As teenagers, The Wolf & Action Jackson dreamed of seeing Led Zeppelin live. However, the boys came of age in the 1980s after the band had broken up following the death of John Bonham. They were forced to live with ill-fated one-off reunions like Live Aid, Atlantic Records 40th and Knebworth. While they jumped at the chance to see Page/Plant in the mid-90s doing reworked versions of Zeppelin classics, they knew it would never be the same as a proper Led Zeppelin concert back in the day.

On this 27th edition of First Concert Memories, the monthly sidecast from the hosts of The Ugly American Werewolf in London Rock Podcast, the boys are psyched to speak with Tony Michaelides. Tony had the rare privilege to see Led Zeppelin as a teenager in Manchester right before they blasted their way to superstardom. He tells the story of Robert Plant inviting him backstage to meet the rest of the guys in the band after the show and how having a signed Zeppelin poster made him the talk of the school yard that next week.

However, this was actually just the beginning of Tony going backstage and interacting with artists as he would eventually have a 4 decade career in the music biz working with such luminaries as David Bowie, Peter Gabriel, Steve Winwood and more. Tony has gone on to write books about his experience in the industry and hosts a podcast, Moments That Rock, which share some of his amazing stories from over the years. We may not always be able to keep him on point but we do talk a bit about the show, Zeppelin's place in history and how the industry has changed over the years. A fun chat with a true rock veteran!

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1975 found Genesis in a time of transition. After coming off a lengthy and technically difficult tour for their 1974 album The Lamb LIes Down On Broadway, most everyone was a little burned out. Peter Gabriel ended up leaving the band to embark on a solo career (one that would land him in the Rock N Roll Hall of Fame) and the band were left with a lengthy audition process to replace him. Meanwhile, guitarist Steve Hackett had been accumulating music he'd written to keep him sane on the road during the difficult Lamb tour. But not only did Steve have pieces leftover from Genesis sessions, he'd begun to write pieces that might not make sense in the context of the band - acoustic pieces and songs written for a woman's voice. So while on a break from the band, he conjured up Voyage of the Acoylyte - his first solo record released on the same label as Genesis, Charisma.

To help Steve lay down these track, he enlisted the help of bandmates Mike Rutherford and Phil Collins (who would go onto replace Gabriel as the lead singer of Genesis after dozens of singers were deemed unworthy). The opening Ace of Wands is a real showcase for Steve's guitar playing - crisp tone with technique that creates a rich soundscape. And while he does do a bit of singing on the record, he leaves the vocals to more capable collaborators like Sally Oldfield on Shadow of the Hierophant and Phil Collins on Star of Sirius.

While some of this might have made sense on a Genesis album, some of the acoustic pieces or parts accompanied by his brother John Hackett on flute stand out as something different to what his band would usually produce. With a loose concept around the names of Tarot Cards, Voyage of the Acolyte takes you on a heroes journey with all sorts of incredible textures and sounds with Steve's guitar as the main focus. 50 years later, he still plays these songs live and they fit in very well with the classic Genesis songs that Steve still honors live.

Check www.hackettsongs.com for tour dates

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Longtime listeners of our show know that The Wolf is an unabashed American Oasis fan. Though he wasn't onboard from the jump, once he discovered the melodies and lyrics of Noel Gallagher, he became a true believer ready to fly the Oasis flag in an attempt to convert more US fans. But Oasis were more of a phenomenon in the UK thanks to a new liberal government, the rise of Brit Pop and Cool Britannia while they were just a couple of foul-mouthed heathens against the grunge-dominated US.

However, their 2nd album, What's The Story Morning Glory, is one of the best selling records in the history of the UK and did enjoy strong success in the US. From the opening track Hello (a great way to start an album and concert) to the light and popular Champagne Supernova, Oasis created a juggernaut that was ready to explode after the success of their debut, Definitely Maybe.

And while Some Might Say and Don't Look Back in Anger would go on to be the first two #1 hits for the band in the UK, while Wonderwall would become known as one of the biggest pop/rock songs in UK history, you can't tell the full story of the album without the b-sides. Made during the heyday of CDs and CD singles, everytime the band released a new single they gave their fans 4 songs - basically an EP every couple of months. Included in these releases are some amazing songs like Acquiesce (perhaps the greatest b-side of all time), Talk Tonight, Rocking Chair, Masterplan and an amazing version of Cum on Feel The Noize. The 2014 re-release captures all those songs and more and is highly recommended by The Wolf to stream or buy.

Obviously Noel Gallagher went through an incredibly creative period using different styles like the hard rocking Morning Glory, fun and jangling She's Electric, and foot stomping Roll With It. On their current world reunion tour, they play 8 songs off the album and 3 more b-sides from the era. Their epic performance at Glastonbury reflected how far the band had come in 2 short years from just learning the songs to being the biggest rock band on the planet.

