The Ugly American Werewolf in London Rock Podcast

The Ugly American Werewolf in London is a weekly podcast about classic rock, hard rock, progressive rock, heavy metal, early MTV, 80s music, UK vs. US chart success and all things rock! Hosted by The Wolf and Action Jackson, who interview rock legends, review classic albums and concerts of their favorite classic rock bands each week. Once a month, they welcome musicians, writers and fans to First Concert Memories to tell about one particular night where a live concert changed their life. Action & The Wolf have an unquenchable thirst for knowledge of rock music and its history.

Catch interviews from members of amazing bands like The Police, Yes, Pink Floyd, The Yardbirds, Dire Straits, Simple Minds, Spandeau Ballet, AC/DC, Genesis & more. Tune in to hear what they're passionate about!

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In 1986 we lived in a divided country. People who were once good friends now found themselves on opposite sides of one of the most charged debates in the history of mankind. You had to choose - Van Halen or Van Hagar?!?!

After their diamond seller 1984 ruled the world that summer, charismatic frontman David Lee Roth was looking at other opportunities. In 1985 he released his covers EP, Crazy from the Heat, fans hoped that it was just a side project. But once the boys announced that Sammy Hagar, former solo artist and frontman of Montrose, had joined the band for their March, 1986 album 5150.

Recorded in Eddie's 5150 Studio, their first without producer Ted Templeman, the album ushered in a new era for the band. Sammy brought a broader perspective to their lyrics and Eddie wrote on both his guitar and keyboards. To some, they feared their guitar god was going soft and playing with his synths too much. And big hits like Love Walks' In, Why Can't This Be Love and Dreams all features keyboards but Eddie still delivers plenty of Eddie Van Halen magic.

Inextricably tied by most Van Halen fans to the Live Without A Net home video, the boys reminisced about why they didn't get into it immediately but eventually came to appreciate the album thanks to the VHS.

Is this the best of all the Sammy records? Is it in the Top 5 Van Halen albums? Higher?

Tell us what you think!

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Here’s a clip of our interview with legendary drummer/composer Stewart Copeland of The Police.

Hear the whole interview with Stewart about playing the Paralympics, his Police Deranged for Orchestra tour and speaking series here: Stewart Copeland Interview

Keep up with Stewart at ⁠stewartcopeland.net⁠

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Stewart Copeland is so much more than the drummer from The Police. Over the decades he's been in numerous bands, scored films and tv series, written operas, performed with orchestras and engaged folks on his speaking tours. He's lived around the world and toured it as well, while being part of some of the most memorable songs and videos in the early MTV era. As The Wolf and Action Jackson are (grown?) children of the MTV generation, we fulfilled our lifelong dream of speaking with the gregarious American member of our first favorite rock band.

Stewart's articulate and energetic personality shines as he talks about his opportunity to play the opening ceremonies of the Paralympic Games in Italy. He regales with stories of when Andy entered the picture and made his life easier while Summers presence meant Sting finally had someone to give his songs the proper harmonies he'd been looking for. Though we loved those Godley & Creme videos from Synchronicity, he said all three of them were completely miserable during the whole experience.

But he also talks about finding his love for making music again by working with Francis Ford Coppola while creating movie scores. The long prep with orchestras to perform Police - Deranged for Orchestra shows that he still has a great work ethic (and we look forward to reviewing that performance soon) and he loves the laughs he gets from his Have I Said Too Much speaking tours.

His unbridled passion and enthusiasm are evident throughout the interview which two lifelong fans hope you enjoy as much as we did.

Keep up with Stewart at stewartcopeland.net

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When we first interviewed Metal Blade Records CEO/Founder Brian Slagel, one of the true godfathers of heavy metal, he told us about his first ever concert - KISS on the Alive! Tour in 1976. Talk about a high bar to live up to for rock n roll live production!?! Who would he find that can deliver such a live performance?

The answer is Iron Maiden, the heavy metal pioneers that Brian has witnessed live over 300x, who incorporate all kinds of props, blistering playing, lights, pyro and even an enormous mascot, Eddie. Brian takes us back to 1981 as Maiden were opening for Judas Priest. Brian tells us how he sold the album Killers in his record store to help promote the band he loved and sought out every album and single from the New Wave of British Heavy Metal he could get his hands on. So he jumped on a plane to Houston to see his favorite band.

Hear how Brian was thwarted by Texas cops as he attempted to headbang, how his buddy gave him a ride to interview Steve Harris at the hotel after the show and the power of Maiden during the early years. Brian also talks about how Paul Di'Anno dropped a bomb on him ahead of a show in Long Beach as he interviewed him for his fanzine, The New Heavy Metal Revue.

It was our pleasure to spend time with one of the true pioneers of metal, especially in the US, and hear how his first Maiden show ranks against the 300+ concerts he's seen with the boys over 45 years.

Learn more about Brian and his podcast 100 Songs That Define Heavy Metal at www.metalblade.com/us

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Jay Schellen has been with Yes for almost a decade though he didn't become the full-time drummer until the passing of Alan White after 50 years in the band in 2022. As Yes are taking their Fragile Tour to the UK this April (and we covered the tour on episode 263, beware of setlist spoilers), we sat down with Jay to learn more about his long career, journey to Yes and the band's future.

