thebunkerny

Volte-Face is the London based artist behind BleeD, and also records alongside Daniel Avery as Rote. This mix commemorates his first new material of the year in the form of the ‘Murmuration’ EP on BleeD, released this September.

TRACKLIST

Cabaret Voltaire - Exterminating Angel / Apollo

Tobias - In Between / Ostgut Ton

Mosam Howieson - I / Silent Season

Marcos Cabral - Protected By Time Delay / Duffer Room

Monolake - Fragile / Imbalance Computer Music

Mosam Howieson - III / Silent Season

Truss - Redbrook (Fred P Remix) / Prime Numbers

Terrence Dixon, Einka - The Edge / Goldmin Music

Gunnar Haslam - Kerralel / Bunker NYC

Oscar Mulero - Subterranean / Semantica

Shawn O Sullivan - Free Flight / W.T

Fugal & Archivist - Undertow / Forthcoming BleeD

Neel - Lahar / Spazio Disponible

DJ Nobu - Spell / Semantica

????

Volte-Face - Blatchington Mill (Wata Igarashi Remix) / Forthcoming BleeD

Peter Van Hoesen - Coast To Coast / Time To Express

Christopher Joseph - It’s Not Going To Be Ok / Flexxseal

Solitary Dancer - Paradise Found (Rapture Version) / Graded

Genesis P. Orridge - On Thee Way To The Garden : Does Mind Leave / Invisible

From Connecticut to New York and now passing onto the Netherlands, until recently @jenorlando organized parties with friends and fellow DJs @maroje-1 and Anna Waluk under Brooklyn-based events collective Remedy. Influenced by both classical and contemporary sounds as well as the art of storytelling and spoken word, her style combines lush melodies and dense rhythms with the abstract in cerebral and emotive sets for various contexts, from the dance floor to yoga flows. This mix was recorded in April, 2017.

Tracklist:

Gregory Whitehead - This Is Not a Test

Dale Cornish - Cxema (Where To Now?)

Mantis - Decomposition (Black Smoke Records)

EBE-2 - The Calling (Golden Mist Records)

Vicky Chow - Rave (New Amsterdam Records)

The Orb - Moon Scapes 2703 BC (Kompakt)

N.M.O. - RIYL Roma (Diagonal Records)

Paul Lansky - Notjustmoreidlechatter (Bridge Records)

Okihide - Kwaheri (Sublime the Adolescence)

Shake - Sandblaster (Astralwerks)

The Advent - Bad Boy 2 (Internal)

Microwave Prince - Golden Times (Le Petit Prince)

Bass Clef - Transprism (The Trilogy Tapes)

Freddy Fresh - Freestylin’ (Millenium Records)

Dynamo - Außen Vor 1 (DIN)

Skee Mask - Junt (Ilian Tape)

DeFeKT - Incept (Takeover Recordings)

Fred Giannelli - Distant Gratification (Dust Science Recordings)

DJ Metatron - The Colour (Traumprinz)

Stephan Micus - 56 Flowerpots (ECM Records)

Recorded in June, 2017 ahead of The Bunker Pride event in Brooklyn on 6/24/17 (full info and tickets: http://thebunkerny.com/events/2017-06-24-the-bunker-pride)

Tracklist:

Anthony Child - Remember a Time When You Weren’t Sure Which Way Was North [Frequency Domain]

Jonathan Fitoussi and Clemens Hourriere - Instants Ephemeres [Versatile]

Aleksi Perala - UK74R1406100 [Colundi]

Octo Octa - Pitch Black [100% Silk]

Terrence Dixon - Bonus Coverage [Out Electronic]

Rrose - unreleased

Gunnar Haslam - Broadcast [The Bunker New York]

Rrose - unreleased

Neel - Sciara [Spazio]

Fjäder - The Real Does Not Die

Antenes - The Track of a Storm [L.I.E.S.]