As it turns 30 and the boys are out on their victory lap tour, we take some time to dial into all the songs, the difference between their success in the UK vs the US and ponder what the future might hold for the brothers Gallagher.

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In late 1975, Rush were feeling confident. Their previous album Fly By Night had taken a step forward from their eponymous debut and new drummer Neil Peart had not only set a new standard for drumming but was ready to become the band's lyricist thanks to his voracious appetite for reading. Thanks to Neil, the lyrics could become more introspective while also walking into a fantastic fantasy world of conquering heroes and their journies.

But not everything they did was relatable for the average teenage rock fan. Bastille Day, a triumphant rocker that opens the album, harkens back to the French Revolution. I Think I'm Going Bald was a bit of an inside joke but was truly a song about growing up and growing older. While the nostalgic Lakeside Park recalled times from Neil's youth, it was a mellow tune about innocence vs. experience.

However the epic Necromancer, a nod to Neil's JRR Tolkien worship, and The Fountain of Lamneth were 12 and 20 minute suites of music more suited to the likes of 70s Yes or Genesis than the Led Zeppelin's of the world who Rush seemed to be more like on their first two outings.

While these long, proggy songs are to be admired for their musicianship and the boys maturity at around 22 years old to be able to write and play mature stories, it falls short of what they would achieve on their next record, 2112. Sales, radio play and concert turnouts were so bad that the record company demanded the next album feature more radio friendly material or they'd be dropped. While Rush stuck to their guns and made 2112 their own way, which led them to their greatest success to that point and put them on their own path, Caress of Steel is a bit of an outlier beloved by very few in the #RushFamily. As it turns 50, we finally give it our track x track review.

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We at The Wolf are excited to present our 250th episode of UAWIL and want to take a moment to thank all our loyal listeners & social media followers. Building this show and the community of fellow rock fans has been such a fun and sometimes magical adventure around the world these past 5 years. We want to express our sincere thanks for coming on the journey with us.

Also, we like to do big guests on our 50th shows - Ryan Condal EP of House of the Dragon Ep 50, Nick Mason's Saucerful of Secrets live (after welcoming Gary Kemp and Guy Pratt on earlier to promote the show) Ep 100, Steve Kilbey of The Church Ep 150 and Steve Howe of Yes Ep 200. And we are proud to welcome one of rock music's most celebrated and contracted cover artists, Hugh Syme. Hugh is best known for his work with Rush over 50 years as their first collaboration, Caress of Steel, is 50 this year. We learned from Hugh first hand how his original piece of art was given the sepia tone at print which we all know and the songs which inspired the front and back covers. We hear about working with Neil Peart, Bob Ezrin, David Coverdale, Jimmy Page and the many models he immortalized with iconic album covers.

Hugh is also an accomplished musician in his own right and talks about recording with Rush, working with former guest of UAWIL Jim McCarty of The Yardbirds and jamming with Aerosmith. We found Hugh to be soft spoken yet wryly funny as he related tales of living in London as a teenager, working as a musician in Toronto, and the 80s and 90s living in LA when it was the heart of the music business.

And for you Rush fans, listen until the end as he announces he just submitted his artwork for an upcoming Rush anniversary reissue of one of our favorite 1980's Rush records. We had a delightful conversation with Hugh and we hope you enjoy it.

Thanks again for all the support these 250 episodes - it means the world to us. Can we make it to 1,000??? Time will tell but if you keep listening and telling us what you want to hear about, we'll keep making them. Thank you all!!

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On the 26th edition of First Concert Memories, we go back to 1986 to hear the story of one young rock fan's first ever Van Halen concert. Our Pantheon Podcasts brother Ilan Fong of What's Hot in the Strip Clubs was only 8 or 9 years old when he heard his older sister playing Van Halen I on her stereo. From that moment, his life was changed and was always curious about the music coming from the rooms of his older siblings. He'd wanted to see the 1984 tour but he was too young and his older brother told him because he'd just seen the Diver Down Tour, he would sit out 1984 and then take Ilan to the next one.

The only problem there is the band broke up. David Lee Roth went solo and Van Halen famously replaced him with former Montrose singer Sammy Hagar. Hear how Ilan looked forward to finally seeing his guitar hero Eddie Van Halen perform his immortal solo live in Pittsburgh in August of 1986. We dissect the setlist (so few Dave era songs), discuss what Sammy was up to while the other guys did their solos, and where it ranked among all the Van Halen and David Lee Roth live shows.

And as a bonus, he tells a story of intrigue with Guns N Roses as they returned to Montreal for the first time after the Axl Rose meltdown that led to a riot. A tale of strip clubs, drug dealers, and snowball fights that you'll definitely enjoy!

Visit Ilan at www.whatshotitsc.com

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By 1985, The Replacements had seen and done a few things. They'd recorded a couple of records (see our review of Let It Be at 40) and been out on some tours. They'd made enough noise that they were signed to major label Sire and were ready to take on the world with bigger shows, music videos and tv appearances. But wait, were they?

