (De Doo Doo Doo, De Da Da Da) and the monotony of life on the road (Man In A Suitcase). Of course Sting did most of the writing but Andy Summers contributed the Grammy winning Behind My Camel (instrumental) and Stewart Copeland offered Bombs Away & The Other Way of Stopping.

The Police never liked the mix on the record and felt they could have done better. They rerecorded the two singles in an ill-fated reunion attempt in 1986 and Sting would rework Shadows In The Rain on Dream of The Blue Turtles. But for Police fans this does stand the test of time and we celebrate Zenyatta Mondatta as it turns 45.

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As teenagers, The Wolf & Action Jackson dreamed of seeing Led Zeppelin live. However, the boys came of age in the 1980s after the band had broken up following the death of John Bonham. They were forced to live with ill-fated one-off reunions like Live Aid, Atlantic Records 40th and Knebworth. While they jumped at the chance to see Page/Plant in the mid-90s doing reworked versions of Zeppelin classics, they knew it would never be the same as a proper Led Zeppelin concert back in the day.

On this 27th edition of First Concert Memories, the monthly sidecast from the hosts of The Ugly American Werewolf in London Rock Podcast, the boys are psyched to speak with Tony Michaelides. Tony had the rare privilege to see Led Zeppelin as a teenager in Manchester right before they blasted their way to superstardom. He tells the story of Robert Plant inviting him backstage to meet the rest of the guys in the band after the show and how having a signed Zeppelin poster made him the talk of the school yard that next week.

However, this was actually just the beginning of Tony going backstage and interacting with artists as he would eventually have a 4 decade career in the music biz working with such luminaries as David Bowie, Peter Gabriel, Steve Winwood and more. Tony has gone on to write books about his experience in the industry and hosts a podcast, Moments That Rock, which share some of his amazing stories from over the years. We may not always be able to keep him on point but we do talk a bit about the show, Zeppelin's place in history and how the industry has changed over the years. A fun chat with a true rock veteran!

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1975 found Genesis in a time of transition. After coming off a lengthy and technically difficult tour for their 1974 album The Lamb LIes Down On Broadway, most everyone was a little burned out. Peter Gabriel ended up leaving the band to embark on a solo career (one that would land him in the Rock N Roll Hall of Fame) and the band were left with a lengthy audition process to replace him. Meanwhile, guitarist Steve Hackett had been accumulating music he'd written to keep him sane on the road during the difficult Lamb tour. But not only did Steve have pieces leftover from Genesis sessions, he'd begun to write pieces that might not make sense in the context of the band - acoustic pieces and songs written for a woman's voice. So while on a break from the band, he conjured up Voyage of the Acoylyte - his first solo record released on the same label as Genesis, Charisma.

To help Steve lay down these track, he enlisted the help of bandmates Mike Rutherford and Phil Collins (who would go onto replace Gabriel as the lead singer of Genesis after dozens of singers were deemed unworthy). The opening Ace of Wands is a real showcase for Steve's guitar playing - crisp tone with technique that creates a rich soundscape. And while he does do a bit of singing on the record, he leaves the vocals to more capable collaborators like Sally Oldfield on Shadow of the Hierophant and Phil Collins on Star of Sirius.

While some of this might have made sense on a Genesis album, some of the acoustic pieces or parts accompanied by his brother John Hackett on flute stand out as something different to what his band would usually produce. With a loose concept around the names of Tarot Cards, Voyage of the Acolyte takes you on a heroes journey with all sorts of incredible textures and sounds with Steve's guitar as the main focus. 50 years later, he still plays these songs live and they fit in very well with the classic Genesis songs that Steve still honors live.

Check www.hackettsongs.com for tour dates

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Longtime listeners of our show know that The Wolf is an unabashed American Oasis fan. Though he wasn't onboard from the jump, once he discovered the melodies and lyrics of Noel Gallagher, he became a true believer ready to fly the Oasis flag in an attempt to convert more US fans. But Oasis were more of a phenomenon in the UK thanks to a new liberal government, the rise of Brit Pop and Cool Britannia while they were just a couple of foul-mouthed heathens against the grunge-dominated US.

However, their 2nd album, What's The Story Morning Glory, is one of the best selling records in the history of the UK and did enjoy strong success in the US. From the opening track Hello (a great way to start an album and concert) to the light and popular Champagne Supernova, Oasis created a juggernaut that was ready to explode after the success of their debut, Definitely Maybe.

