This episode of The White Whale is Funayūrei 3. Longest of the series at almost ten minutes. The film had a few stages of completion as it worked to become an extensive excavation of the life of bees and coordinates the narrative carried from the second through the third.

This episode of The White Whale covers Funayūrei 2. Continuing the painterly approaches to image combination, this film also devolves into some of the most abstraction of the entire series with an ending that reframes the whole.

This episode of The White Whale is Funayūrei 3. Longest of the series at almost ten minutes. The film had a few stages of completion as it worked to become an extensive excavation of the life of bees and coordinates the narrative carried from the second through the third.

This episode of The White Whale is Funayūrei 1. A new series with more painterly techniques. This video also happens upon current events and attempts to present a certain consideration of the moment.

This episode of The White Whale finishes Hikikomori with conversation of rearranging how one experiences material as a byproduct of work being achieved successfully after stepping away when there was nothing to be done. 

This episode of The White Whale shifts from the frame breakage of Hikikomori 5 to the exterior envisaged by Hikikomori 1. A larger idea embodied by numerous in this trilogy - close proximity of personal interior with moments that push away.

This episode of The White Whale tackles the fifth film of Hikikomori extensively before getting off track for the slightest of moments. 

This episode of The White Whale dives into the films of Hikikomori and doesn't get past the third video, which is actually the first video. Confused? We explain. Just listen to the podcast.

Sounds of Harlem in 1968. The story of one woman's experience during a time of great musical evolution. This piece was produced by Garrett Tiedemann and The White Whale as part of The 24-Hour Radio Race from KCRW's Independent Producer Project. 

This episode of The White Whale looks exclusively at the last film for Aokigahara and how it took making the feature film KliKt to excavate buried ideas feeding an understanding that informed the development of The Yōkai Trilogy's films.