To kick off 2026 with a bang, we welcomed back music writer Amy Linden of Immaletyoufinish Podcast to share with all you lovely people her tale of seeing and interviewing Amy Winehouse right as she broke in the US. While Frank had been a sensation overseas, it was her new album Back To Black which would take her to dizzying heights of stardom and create an image of a hard-partying girl from North London. Amy Linden not only saw Amy Winehouse's first US performance at Joe's Pub in NYC but also interviewed her later that year and saw her subsequent NYC shows.

Amy has been in the business for decades and came on First Concert Memories last year to talk about seeing The Sex Pistols in their final show in San Francisco when she was new to the industry. As an industry insider, she relates the story of pitching the Village Voice to let her cover Amy's US debut. Linden sticks up for Winehouse as a troubled woman who just needed a hug despite her tough exterior. Hear about Winehouse singing with The Dap-Kings and her back up singers/dancers created an amazing show.

But you'll also hear how she saw signs in her interview that Amy was troubled and the shows she gave later in 2007 didn't live up to the promise of the early 2007 show at Joe's Pub. Amy Winehouse had the talent to be an enduring superstar but her lifestyle and health problems ensured that she would be known as a shooting star.

Great insights from Amy Linden - hear her on Immaletyoufinish Podcast

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To start our second look back on 2025, we want to thank everyone who listens to our show and interacts with us to share your love of rock music. We've entered our 6th year and want to show appreciation for all of you who choose to share your rock n roll journey with us. It inspires us to keep our curiosity alive and learn more about the music we love. So thank you all.

To wrap up the year we had to pay respects to the many rockers and legends we lost, including guest of the show Terry Reid. Superlungs is British Rock Royalty and we're sorry he's gone but glad we had the chance to thank him for the music. From Ace Frehley to Ozzy Osbourne and Brian Wilson to Sly Stone we lost too many this year and we took a moment to honor them.

Looking back on seeing Metallica from the owner's box in Nashville to Iron Maiden in Stockholm and legends like Yes, The Black Crowes and Jason Bonham's Led Zeppelin Evening stoked the fires of some fond memories. And our 3 episode series on Live Aid at 40 really stirred some nostalgia and gave us the chance to welcome original MTV VJ Alan Hunter to the show. And we had to thank our artists and legendary guests like Metal Blade Records CEO Brian Slagel, artist Hugh Syme, Stu Allen and Scarlet Rivera. 2025 was a great year and 2026 is looking great at The Wolf!!

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What a year 2025 has been! We want to take the opportunity to thank all of our loyal listeners and all the new ones who've found us this year. In a year of milestones we celebrated our 250th episode in September and then wrapped up our 5th year of the show in November. Our love of rock music is stronger than ever and we're so happy we get to share it with like-minded rock fans from around the globe. So thank you for all the support!

It has become tradition that we break down our year in review into 2 different shows: one on the albums, authors & podcasters we welcomed on the show and a second on the live concerts we reviewed and artists and legends we hosted. This first edition focuses on the 35 albums we celebrated, which ones we loved, we ones surprised us and which ones made us want to do another by that artist in 2026.

Then we walk through all the authors and podcasters who came on our show, usually on our monthly sidecast First Concert Memories. It's a great showcase for fans of rock music to share the stories that helped shape their rock n roll journey and relive some fond (and sometimes not so fond) memories. Next week is Part 2 on the live shows, artists and legends with a special in memoriam to pay tribute to the legends we lost in 2025.

Until then, enjoy 2025 Part 1 - The Albums, Authors & Podcasters!!

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The 1980s were an incredible time for pop and rock music. Thanks to technology and MTV, many genres enjoyed great success throughout the decade. But movies enjoyed quite a heyday as well with blockbusters that created huge stars and studios started to realize that catering to teens and young adults could help you gain viewers. But when music and movies were put together the right way, the outcome could have enormous impact on Generation X and create memories stronger than any made via music or movies alone.

