The Ugly American Werewolf in London Rock Podcast

Queen found themselves in trouble in late 1975. They had a terrible management contract they were desperate to get out of, they'd had to cancel a tour which was only booked to recoup money and they had spent over 40,000 pounds (equal to over $600,000 today) at seven different studios trying to make their 4th album, A Night At The Opera. If it wasn't a success the band might have folded up. But thanks to an unorthodox lead single that was not only bizarre but over six minutes long, the band found themselves on top of the world.

The vocal harmonies that define the enduring sound of Queen are all over the album, even as the boys experimented with different instruments, recording techniques and their voices as well. You can't define the record with one genre as the epic The Prophet's Song is long and proggy while it melts into the sweet Love of My Life. Freddie attacks their ex manager in straight ahead Death on Two Legs and then quickly segues into the old-timey Lazing on a Sunday Afternoon. While John Deacon pens an ode to his wife with You're My Best Friend, Roger Taylor is proclaiming I'm in Love with My Car. In '39, Brian May takes us forward in time with astronauts in a bar sing-a-long style. But Bohemian Rhapsody with it's soulful piano to start followed by bombastic harmonies, so heavy Brian May guitar and head banging play out was the game changer.

Bo Rap would eventually go number 1 and into the top ten around the world 3 times - when first released, around the time of Wayne's World (when your heroes were college roommates, and again after the movie of the same name was a worldwide success. It lifted Queen out of their financial woes and onto the world stage to a level at which they never really left. As this classic turns 50 November 22, we were happy to gain an appreciation for the band as a whole by examining an album only they could make.

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When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad.

As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music.

And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing!

After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun.

Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!!

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Every metalhead knows Motorhead for their all out attack playing style with raunchy lyrics that bounces you from one three minute bludgeoning to the next. When Lemmy Kilmister (gravely vocals and lead bass), "Fast" Eddie Clark (lead guitar), and Phil "Philthy Animal" Taylor recorded Ace of Spades in 1980, the band were hot. 1979 saw the release of Overkill and Bomber, two beloved classics in their catalog, the latter of which going to #12 in the UK. They were making a racket all around Europe and found themselves with the soft-spoken Vic Maile in Jackson's Studios (not our co-host Action Jackson's studio) to make what would become their biggest selling and defining album.

From Ace of Spades to The Hammer there are no brakes, no pauses, no ballads, no turning it down. Whether you're gambling day and night (Ace of Spades), making time with the ladies (Love Me Like a Reptile, Fast and Loose, Jailbait) or doing violence in the street (Shoot You in the Back, The Hammer), Lemmy and the boys crush their way through the lens of rough and rowdy real-life rockers. They give a shout out to the young fans who follow them to follow their dreams (Live to Win) and show their love for the guys who live just as hard as they do (We are) the Road Crew) which creates a sense of family and belonging. Fire, Fire and Dance give the audience a chance to shout along The Chase Is Better Than the Catch sums up Lemmy's livestyle succinctly.

Hearing Lemmy sing and not just scream is a testament to Vic Maile and what Fast Eddie does with this guitar as Lemmy is occupying that space with his lead bass is why we feel this is the best Motorhead lineup. They may have actually been able to play a bit more than they show but they are all about straight-ahead, white line fever, drink, smoke, rock hard, screw, and do it all again tomorrow. This album is the quintessential Motorhead record and as it turns 45 we give it its due credit.

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On a very special First Concert Memories we welcome two extraordinary guests to not only tell us all about a series of concerts from 50 years ago but for an upcoming show that will celebrate a very special tour in music history.

The enchanting Scarlet Rivera, a world renowned violinist who toured with Bob Dylan's Rolling Thunder Revue in the 1970s's and played the haunting violin on Hurricane, is teaming up with Stu Allen to celebrate that historic tour. Stu is a veteran of jam band heavyweights in Northern California (Phil Lesh & Friends, Mars Hotel, Dark Star Orchestra) and is leading Scarlet and his friends in concert on November 4, 2025 at The Junction in Mill Valley (get tickets here www.thejunc.com/music-calendar).

Scarlet regales us with tales from the road when Bob Dylan decided he wanted to play live again but wanted to play in smaller venues and connect with people along the way. With greats like Mick Ronson onboard, Dylan also collected poets (Allen Ginsberg), playwrights (Sam Shepard), folk legends (Joan Baez, Joni Mitchell, Roger McGuinn) and a cast of characters to create not only incredible music on stage but to feed his own creativity and curiosity.

The scene was captured by Stefan van Dorp and Martin Scorsese created a film for Netflix in 2019 that gave context to this unique tour. Scarlet was along for the ride after Dylan flagged her down while she was crossing the street in Greenwich Village. Hear who she befriended on tour and the rock legend she was dating at the time without knowing what his stage shows were all about (she ended it after seeing him live).

