In this episode I talk to Eric Rhoads the publisher of Plein Air and Fine Art Connoisseur magazines.  He is also an artist and un charge of many various projects, a list of which can be found on this same podcast on my YouTube channel.

In this episode I visit the Manhattan studio of artist Burton Silverman.  Burton and his work have had a huge influence on my life and work as an artist and it was an absolute pleasure to get to sit down and chat with him for a while.  

In this episode I visit the Brooklyn studio of artist and teacher Edward Minoff

In this episode I visit the Lyme Academy of Fine Art in Old Lyme, Connecticut to talk to the new Director of the Sculpture Program, Chad Fisher

In this episode I visit the Redding, Connecticut studio of artist and author Todd Casey

In this episode I visit the Redding, Connecticut home of artist Jennifer Gennari

This is an essay written by Dr. Vern Swanson when he was the Director of the Springville Museum of Art.  It was published in the California Art Club's newsletter in the Spring of 2005.

This is an essay published in The Economist on April 1, 1999.  I was unable to find the author.

This is an essay written by the artist Emil Carlsen and published in 1908.  I'm not entirely sure of the source, but it may be a magazine called Palette and Bench.
Note:  In the essay Emil Carlsen recommends the use of zinc white.  Based on our understanding now, we know that zinc white is not archival and becomes very brittle over time.  Current expert suggestions would be to never use zinc white.  Lead and titanium would be good replacements. 

Here I read an article written by American Sculptor Frederick E. Hart published in the Washington Post and republished in the Salt Lake Tribune on Sunday, August 27, 1989.