The boys were still drinking heavily thanks to Bob Stinson and Paul Westerberg's crippling stagefright. They still hated doing any kind of promotion, which they saw as selling out and not punk. And when they finally made it on Saturday Night Live in early 1986 to promote their 1985 classic, Tim, they were banned for life for Westerberg's use of the f word on live tv.

However, Westerberg's poignant songwriting and raspy vocals were at the top of their game and Tim is considered a true masterpiece of the 1980s. It may not have even gone gold, but songs like Hold My LIfe, Kiss Me On The Bus and Dose of Thunder not only showed that they could arrange a quality pop song but could address issues that may be in juxtaposition from their hard rockin punk riffs. Swingin Party talks about how hard it is to be an introvert in forced social situations, Little Mascara is the tale of a girl with bad taste in men who loses nothing when her loser guy finally leaves her and Left Of The Dial captures life on the road between college towns for a band trying to make it.

Originally, the album had a bad mix. However, thanks to a 2023 remix as part of a box set from Ed Stasium, these songs can now be heard clearly and loud the way they were always supposed to be heard. As Tim turns 40, we celebrate what is likely The Replacements greatest achievement and go track by track to show why everyone should be familiar with this 1985 gem.

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The Wolf has had a complicated relationship with The Black Crowes. As a young man, he felt the music industry had conspired to anoint the Crowes as the next big thing in rock. MTV, rock radio, Rolling Stone, etc all seemed to be on the Crowes bandwagon and were shoving them down our throats (or that's what it seemed like). The fact that their first single was a cover and Chris Robinson's cocky attitude just didn't jibe with what our host was looking for in the early 90s.

However, after seeing them open for the Grateful Dead in 1995, he bore witness to what a great live band they were. So while he still may have had issues with their front man and his attitude, the fact of the matter were they were the real deal live. But when his idol Jimmy Page joined the Crowes for a tour and eventually released a live album with them, again he was despondent that his biggest guitar hero had taken up with this band he didn't love. BTW - the newly released deluxe edition of them Live at the Greek is a killer Crowes or Zeppelin collectible.

in 2024, Aerosmith was supposed to do one final tour and the Black Crowes were slated to open for them. When Aerosmith was forced to cancel the tour, The Wolf found himself more disappointed in missing the Crowes than the last gasp of Aerosmith. So when the Black Crowes came to town as a headliner, The Wolf wasn't going to miss his chance and he wasn't disappointed.

Hear him discuss with Action Jackson the band, their show, the power of Chris Robinson's voice, the guitar porn, the stuff he didn't know and the Rolling Stones cover that he wasn't expecting. A great live show and we're happy to share it with some soundbites for your listening pleasure!

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It's hard to imagine being in Pink Floyd in 1975. 1973's Dark Side of the Moon had not only achieved high praise from the critics but had sold better than most any album ever recorded. Nick Mason, Rick Wright, Roger Waters and David Gilmour had soared to extraordinary heights thanks to their balance of technological experimentation, their examination of modern capitalistic life and Waters' biting lyrics. They had plenty of money and adoring fans. The only worry was what to do next.

For months they noodled around Abbey Road Studios (EMI Studio at the time) trying to find new inspiration; apparently while they drank each other under the table. Engineers and producers were sacked in an attempt to capture their greatness and harness all the capabilities of the latest available technology. Out of that came Wish You Were Here - an album that may not receive the praise (or sales) of Dark Side or The Wall but is perhaps their most listenable effort of the 1970s and a favorite among Gilmour and Wright.

The very progressive and Floydian suite Shine On You Crazy Diamond Parts 1-5 start the album by creating an atmosphere of awe and wonder. Waters lyrics describe their former bandmate Syd Barrett; their former leader who had lost a battle with his own schizophrenia which led to the boys not encountering him for 7 years. However, in an odd twist of fate Syd made it to EMI during the mixing of the album with a shaved head, shaved eyebrows and weighing more than double than when they'd last seen him. It all adds to the mystery and legacy of Syd and Pink Floyd.

Before the 6-9 suite of Crazy Diamond, we are treated to some wonderful Pink Floyd classics. Welcome to the Machine offers mechanical noises and dismal lyrics to not only warn of but welcome the new entries into the military industrial complex. The acoustic Wish You Were Here is a sweet yet remorseful song about lost friendship and the unfortunate changes that come with growing up and growing old. Have A Cigar is a very cheeky view of the music business but as neither Waters or Gilmour could quite pull off the right tone, they employed old friend Roy Harper to provide the vocals. All three are classic rock staples and songs the band would perform together and as solo artists throughout their careers.

Often overlooked compared to the other Floyd output of the 1970s, we find this has aged well, is still very listenable and is as poignant as ever 50 years later.

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