And while Some Might Say and Don't Look Back in Anger would go on to be the first two #1 hits for the band in the UK, while Wonderwall would become known as one of the biggest pop/rock songs in UK history, you can't tell the full story of the album without the b-sides. Made during the heyday of CDs and CD singles, everytime the band released a new single they gave their fans 4 songs - basically an EP every couple of months. Included in these releases are some amazing songs like Acquiesce (perhaps the greatest b-side of all time), Talk Tonight, Rocking Chair, Masterplan and an amazing version of Cum on Feel The Noize. The 2014 re-release captures all those songs and more and is highly recommended by The Wolf to stream or buy.

Obviously Noel Gallagher went through an incredibly creative period using different styles like the hard rocking Morning Glory, fun and jangling She's Electric, and foot stomping Roll With It. On their current world reunion tour, they play 8 songs off the album and 3 more b-sides from the era. Their epic performance at Glastonbury reflected how far the band had come in 2 short years from just learning the songs to being the biggest rock band on the planet.

As it turns 30 and the boys are out on their victory lap tour, we take some time to dial into all the songs, the difference between their success in the UK vs the US and ponder what the future might hold for the brothers Gallagher.

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In late 1975, Rush were feeling confident. Their previous album Fly By Night had taken a step forward from their eponymous debut and new drummer Neil Peart had not only set a new standard for drumming but was ready to become the band's lyricist thanks to his voracious appetite for reading. Thanks to Neil, the lyrics could become more introspective while also walking into a fantastic fantasy world of conquering heroes and their journies.

But not everything they did was relatable for the average teenage rock fan. Bastille Day, a triumphant rocker that opens the album, harkens back to the French Revolution. I Think I'm Going Bald was a bit of an inside joke but was truly a song about growing up and growing older. While the nostalgic Lakeside Park recalled times from Neil's youth, it was a mellow tune about innocence vs. experience.

However the epic Necromancer, a nod to Neil's JRR Tolkien worship, and The Fountain of Lamneth were 12 and 20 minute suites of music more suited to the likes of 70s Yes or Genesis than the Led Zeppelin's of the world who Rush seemed to be more like on their first two outings.

While these long, proggy songs are to be admired for their musicianship and the boys maturity at around 22 years old to be able to write and play mature stories, it falls short of what they would achieve on their next record, 2112. Sales, radio play and concert turnouts were so bad that the record company demanded the next album feature more radio friendly material or they'd be dropped. While Rush stuck to their guns and made 2112 their own way, which led them to their greatest success to that point and put them on their own path, Caress of Steel is a bit of an outlier beloved by very few in the #RushFamily. As it turns 50, we finally give it our track x track review.

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We at The Wolf are excited to present our 250th episode of UAWIL and want to take a moment to thank all our loyal listeners & social media followers. Building this show and the community of fellow rock fans has been such a fun and sometimes magical adventure around the world these past 5 years. We want to express our sincere thanks for coming on the journey with us.

Also, we like to do big guests on our 50th shows - Ryan Condal EP of House of the Dragon Ep 50, Nick Mason's Saucerful of Secrets live (after welcoming Gary Kemp and Guy Pratt on earlier to promote the show) Ep 100, Steve Kilbey of The Church Ep 150 and Steve Howe of Yes Ep 200. And we are proud to welcome one of rock music's most celebrated and contracted cover artists, Hugh Syme. Hugh is best known for his work with Rush over 50 years as their first collaboration, Caress of Steel, is 50 this year. We learned from Hugh first hand how his original piece of art was given the sepia tone at print which we all know and the songs which inspired the front and back covers. We hear about working with Neil Peart, Bob Ezrin, David Coverdale, Jimmy Page and the many models he immortalized with iconic album covers.

Hugh is also an accomplished musician in his own right and talks about recording with Rush, working with former guest of UAWIL Jim McCarty of The Yardbirds and jamming with Aerosmith. We found Hugh to be soft spoken yet wryly funny as he related tales of living in London as a teenager, working as a musician in Toronto, and the 80s and 90s living in LA when it was the heart of the music business.

And for you Rush fans, listen until the end as he announces he just submitted his artwork for an upcoming Rush anniversary reissue of one of our favorite 1980's Rush records. We had a delightful conversation with Hugh and we hope you enjoy it.

Thanks again for all the support these 250 episodes - it means the world to us. Can we make it to 1,000??? Time will tell but if you keep listening and telling us what you want to hear about, we'll keep making them. Thank you all!!

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