Antigone - Walking Distance [Token]

Rrose - Nest of Queens [Eaux]

Robert Hood - Pattern 8 [Dekmantel]

Svreca - Warszawa [UMS]

Christian Piers - Strain [17 Steps]

Anthony Parasole - Explode [Dekmantel]

Shifted - Gauze [Drifting Over]

Svreca - Instituto Para El Futuro [Reclaim Your City]

Invite - Mercer [Propoganda Moscow]

Terrence Dixon - In Orbit [Out Electronic]

Bookworms - What Are You

*Mixed With*

Pessimist - Spirals [Blackest Ever Black]

Rrose - The Ends of Weather [Eaux]

@eris-drew is a mixer, song writer, keyboardist and vocalist from the Prairie State. She is also @hugoball312 's co-founder and @smartbarchicago 's resident Mother Beat medium. Drew's one-woman bopping live synth act is her personal trans femme travel log. This continuous mix of beats for your jeep is inspired by events, real and surreal, which transpired this year in Detroit during Movement weekend at The Bunker at Tangent Gallery and Club Toilet. We're excited to host Eris at our annual pride party at Output in Brooklyn on June 24, 2017.

Bonesbreaks Vol. 2 - Jamming Breakdown 2 (at 45 for the Mother Beat) (Underworld 1988)

The True Underground Sound of Rome - C 119 (2016 Analog Remaster) (Vibraphone Records 1995/2016)

Renegade Soundwave - Monphibion (Mute 1990)

Taxi C.A.B. - Our Musik Iz (Red Dog Mix) (House Jam Records 1994)

Person Of Interest (I-95 Mix) (Future Times 2017)

Four Legs - Clarky Cat (The Trilogy Tapes 2016)

Black Traxx - Sad (Tribal Mix) (Night Club Records 1992)

Groove Selecta - Ravejavik (Wildlife Recordings 2016)

Epitome of Hype - The Future (Pure Bhoomie 1991)

Orbital - Monday (album version) (FFRR 1993)

Jäfar - Black Mambo (Fragil Musique 2016)

Pizzaro - The Five Tones (Gosa-Lo Recordings 1991)

DJ Plant Texture - Gargantuan (Jericho One 2016)

DJ Swagger - One's n Two's (E-Beamz 2017)

The Latin Age - Está Loca (bonus beats) (Easy Dance Records 1989)

Disk - The Spirit (Whiteloops 2017)

Gat Decor - Passion (Buzz 1992)

Lnrdcroy - Terragem (Unthank 2015)

Seura - Whitechappel (Fragil Musique 2016)

Car Door Closing, Car Starting, Running (Major Records)

Blow - Cutter (mix) (Ten Records 1991)

Musto & Bones - Dangerous on the Dancefloor ("Killer-Diller" Dub Mix) (City Beat/Beggars Banquet, 1990)

The Shamen - Lightspan - Soundwave Mix (Renegade Soundwave) (One Little Indian Records 1990)

Yoshinori Hayashi - Cooling (Gravity Graffiti 2017)

Octo Octa - Daylight (Frndzone 01 2017)

Environments 6 - Dawn in the Okefenokee Swamp (Sumtonic Research 1974)

I could not have been more thrilled when @JasperWolff and @maarten_mittendorff, residents of Amsterdam's legendary De School, asked Derek Plaslaiko and I to play their night. One of their tracks "Trica" had been in constant rotation for me since its release but I knew little else about them. Both Derek and I were completely blown away by the opening set they played at De School; we could not have asked for a better intro to perfectly set the stage for what turned out to be one of our favorite nights all year. I immediately asked them to record a podcast for The Bunker and they responded with this special mix that features unreleased goodies from their studio and upcoming releases on their @indigoaera imprint. - Bryan Kasenic

The latest transmission from the world of Gunnar Haslam, Kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wide-ranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. An incredible work that is not easy to pigeonhole, Kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

