In this episode, I reflect on finally watching Robert Eggers’ The Witch—with full spoilers—and why the film feels like such a devastating psychological and theological horror story.

I explore Thomasin, Puritan fear, original sin, repression, the shadow, and the dark parody of individuation at the heart of the film. Drawing loosely from Jung and depth psychology, I think about what happens when a religious world has no room for desire, embodiment, grief, or becoming—and how the parts of the psyche we refuse to face often return in monstrous form.

The Witch is not just a story about the Devil in the woods. It is a story about what happens when a family, a theology, and a whole moral universe cannot metabolize their own shadow.