So we're proud to offer our personal Top 10 1980s Movie Soundtracks based on our own preferences. Though the criteria might be a little vague, we generally picked out soundtracks that had an impact on us as rock fans and were from movies that were important in the culture. But we also chose soundtracks that were essential to the movie in telling the story and popped up in important scenes. Not all of the music will necessarily be rock but as that's what we love, it dominates our choices. And we made a long list of honorable mentions as some might have been big hits but we didn't like them for whatever reason. Or maybe we loved them as children but they didn't age well or we grew out of them. Nostalgia's a hell of a drug and that's what we felt compiling these lists and sharing them with YOU, the listener.

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Yes has been around for more than 55 years. They've made some of the world's best progressive rock music and even had some success on the pop charts. While The Wolf was living in London, he got to see Yes at Royal Albert Hall on the Close to the Edge 50 Tour which was a special night. It was there that he truly came to appreciate the talents of Jon Davison, the lead singer who is very close in age to your hosts. A friend of the late Taylor Hawkins, he does justice to classic Yes songs from throughout the catalog.

After that show, The Wolf wanted to make sure he never missed his heroes again as long as Davison was fronting the band. On October 27, the boys came to his town and not only did he attend but he brought The Wolfcub, an aspiring guitar player, to see Steve Howe do his thing live. And they both loved the show (and The Wolfcub was handed an official Steve Howe guitar string!).

They performed classics throughout the catalog and then after an intermission played Fragile in it's entirety straight-through, including big hits like Roundabout and Long Distance Runaround. But fan favorites like South Side of the Sky and Heart of the Sunrise really got the diehards on their feet! Steve Howe had his time in the sun on Mood for a Day and Geoff Downes had his spotlight doing the Rick Wakeman penned Cans and Brahms. Billy Sherwood showed why Chris Squire chose him to carry on his legacy, especially on The Fish and Jay Schellen kept them all in time.

For those who wouldn't go because not enough original or heyday members are still in the band, we understand your argument. But this version of Yes fronted by Jon Davison delivers solid shows doing classics you love and the big screen behind them featuring Roger Dean artwork coming to life makes for a killer night out with Yes.

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The Wolf and Action Jackson were too young and too straight to get into 70s heartthrobs The Bay City Rollers. The Scottish boys were plastered all over every teen magazine throughout the 70s to the delight of screaming pre-teen girls all over the world. One of those fans was Holly Cantos, the co-host of What Difference Does It Make? Podcast where they talk about the amazing music of the 1980s and host guests from the industry.

But twice in 1977 (or at least we think that was the right year), a young Holly got to go see her heroes live and in the flesh thanks to her friend Laura's mom working for a promoter. Holly takes us back to a pre-internet, pre-social media world where the fanzines were the only place to see their crushes other than the album covers. She regales us with stories of dressing in tartan and covering her walls with pics of her faves while living in the San Fernando Valley.

But there's always a twist on First Concert Memories, the monthly sidecast from your friends at The Ugly American Werewolf in London Rock Podcast, and Holly delivers. Because not everyone can handle all the screaming and pushing in the front row so her experience was cut short and she does name names on the show!

What an experience for a 12 year old to see her heroes in the front row in 1977!!

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The Wolf & Action Jackson will admit they aren't the world's biggest Beatles fans. Though we appreciate their influence to help create the music we love through generations, we generally don't gravitate towards their albums. However, in researching Rubber Soul as it turns 60 on December 3, we gained new appreciation and respect for the Lads from Liverpool. They had grown up quite a bit in the last few years and found themselves writing more mature lyrics while experimenting with different sounds.

The Beatles had met and befriended Bob Dylan and in their second trip to the US had met Elvis and formed mutual admiration societies with The Byrds, Motown and Stax. They experimented with LSD and the boys used to call Rubber Soul the pot album as they partook during the recording. So as they wove all those influencers into their own music, they also started to write more personal songs.

Paul exchanged sweet nothings for standoffish goodbyes in songs like You Won't See Me and I'm Looking Through You. A contemplative John Lennon reminisces about growing up (In My Life) and the eternal search for that special someone (Girl). Young George Harrison was ready to step up to the plate with his own mature offerings like Think For Yourself and If I Needed Someone.