Haslam is an avid home listener of dub, dancehall and calypso, and that influence is quickly felt as Kalaatsakia launches with a tight electro snap and dubwise crash. Kalaatsakia advances and retreats seasonally, tightening up for the floor with the chrome-plated “Broadcast” and “Kjolle” while splintering apart on “Kalapuyan” and “nxbound”. Its constituent parts are often left to collapse in on themselves, smearing themes into residual trails. As the narrative of the album disintegrates and unfolds into more deconstructed territory, it stretches out even further with a striking skittering mental tease, settling into burbling sub-audible vocals and resonant spaces that all form a part of Haslam's self-created subconscious language.

releases June 2, 2017

Written and Produced in New York City / Summer 2015

Published by The Bunker New York 2017

Mastered by Neel at Enisslab, Rome

Photos by Maya Rossignac-Milon

Design by Common Name

The latest transmission from the world of Gunnar Haslam, Kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wide-ranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. An incredible work that is not easy to pigeonhole, Kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

Haslam is an avid home listener of dub, dancehall and calypso, and that influence is quickly felt as Kalaatsakia launches with a tight electro snap and dubwise crash. Kalaatsakia advances and retreats seasonally, tightening up for the floor with the chrome-plated “Broadcast” and “Kjolle” while splintering apart on “Kalapuyan” and “nxbound”. Its constituent parts are often left to collapse in on themselves, smearing themes into residual trails. As the narrative of the album disintegrates and unfolds into more deconstructed territory, it stretches out even further with a striking skittering mental tease, settling into burbling sub-audible vocals and resonant spaces that all form a part of Haslam's self-created subconscious language.

Since 1990 Placid has been spinning the platters that matter, legendary for his sets of purest 303-drenched acid and his reputation as 'The DJ's DJ'. Resident on Dj International radio and at London's monthly acid house night I Love Acid, Placid's gigging biography has taken him to Detroit, New York, Berlin, France, Spain and Holland as well as Glastonbury and BLOC music festivals. Reputed to be owner of one of the world's most encompassing collections of Acid House, Placid is a walking acid-house encyclopaedia who can always be trusted to dig deep into his records crate to bring you a pure vinyl set of the absolute best of Acid House, Detroit Techno, Retro Electro and Chicago House.

He tells us that this mix, recorded at home, is more for the head than the feet...but we found our feet moving nonetheless.

The Bunker Podcast 143 is a liveset of new material from @heartthrob, a long-time friend who first played The Bunker at subTonic in 2005. Since then, he's graced our decks a number of times, released music on labels such as Minus, BPitch, Ghostly and Hot Creations and moved from New York to Paris to Berlin. In 2013, he started his own imprint, ISNISNT, which is releasing a record by our label artist Justin @cudmore later this year.

Like many of us, Brooklyn-based producer Gunnar Haslam has long been drawn to acid. Following two releases on The Bunker New York alongside Tin Man as a part of their improvisational Romans project, Gunnar returns with “Scale No Flam”, his first 12” single for the label. Scale No Flam is both a love letter and a demonstration of why he can’t stop getting lost in the sound. According to Gunnar, “acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.” While acid has come to be defined by the Roland 808 and the 303, the hardware alone can’t define the feeling, and Gunnar believes “You don't need a 303 to make acid, you just need an open ear and an open mind.”

After getting Mike Servito, Justin Cudmore, Derek Plaslaiko, and Bryan Kasenic all running to the booth to see what the fuck was playing at various times when Gunnar was dropping the unreleased “Scale No Flam” in his DJ sets throughout 2016, we had no choice but to press it to vinyl. Gunnar tells us he was playing around with trying to replicate the bass line of Heaven 17’s 1982 classic ‘Let Me Go’ when “things kinda mutated.” The A side is completely Gunnar’s own with a dominating acid line providing the backbone to a flangey work-out that is simultaneously totally crazy and totally logical. On the B side, fellow Brooklynites and co-members of the Hot Mix DJ crew, Mike Servito and Justin Cudmore add their perspective with a remix that draws out the hidden angular funk.