The Visual Past

Episode 399

with Zeynep Çelik

hosted by Zeinab Azarbadegan and Matthew Ghazarian

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How did the Ottomans react to European attitudes and depictions of their own lands? Pondering on the groundbreaking book 'Orientalism' by Edward Said forty years after its publication, our guest Zeynep Çelik discusses the ways in which urban, art, and architectural historians have grappled with representations of the Ottomans by Europeans and representations of Ottomans by Ottomans themselves. Telling us about a number of paintings, monuments, scholarly writings and stories, she argues that Orientalism is still relevant and with us wherever we go.

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Episode 387

with Nefin Dinç

hosted by Chris Gratien

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Antoine Köpe was never a prominent politician or public figure, but he was witness to extraordinary events. Born in late Ottoman Istanbul to French and Hungarian parents, Antoine was there to celebrate the 1908 Young Turk revolution, fight in the First World War, live under an Allied occupation, and experience the emergence of the national resistance and the establishment of the Republic of Turkey. Driven by an irresistible instinct to document, he produced writings, drawings, audiovisual recordings, and a 10-volume memoir of his unusual life. In this episode, our guest filmmaker Nefin Dinç shared more about the life of Antoine Köpe, which is the subject of a documentary project titled "Antoine the Fortunate."

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Episode 346

with Jan Haenraets

hosted by Nir Shafir and Polina Ivanova

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Over the course of the seventeenth century, Kashmir became a valley adorned with gardens as Mughal emperors and nobles built garden after garden across the valley floor and mountainous landscape. In this episode, we speak with landscape architect and preservation specialist Jan Haenaerts on his research into the history of these gardens. We discuss not only their historical formation and usage of these spaces but also how they differed from the more well known Mughal gardens surrounding the Taj Mahal and Humayun's tomb. In the second half of the episode we also explore the difficulty of conserving historical gardens and landscapes in general and how this occurs in conflict areas such as Kashmir.

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Episode 327

with contributions by Zeynep Çelik, Leyla Amzi-Erdoğdular, Özde Çeliktemel-Thomen, Mehmet Kentel, Michael Talbot, Murat Yıldız, Burçak Özlüdil Altın, Seçil Yılmaz, Burçin Çakır, Zeinab Azerbadegan, Dotan Halevy, Chris Gratien, and Michael Ferguson

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Visual sources such as photographs, maps, and miniatures often serve as accompaniment or adornment within works of Ottoman history. In this episode, we feature new work that interrogates methods of analyzing and employing visual sources for Ottoman history that go beyond the practice of "image as decoration." Following a conversation with the organizers of the "Visual Sources in Late Ottoman History" conference held at Columbia University in April 2017, we speak to conference participants about the visual sources they employ in their work and how these visual sources allow us to understand the history of the Ottoman Empire and post-Ottoman world in a new light.

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Episode 309

with Ahmet Ersoy

hosted by Susanna Ferguson

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Photography came to the Ottoman empire almost as soon as it was invented in Europe. Over subsequent decades, however, techniques improved, cameras got cheaper and more portable, and photographic production, circulation, and collection in Ottoman lands moved outside of the rarefied circles of the elite studios and the state. In this episode, Ahmet Ersoy discusses one of the main media for this kind of vernacular photography--the illustrated journals of the late Ottoman empire. What can understanding the circulation of images in this form help us to understand about history, identity, and print culture in the late Ottoman Empire, as well as about how to study photography itself?

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Episode 299

with Angela Andersen

hosted by Chris Gratien and Shireen Hamza

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In this episode, we approach the religious architecture of the Alevis, to examine how practice shapes architectural space and how socioeconomic change transforms such spaces. Many of our episodes on Ottoman History Podcast have focused on how monumental architecture, such as mosques and other buildings of religious significance, are tied to political transformation and expressions of political power and ideology. Taking a different perspective, our guest, Angela Andersen, researches the history and development of Alevi architectural forms in Turkey and abroad. Historically, Alevi religious practice and cem ceremonies took place in homes and other multi-purpose buildings, which could be configured as ad hoc meeting places for local communities during the communal cem ceremony. But with Alevi urban migration to cities in Turkey, Germany, and elsewhere, the creation of a "permanent address" for Alevis has emerged in the form of community centers providing a number of services, including designated rooms or halls for the cem. In this episode, we trace the genealogy of the modern cemevi to older contexts of Alevi religious practice and consider the role played by the cemevi in Turkey's new political landscape.

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Episode 298

with Deniz Türker

hosted by Taylan Güngör

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A handful of obscure archival fragments from Sultan Abdülhamid II’s imperial library in Yıldız have revealed a curious architectural practice that took place in the urban gardens of members and officials of the Ottoman court: they had a penchant for imported chalets. In this episode, Deniz Türker discusses her research on how this relatively niche fad for importation quickly shifted to widespread local prefabrication in the last decades of the nineteenth century. With the entrepreneurial oversight of production facilities in Istanbul, a larger swath of the capital’s population began to find ways to express their domestic tastes in an extremely competitive spirit on Istanbul’s expanding suburbs. In tracing these practices through state archives, newspapers, novel, and photographs, Türker also proposes some preliminary answers to the scarcity of original architectural drawings in the Ottoman archives.

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Episode 297

with Massumeh Farhad & Simon Rettig

hosted by Emily Neumeier

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The preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur’an--the sacred text of Islam--has been less explored. The role of the Qur’an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur’an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul.

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What happens when we encounter "Orientalist" aesthetics outside the West? In the late nineteenth century, a cosmopolitan group of Ottoman architects turned to modern forms of art history writing to argue that synthesis and change stood at the heart of a particularly "Ottoman" architectural aesthetic. Working together, these writers produced the first text of modern art history writing in the Ottoman empire, the Usul-ı Mi’marî-yi Osmanî or The Fundamentals of Ottoman Architecture. This volume was published simultaneously in Ottoman Turkish, French and German for the Universal Exposition or World's Fair in Vienna in 1873. In this episode, Ahmet Ersoy explores the making of this text, its arguments, and its implications for understanding the relationship of the late-Tanzimat Ottoman Empire with Europe, its own cosmopolitan "hyphenated-Ottoman" intellectuals, and historical imagination.

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The illustrated account of the festivals surrounding the circumcision of Sultan Ahmed III's sons in 1720 is one of the most iconic and celebrated depictions of urban life in Ottoman Istanbul. With its detailed text written by Vehbi, accompanied by the vibrant miniature paintings of Levni, this work has been used as a source for understanding the cast of professions and personalities that occupied the public space of the Ottoman capital. In this episode, we focus not on the colorful characters of Levni's paintings but rather the backdrop for the celebrations: the Golden Horn and the waterfront of 18th-century Istanbul. As our guest Gwendolyn Collaço explains, the accounts of festivals in early modern Istanbul reflect the transformation of the city and an orientation towards the waterfront not only in the Ottoman Empire but also neighboring states of the Mediterranean. 

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