The album was well received by peers and critics and is considered the point where the album became more than just a larger collection of songs but one statement from a moment in time. Norwegian Wood (This Bird Has Flown) was an international hit about an affair John had. Michelle seems like a sweet ode to a French girl when it was the boys making fun of Paul for trying to speak French at parties to meet girls. Even the big hit Drive My Car is very tongue in cheek about the silliness and pitfalls of fame. Though the oldest of them were 25, The Beatles proved they were more than just cute mop tops with guitars. They were artists pushing the envelope in the studio of what rock music could be. Rubber Soul was that next step in the evolution of the band and rock.

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Queen found themselves in trouble in late 1975. They had a terrible management contract they were desperate to get out of, they'd had to cancel a tour which was only booked to recoup money and they had spent over 40,000 pounds (equal to over $600,000 today) at seven different studios trying to make their 4th album, A Night At The Opera. If it wasn't a success the band might have folded up. But thanks to an unorthodox lead single that was not only bizarre but over six minutes long, the band found themselves on top of the world.

The vocal harmonies that define the enduring sound of Queen are all over the album, even as the boys experimented with different instruments, recording techniques and their voices as well. You can't define the record with one genre as the epic The Prophet's Song is long and proggy while it melts into the sweet Love of My Life. Freddie attacks their ex manager in straight ahead Death on Two Legs and then quickly segues into the old-timey Lazing on a Sunday Afternoon. While John Deacon pens an ode to his wife with You're My Best Friend, Roger Taylor is proclaiming I'm in Love with My Car. In '39, Brian May takes us forward in time with astronauts in a bar sing-a-long style. But Bohemian Rhapsody with it's soulful piano to start followed by bombastic harmonies, so heavy Brian May guitar and head banging play out was the game changer.

Bo Rap would eventually go number 1 and into the top ten around the world 3 times - when first released, around the time of Wayne's World (when your heroes were college roommates, and again after the movie of the same name was a worldwide success. It lifted Queen out of their financial woes and onto the world stage to a level at which they never really left. As this classic turns 50 November 22, we were happy to gain an appreciation for the band as a whole by examining an album only they could make.

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When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad.

As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music.

And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing!

After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun.

Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!!

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Every metalhead knows Motorhead for their all out attack playing style with raunchy lyrics that bounces you from one three minute bludgeoning to the next. When Lemmy Kilmister (gravely vocals and lead bass), "Fast" Eddie Clark (lead guitar), and Phil "Philthy Animal" Taylor recorded Ace of Spades in 1980, the band were hot. 1979 saw the release of Overkill and Bomber, two beloved classics in their catalog, the latter of which going to #12 in the UK. They were making a racket all around Europe and found themselves with the soft-spoken Vic Maile in Jackson's Studios (not our co-host Action Jackson's studio) to make what would become their biggest selling and defining album.

From Ace of Spades to The Hammer there are no brakes, no pauses, no ballads, no turning it down. Whether you're gambling day and night (Ace of Spades), making time with the ladies (Love Me Like a Reptile, Fast and Loose, Jailbait) or doing violence in the street (Shoot You in the Back, The Hammer), Lemmy and the boys crush their way through the lens of rough and rowdy real-life rockers. They give a shout out to the young fans who follow them to follow their dreams (Live to Win) and show their love for the guys who live just as hard as they do (We are) the Road Crew) which creates a sense of family and belonging. Fire, Fire and Dance give the audience a chance to shout along The Chase Is Better Than the Catch sums up Lemmy's livestyle succinctly.

Hearing Lemmy sing and not just scream is a testament to Vic Maile and what Fast Eddie does with this guitar as Lemmy is occupying that space with his lead bass is why we feel this is the best Motorhead lineup. They may have actually been able to play a bit more than they show but they are all about straight-ahead, white line fever, drink, smoke, rock hard, screw, and do it all again tomorrow. This album is the quintessential Motorhead record and as it turns 45 we give it its due credit.

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