If you can make it to The Junc in Mill Valley on November 4, please do and tell em The Wolf sent ya! If you can't we know you'll still love hearing from Scarlet Rivera about her fond memories of The Rolling Thunder Revue and why she's excited to play with Stu to enjoy those tunes live once again.

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1982 saw supergroup Asia reach the top of the charts with their self-titled debut which would go onto be the #1 selling album in the US that year. Smash hit Heat of the Moment hit #1 on the rock charts and so Geffen pushed them back into the studio for 1983's follow up Alpha which went platinum. To take advantage of this momentum, Geffen Records put together Asia in Asia in late 1983 - the first satellite concert broadcast via MTV in Japan. Clearly this success should have continued into the mid-80s.

However, cracks were forming. The Alpha album was rushed and though the tour was successful, singer John Wetton was behaving badly. So with 6 weeks until the Asia in Asia broadcast, he was replaced by Greg Lake (who played with drummer Carl Palmer in Emerson Lake & Palmer). Though the tour and broadcast was a success, Greg didn't fit and eventually John was welcomed back.

In early 1984, they began working on their 3rd album, Astra, but again problems arose. John demanded that legendary guitarist Steve Howe be dismissed and they eventually carried on with Swiss guitarist Mandy Meyer (not Mandy Moore). However, between the missing Steve Howe guitar pieces and the fact that music had changed since the summer of 1982, Astra was not the hit Geffen was hoping for.

We examine all that went on in the Asia camp during this time and go track by track on Astra as it turns 40. Go was a bit of hit with a big budget video but the album couldn't break the top 60. Though standouts like Hard On Me and Too Late harken back to the original Asia sound, some songs are a bit soft and are lacking that key guitar ingredient that led to their success. John Wetton's voice is incredible and Geoff Downes lays down some amazing, melodic keys but there is a reason this fals short of their first two records.

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By 1985, Simple Minds were coming off a #1 album in the UK with Sparkle in the Rain and sales from all around the world. But it only went to #64 in the US and they needed something to spark greater interest across the pond. When Don't You Forget About Me from The Breakfast Club Soundtrack hit #1 in May 1985, a song they originally resisted, they had that spark and built on that success with memorable performance at Live Aid in Philadelphia. Their next album would need to be special to keep the momentum building.

New York producer Jimmy Iovine (Bruce Springsteen, Stevie Nicks, Tom Petty) came to London to work with the boys as they welcomed in new bass player John Giblin. He encourage Jim to emote more - to really sing his heart out - in the studio and his soul is captured on Once Upon A Time. Jim's lyrics are optimistic about the future - the native Glaswegians know where they come from (Oh Jungleland) and can be proud of what they've accomplished (Come a Long Way). Alive and Kicking would be the first single to follow up #1 smash Don't You Forget About Me and soared up the charts, thanks in part to a music video shot in the Pocono Mountains - former Simple Minds drummer Mel Gaynor enlightens us with a funny story from that video shoot!

They can get political without getting preachy (Ghostdancing) while bringing you to your feet with glorious salvation (Sanctify Yourself). Released October 21, 1985, Once Upon A Time would be the 2nd consecutive #1 in the UK and the 1st gold record for the band in the US.

But what if they put Don't You Forget About Me on it? It was already a #1 and hadn't been on a Simple Minds album. The Wolf believes it would have resulted in millions of more sales and fans for the band in the US but that's a debate you'll have to hear!

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Long time listeners know that Rush is one of The Wolf's top 3 favorite bands of all time. The Wolf & Action Jackson camped out to see Rush on the Roll The Bones Tour and The Wolf has seen them 12x live. After reviews of Fly By Night and Caress of Steel at 50 plus an interview with longtime collaborator Hugh Syme on the 250th and a First Concert Memories show on the mini-tour between Permanent Waves and Moving Pictures, we figured we were done with Rush episodes in 2025. Then the biggest bomb since the Oasis reunion dropped.....Geddy and Alex are going to tour!!!

This announcement, of course, sparked huge excitement in the world of Rush and caused the faithful to ask many questions, none more pertinent (or is it Peartinent?) than who would be playing drums. After the death of drummer/lyricist Neil Peart in 2020, Rush fans knew the band they loved was done as The Professor was irreplaceable. But to do tribute to him and to celebrate the amazing music they all made together, someone would have to step up. Turns out that brave, talented soul is Anika Nilles - yes, a woman who is a very accomplished drummer and one The Wolf saw play with Jeff Beck in London not long before his death (see episode 90). She definitely has some chops and apparently won't be the only musician joining Geddy Lee and Alex Lifeson on stage.

