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By Theatre for Good
The podcast currently has 13 episodes available.
Chetna Mehrotra is an artist, cultural entrepreneur and the Founder of Rangbhumi Theatre, based in Mumbai, India. She draws on a mix of applied theatre and arts-based practices to facilitate workshops in workspaces, open learning spaces and within the education system with the vision of creating a culture of expression, acceptance and love between people. As an applied theatre organization, Rangbhumi believes passionately in the power of art forms and the wonderous ability they carry for personal transformation thereby leading to a community and societal shift in the humanism of everyday living.
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Learn more about Rangbhumi Theatre on their Facebook Page
Check out some of their work on their Youtube Channel
Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work and how she is using the power of applied theatre to help teams overcome their challenges and build stronger team cultures. Thanks!
Malongdu was founded by Sonny Chatwiriyachai and is the first Theatre of the Oppressed group to exist in Thailand. The name “Malongdu” in Thai means “Let’s Try.” Their aim is to establish an alternative theatre movement in Thailand that can share the voices of oppressed people from their site of struggle and its causes. Malongdu Theatre believes that a better and just society will not be hand-fed by people at the top so we, the oppressed and friends, need to join hands and lead the way using Theatre as a weapon of peace.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
ImaginAction was born 20 years ago from the vision of Hector Aristizabal, today it is a growing network of Social Arts Facilitators that use theatre and storytelling to create spaces in which communities can see and heal themselves. In this podcast, Meg Nimigon speaks to Uri Noy Meir from ImaginAction about how the work has transformed since moving online and how ImaginAction is playing a role in curating and creating this work both on and offline with communities worldwide.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Theatre Passe Muraille (TPM) is a non-profit theatre based in Toronto, Ontario that breaks down walls by pushing against boundaries. TPM believes there should be a more diverse representation of artists, audience members, and stories in our theatre and aspires to be a leader locally, nationally, and internationally in establishing, promoting, and embracing collaborative and inclusive theatre practices. In this podcast, Meg Nimigon speaks with the Artistic Director of TPM, Marjorie Chan, and Interim Managing Director, Indrit Kasapi.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
This episode's podcast art image is thanks to Dahlia Katz.
Kimberlee Walker is a social worker, actor and Applied Theatre facilitator who is a founding member of Ontario-based not-for-profit Theatre of the Beat (TOTB). Theatre of the Beat is a theatre company with a process rooted in restorative justice principles and a passion for promoting conversations around social justice. Kimberlee developed TOTB's Restorative Justice Theatre Program which runs out of Grand Valley Institution for Women. This program marks the first time that a professional theatre company has collaborated with federally incarcerated women in Canada.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Maria Askew is an award-winning theatre director, performer, writer and educator. She leverages the power of theatre in a broad range of contexts all over the world including working with health care professionals, refugee and migrant communities, in educational settings and with NGOs and charities. Maria also heads up a Masters in Theatre for Community and Education program at Mountview Academy of Theatre Arts in London UK.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Bonface Njeresa Beti is an African multi-disciplinary practitioner working through storytelling and theatre-making as a pathway to integrating trauma-informed approaches to structural change. His work has brought him to grassroots communities in Africa, and the world, to work towards breaking cycles of violence and creating stories of peace. Bonface’s work uses Theatre of the Oppressed methodologies to deconstruct structural and internalized oppression as forms of emancipatory everyday peace.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Sara Tilley is an award-winning theatre maker and author whose artistic work bridges writing, theatre, and Pochinko Clown Through Mask technique. In this podcast, Sara dives deep into Neutral Mask and the Pochinko Clown Through Mask technique - a specialized Canadian clown method that brings people through a journey of self-exploration and awakening.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Theatre for Healing and Justice | Featuring Marc Weinblatt and Zhaleh Almaee from Mandala Center for Change
The Mandala Center is a multi-disciplinary arts education organization dedicated to community dialogue, social justice, and societal healing and transformation. Through experiential workshops, theatre performances, and other creative events, Mandala’s work invites people to be more awake and alive as well as empowered to take action toward a more just and joyous life for all.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
Sheatre is a professional community arts company located near Owen Sound, Ontario that focuses on interactive productions about social issues and on plays that celebrate community and the creative spirit. In this podcast we speak with Sheatre’s Artistic Director, Joan Chandler, who has led the collective creation of 115 plays across Ontario and abroad.
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Make sure you hit SUBSCRIBE so you don’t miss out on the latest Theatre for Good podcast episodes. And, if you enjoyed this episode, please leave us a rating and a review. You can also reach out to Meg Nimigon at [email protected] to learn more about her work or visit www.megnimigon.com. Thanks!
The podcast currently has 13 episodes available.