Jay grew up in New Mexico and developed an early love of music and drumming. At a young age he moved to LA and immediately connected with Yes alum Tony Kaye who became a mentor, brother and friend to Jay. From there he worked with many bands and artists like Peter Banks (Yes), Billy Sherwood (Circa, Yes) and Geoff Downes (Buggles, Asia, Yes). Once he made his way into the orbit of Yes, it was a no brainer for him to fill in when Alan White was unavailable, to share the stage with Alan and eventually be hand-picked as his successor.

We talk about Jay's amazing career, the fun of playing Fragile in its entirety, their upcoming tour of the UK & Europe this spring, new music coming from Yes this year and a return to Japan and the US. Visit yesworld.com for tickets and updates on Jay and Yes.

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By 1986, Metallica's assault on the music establishment and eardrums was in full force. Their previous album, Ride The Lightning, had caught the attention of Elektra Records who signed them to an 8 record deal. Though they refused to make videos, weren't on MTV and didn't really release singles, the band gained fans anywhere they played live and through an underground tape trading community. They were establishing thrash metal alongside Slayer, Megadeth and Anthrax through constant touring and a relentless lifestyle.

The boys really upped their game on Master of Puppets through stronger vocals from James Hetfield, more punishing riffs and melodic (and sometimes spacey) bass from Cliff Burton. The opener Battery sets the tone for this very influential album before giving way to the 8+ minute title track. True to form, Metallica offered up an instrumental in Orion which was heavily influenced by the classical training of Cliff Burton. Songs about war (Disposable Heroes), fake evangelism (Leper Messiah), insanity Welcome Home (Sanitarium) make for one amazing heavy metal album, the likes of which the world hadn't seen.

We talk about the songs, what they mean in the Metallica catalog, their tour for the record with Ozzy and of course the tragedy in Sweden that took the life of Cliff Burton. From underground band to being featured on Stranger Things, the journey of Master of Puppets is one for the ages.

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By 1986, Ozzy Osbourne already had the reputation as the Mad Man of Metal. Since his departure from Black Sabbath, he'd created a whole new act that was very successful thanks to his wife and manager Sharon (Arden) Osbourne and the talented musicians she got to play & record with him. After a string of multi-platinum solo records in the US, you'd figure that Ozzy was on top of the world and ready to continue to dazzle audiences around the world. However, things weren't so rosey in Ozzy's den.

Sharon made him go to rehab and Betty Ford which may helped him slow down but didn't stop his use of drugs and alcohol. A reunion with Black Sabbath at Live Aid put his next solo writing sessions on hold and he end up losing his rhythm section, including long-time bassist Bob Daisley. Guitarist Jake E Lee who blew fans away with his performance on Bark at the Moon was upset about not receiving writing credits (or royalties) from that record and refused to proceed until his contract was worked out to his liking.

Despite all that, The Ultimate Sin is still a classic Ozzy album. From the title track to the finale in Shot in the Dark, there are amazing metal moments with brilliant guitar pyrotechics from Jake. The title track, Thank God for the Bomb and Killer of Giants all refer to the ongoing Cold War that kept people living in fear. LIghtning Strikes and Shot in the Dark received steady rotation on MTV and eventually The Ultimate Sin went double platinum. Unfortunately, Ozzy wasn't happy with the mix by producer Ron Nevison so this album is now out of print and Shot in the Dark is not included on any of Ozzy's greatest hits albums. While controversy and infighting may have followed Ozzy around, his status as a bonafide Metal God is never in question on this album and we think Jake E Lee deserves more credit as a guitarist and songwriter than he receives. Nevertheless, The Ultimate Sin may not be his best solo record but we count it among his classics of the 1980s.

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Jay Buchanan’s first solo album since joining Rival Sons, Weapons of Beauty, is now available!

We spoke to Jay about writing the record in the desert, how he conjured up these incredibly personal stories and being a part of Ozzy’s last performance in Birmingham in July, 2025.

Hear our entire conversation here: https://open.spotify.com/episode/1Lsy6jb7a8IndqQbD3J0Im?si=LPUHAasCR9aOxtLQ76doLA

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During The Lamb Lies Down on Broadway Tour, Peter Gabriel informed his Genesis bandmates that he would be leaving once his touring duties were fulfilled. While this was disappointing to the band, some members of the press heralded it as the end of Genesis. However, Tony Banks, Mike Rutherford and Steve Hackett could all contribute to the songwriting as could their wily drummer, Phil Collins. So the band forged ahead and began and exhaustive search for lead singers.

To make a long story short, they figured out that Phil had the kind of voice they were looking for and decided it best if he came out from behind the drum kit to be the lead singer. While sometimes replacing the lead singer can cause a revolt of hardcare fans, it actually opened up the band for greater success in the US as they found his funny, entertaining style more fun than the serious, artsy Gabriel. Their first post-Gabriel effort was A Trick of the Tail, a gathering of 8 eclectic songs that hold them to their progressive roots but also branch out into more radio friendly material.

The opener Dance on a Volcano let's Hackett and Banks bounce off each other in bombastic proggy fashion while the follow up Entangled is a more lilting back and forth. And it adds a bit of humor as does Robbery, Assault and Battery which lets Collins adjust his accent for different characters. Ripples is a lovely song that would portend more like it in the coming years and Los Endos is a great way to end the album (and a concert).

Of course we talk about all the politics, go track x track and discuss how this album started them on a more pop path, one that would end up with them on top of the rock /pop world 10 years later.

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