Quick note: we recorded this hot take shortly after the announcement of the tour. Between recording and publishing, the band announced additional dates due to overwhelming demand. Also, the tickets went on sale after we recorded so you have to stick around until the end to see which city your heroes might be going to and if they were shutout the way they were for the Oasis reunion tour. But either way you can hear the excitement in our voices about one of our very favorites playing live one more time...

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Mark Knopfler is a celebrated guitar player and songwriter. And while his voice may not win awards for being pretty, his world-weary story songs fit his oakey-mellow vocals perfectly. Sultans of Swing of Dire Straits eponymous debut in 1978 catapulted Mark and the band to stardom with gold and platinum sales around the world. Though their 1979 follow up also sold well it didn't sell nearly as well as the first. So the band made a couple of changes.

David Knopfler, Mark's brother and DS rhythm guitarist, left the band for other pursuits. And instead of recording in The Bahamas, Mark, John Illsley (bass) and Pick Withers (drums) relocated to New York with legendary producer Jimmy Iovine. Jimmy's connection to Bruce Springsteen led to E Street Band pianist Roy Bittan joining the sessions and really giving texture, rhythm and soul to Knopfler's songs.

Though the timeless Romeo and Juliet wasn't a hit in the US, it has become a classic in pop culture for romantic scenes. Expresso Love gives Mark a chance to rip a fun solo while sharing the spotlight with Bittan on Tunnel of Love, Solid Rock and classic rock radio staple Skateaway. Though these songs are great on Making Movies, they really shined on the 1984 live album, Alchemy - one we have reviewed and one of The Wolf's very favorites.

If you're a Brothers in Arms or Greatest Hits only fan, we think you'll like this one as the piano, the guitar and Mark's lyrics set landscapes and tell the stories of a man trying to make it in the fast-paced world of rock n roll!

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By 1980, The Police were really on a roll. Their first two albums, Outlandos d'Amour and Regatta de Blanc had introduced their punk/reggae stylings to the world and had earned platinum awards on both sides of the Atlantic. Their success meant they were in demand - as a live act around the world and in the studio by A&M records. Also due to their success, they had to record outside of the UK and chose Wisseloord Studio in the Netherlands to work on their third record, Zenyatta Mondatta.

However, they had to wrap up the Regatta de Blanc tour, retreat to The Netherlands with whatever they had been writing on the road, run off to Ireland and Milton Keynes for a couple of shows, record and mix the album all in one month before they disembarked for their next tour. Though they were working with Nigel Gray, producer of their first two albums, they didn't have time to explore the songs as much as they just needed to lay them down so they could release the record on time.

Still, under all that pressure, they managed to cobble together a fine album that would go double platinum in the US. Thanks in large part to the lead single Don't Stand So Close To Me, an ode to Lolita by Vladimir Nabokov based on Sting's experience as a teacher, which would be the boys first #1 in the UK and first Top 10 in the US. Though the lyrics may have been troubling, the song is an upbeat dance tune - something The Police would master while talking about famine (Driven To Tears), the importance of the words people say (De Doo Doo Doo, De Da Da Da) and the monotony of life on the road (Man In A Suitcase). Of course Sting did most of the writing but Andy Summers contributed the Grammy winning Behind My Camel (instrumental) and Stewart Copeland offered Bombs Away & The Other Way of Stopping.

The Police never liked the mix on the record and felt they could have done better. They rerecorded the two singles in an ill-fated reunion attempt in 1986 and Sting would rework Shadows In The Rain on Dream of The Blue Turtles. But for Police fans this does stand the test of time and we celebrate Zenyatta Mondatta as it turns 45.

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As teenagers, The Wolf & Action Jackson dreamed of seeing Led Zeppelin live. However, the boys came of age in the 1980s after the band had broken up following the death of John Bonham. They were forced to live with ill-fated one-off reunions like Live Aid, Atlantic Records 40th and Knebworth. While they jumped at the chance to see Page/Plant in the mid-90s doing reworked versions of Zeppelin classics, they knew it would never be the same as a proper Led Zeppelin concert back in the day.

On this 27th edition of First Concert Memories, the monthly sidecast from the hosts of The Ugly American Werewolf in London Rock Podcast, the boys are psyched to speak with Tony Michaelides. Tony had the rare privilege to see Led Zeppelin as a teenager in Manchester right before they blasted their way to superstardom. He tells the story of Robert Plant inviting him backstage to meet the rest of the guys in the band after the show and how having a signed Zeppelin poster made him the talk of the school yard that next week.

However, this was actually just the beginning of Tony going backstage and interacting with artists as he would eventually have a 4 decade career in the music biz working with such luminaries as David Bowie, Peter Gabriel, Steve Winwood and more. Tony has gone on to write books about his experience in the industry and hosts a podcast, Moments That Rock, which share some of his amazing stories from over the years. We may not always be able to keep him on point but we do talk a bit about the show, Zeppelin's place in history and how the industry has changed over the years. A fun chat with a true rock veteran!

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